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IT CAME FROM THE READER-SUGGESTED QUEUE: WAKE IN FRIGHT (1971)

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DIRECTED BY: Ted Kotcheff

FEATURING: Gary Bond, ,

PLOT: A  teacher in the Australian outback plans to visit Sydney for his New Year’s holiday, but bad decisions and wild instincts take the lead instead.

Still from Wake in Fright (1971)

COMMENTS: The “Australian New Wave” occurred from the early 1970s and the late 1980s. Heavily inspired by the structure, transgressive nature, and aesthetics of New Hollywood and American cinema in general, these films found a solid fan base in the United States. Though made by a Canadian director, Wake in Fright, based on the titular novel by Kenneth Cook, is an excellent case study of how the Australian New Wave draws formal inspiration from genres and styles associated with American cinematic and literary traditions, starting with the opening 360° shot revealing a vast deserted landscape straight out of a Hollywood Western.

Our protagonist, a teacher in the middle of nowhere, feels trapped, but finds a glimmer of hope in the idea of visiting Sydney for a few weeks during the New Year holidays. However, nothing goes according to plan, and he finds himself trapped once again in a neighboring small town. This isn’t your typical Kafkaesque nightmare of absurd, never-ending entrapment and paranoia, however. The style is realist, reminiscent of a Southern Gothic adapted to the outback, with a similar aim of using its oppressive atmosphere to depict real social horrors. The Australian countryside here is a hellscape peopled by barbaric eccentrics. But they are not the real villains. They play the role of corruptors, but it’s our protagonist’s own deeply hidden passions and desires that push him over the edge. His own mistakes make him unable to leave this town, at least for the time being. But in the meantime, he discovers friendship and an escape from societal norms among a group of local outlaws.

The strangest of them all is Doc Tydon, an alcoholic doctor and self-taught sage who lives like a bum. He awakens the violent monster lurking inside our humble teacher through a series of violent initiation rituals culminating in a sadistic kangaroo hunt. Let it be noted that the kangaroo hunt is real, and may prove upsetting to animal lovers. On the other hand, this rawness offers a naturalistic, almost documentary-like feel.

Our hero’s journey brings him face-to-face with his inner self, in a transformation that verges on self-destruction. In any case, it isn’t a ian, surrealistic tale, even if the premise suggests something along these lines. It’s about real horrors and the way our instincts make a fool out of us. It is, above all, a psychological odyssey with a few sociological elements. A dark transgressive masterpiece, but not exactly a weird one.

WHAT THE CRITICS SAY:

“…this strange and beguiling film (served with a tangy chaser of black humour) has been given a thoroughly welcoming digital spruce-up…  an absolute must-see for fans of cult, off-kilter cinema.”–Adam Lowes, HeyUGuys (Blu-ray)

I think this movie is weirder than average
I think this movie is better than average

Wake In Fright [Limited Edition] [4K Ultra HD]

  • After a bad gambling bet, a teacher is marooned in a town full of drunk, violent men who threaten to make him just as crazy, drunk, and violent.

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CAPSULE: THX 1138 (1971)

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“You are a true believer, blessings of the State, blessings of the masses. Work hard, increase production, prevent accidents, and be happy!” — automated life coach booth in THX 1138

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DIRECTED BY: George Lucas

FEATURING: , , Maggie McOmie,

PLOT: A citizen of a future dystopia rebels against his society and must flee the consequences, hobbled by the people he genuinely cares about.

Still from THX 1138 (1971)

COMMENTS: The first thing we must do is firmly separate the subject of THX 1138‘s creator from the discussion of THX 1138. That alone makes this a challenging movie to view objectively. We’re here today to decide whether THX 1138 is a weird movie. Would the discussion be the same if its famous director wasn’t also the guy who made Star Wars?

George Lucas sows creative seeds here which will later bear fruit in Star Wars. The legions of android cops who chase the title character and company around brings to mind future Stormtroopers; their shiny metallic faces would later update into the countenance of C-3PO. The society is that of a hivemind of stoic drones, like many worlds in the Star Wars universe. Lucas, the world’s champion in the Second-Guessing-Yourself Olympics, would re-release new cuts of THX 1138; new versions opened with a brief trailer for the classic serial Buck Rogers series, which Lucas indicated was a huge influence on Star Wars (as if we couldn’t guess).

When it comes to THX 1138, Buck Rogers is far from its main influence. THX 1138 is about a futuristic dystopian society where one citizen rebels and tries to either escape the system or bring it all crashing down. Other movies in this genre using this exact same story template include (*deep breath!*): Metropolis, The 5,000 Fingers of Dr. TAlphaville, Fantastic Planet, Brazil, Akira, Zardoz, The Apple, Snowpiercer, High-Rise, The Platform, and Greatland, just to mention a few already reviewed here. Now consider the literature: “1984,” “Brave New World,” and the never-adapted, shamefully underrated Ira Levin novel This Perfect Day.” These literary works share a ton of DNA with THX 1138.

The dystopian genre produces both some of mainstream cinema’s most beloved masterpieces and some titles from the crème de la crème of the List. But it’s been done. Every kind of batty off-the-wall dystopia idea has been done ten times.

So THX 1138 fails at originality. However, it is strong in execution. Like all the great sci-fi classics from the mid-20th century, it has a distinct look and feel all its own. The movie’s entire society is housed underground, so it has a claustrophobic mentality from start to finish. Even though it’s a color film, the palette is, pathologically, a glaring white with gray and black accents. Everyone is shaved skinhead-bald, regardless of gender, which together with the pure white pajamas they wear makes them all appear like laboratory rats frantically Continue reading CAPSULE: THX 1138 (1971)