Tag Archives: 1980

CAPSULE: THE SILENT SCREAM [AKA SILENT SCREAM] (1980)

DIRECTED BY: Denny Harris

FEATURING, Rebecca Balding, , Yvonne De Carlo, Brad Reardon, Avery Schreiber

PLOT: College students rent rooms in a mysterious mansion by the beach only to find that the landlords are a tad invasive.

Still from Silent Sc4ream (1980)

WHY IT WON’T MAKE THE LIST: The Silent Scream is not a particularly weird movie.  Instead, it is a  dated relic of the “Unusual ’80’s” horror movie phenomenon.  The 1980’s produced a glut of highly conventional, large-draw slasher flicks such as Friday The 13th and the Halloween sequels.  The decade also produced a couple of dozen unusual and distinctive efforts such as Fade To Black, My Bloody Valentine, Grandma’s House, and Motel Hell.  Odd films like these dwell on a darker, more rarefied level, one that hasn’t been visited much in the intervening years.  Newly released on DVD after 29 years, The Silent Scream is a noteworthy entry in this later category of period horror.  Until last year it had been lost in the mysterious, silvery mists of screen-scream antiquity.

COMMENTS:  Barbara Steele stars as the villain in this dated ’80’s American-made shocker.  Good character development, strong performances, and relatively little gore distinguish this effort from the usual slasher fare.

Here’s the setup: Cute and saucy Scotty Parker (Balding) transferred to her university a couple of weeks late and missed out on the fun of bunking with a bunch of freaks she doesn’t know in the dorms.  Challenged to find accommodations, she gravitates toward the old Engels house, a foreboding, sea-side edifice.

The creepy Engels place is run—on behalf of his very reclusive MOTHER! (De Carlo)—by a wrapped-awfully-tight, real-life Milhouse Van Houten character named Brad (Reardon).  Brad harbors a wide variety of deeply seated personal issues.  (Hey, who’s that looking through my air vent?)  Three more hormonally bloated students sign rental agreements and the school year is off to a beer and bodily fluid saturated start.  For most of them, that is.  The fratboy/ Continue reading CAPSULE: THE SILENT SCREAM [AKA SILENT SCREAM] (1980)

62. ALTERED STATES (1980)

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“You don’t have to tell me how weird you are. I know how weird you are… Even sex is a mystical experience for you. You carry on like a flagellant, which can be very nice, but I sometimes wonder if it’s me that’s being made love to. I feel like I’m being harpooned by some raging monk in the act of receiving God.”–Blair Brown to William Hurt in Altered States

DIRECTED BY: Ken Russell

FEATURING: William Hurt, , Charles Haid, Bob Balaban

PLOT: Dr. Eddie Jessup is a Harvard physiologist who used to experience religious visions as a teenager and is now studying the phenomenon of hallucinations caused by sensory deprivation in isolation tanks.  His inquiries into the nature of consciousness eventually take him to an isolated tribe in Mexico who use a powerful psychedelic mushroom in ancient Toltec religious rituals.  When he combines the magic mushrooms and the isolation tank, he finds that the mixture causes him to regress to an earlier evolutionary state.

Still from Altered States (1980)

BACKGROUND:

  • The character of Dr. Jessup was based on the real life Dr. John Lilly, who invented the isolation tank and experimented with using hallucinogens in combination with it before moving on to research on communicating with dolphins.
  • Lilly tells the tale of a fellow researcher who took the drug ketamine and believed that he had turned into a “pre-hominid” and was being stalked by a leopard, which was presumably the kernel for the the idea of genetic regression.
  • This was William Hurt’s first starring role.
  • A young Drew Barrymore, in her film debut, briefly appears as one of Jessup’s children.
  • Paddy (Network) Chayefsky, the three-time Oscar winning screenwriter, adapted his own novel for the screen; he was so displeased with the final results that he had his name removed from the credits.  Chayefsky had originally written the story as a satire of the pretensions of the scientific community.  The original director, Arthur Penn, resigned after disputes with the writer.  Russell and Chayefsky reportedly argued on the set over the actors’ line readings and performances.  Chayefsky’s original novel is long out of print.
  • The seven-eyed lamb that appears in Jessup’s first vision comes straight from the Book of Revelations: “…in the midst of the elders, stood a Lamb as it had been slain, having seven horns and seven eyes…” (Rev 5:6).

INDELIBLE IMAGE:  One of the two major trip sequences (you can take your pick).  The crucified seven-eyed, seven-horned lamb from the first  is a popular favorite. In a sense, however, the quick-cut surrealistic montages play as a whole images that can’t be chopped up into constituent parts.

WHAT MAKES IT WEIRD: Ken Russell makes it weird. There’s no director more eager or better suited to make a science fiction movie about hallucinogenic drugs that bring about religious visions.  With its long, intense episodes of druggy delirium, Altered States may well be the greatest trip movie ever made (and it’s certainly the most expensive). Put it this way: you know the movie’s weird when the sight of a naked, simian William Hurt gnawing on a bloody gazelle is one of the film’s more humdrum visions.

Original trailer for Altered States

COMMENTS: There are fishes swimming in the sky behind William Hurt’s head.  He offers his Continue reading 62. ALTERED STATES (1980)

CAPSULE: CHRISTMAS EVIL (1980)

AKA You Better Watch Out

DIRECTED BY: Lewis Jackson

FEATURING: Brandon Maggart

PLOT: After young Harry sees his father making love to his mother while dressed as Santa Claus, he grows up obsessed with jolly old St. Nick; one Christmas Eve, he snaps.

christmas_evil
WHY IT WON’T MAKE THE LIST: Christmas Evil has a few nice, weird little touches scattered throughout. Several times the film seems to switch perspective from an objective view to Harry’s skewed subjective view without giving the audience notice. The darkly witty Santa lineup scene, the out-of-left-field Frankenstein homage, and of course the memorable final shot, where Harry completely breaks with reality and takes the viewer with him, are memorable enough. There is also an eerie atmosphere throughout, helped greatly by an unsettling electronic score. Unfortunately, there aren’t enough such high points to justify placing Christmas Evil on the overall list of 366.

COMMENTSChristmas Evil is a serious character study—or, at least, an honest attempt at a serious character study—of a middle-aged loser who lives in a dangerous fantasy world of his own making. There are many little subtle details (catch, for example, the vintage Santa poster depicting St. Nick as a forbidding judge with a gavel) that provide a black comedy feel. On the other hand, it’s very slow to get started and the cheapness of the production often shows to its disadvantage–there’s one terrible editing glitch at the company Christmas party that’s so obvious and jarring, it suggests a loss of financing during post-production. Overall, it’s not nearly as bad as detractors would have it, or as as good as its few defenders (like John Waters) would like to believe. If Christmas Evil were a gift in your stocking, it wouldn’t be a lump of coal, or the keys to a new Mitzubishi Lancer; it would be a pair of cheap but comfy socks in a crazy color scheme that’s not to everyone’s taste.

When it debuted, Christmas Evil (then known as You Better Watch Out) was an oddity: the first film to depict the previously jolly ol’ St. Nick as a homicidal killer. Since then, the holiday vidscreens have been decked with Santa-slasher dreck such as Santa Claws (1996), Santa’s Slay (2005), and the Silent Night, Deadly Night series (1984-1991, with a remake on the way), greatly diminishing the novelty of a psycho Santa. Christmas Evil has little in common with it’s bloody progeny, and is probably the best entry in the sleazy sub-genre it inspired.

WHAT THE CRITICS SAY: “…the best seasonal film of all time. I wish I had kids. I’d make them watch it every year and, if they didn’t like it, they’d be punished!” -John Waters, Crackpot

CAPSULE: KUNG FU ARTS [HOU FU MA] (1980)

AKA Kung Fu: Monkey, Horse, Tiger

DIRECTED BY: Lee Shi Chieh, Lee Geo Shu

FEATURING: Carter Wong [as Huang Chia-Da], Cheng Shing, Sida the French Monkey Star

PLOT:  A princess marries a chimpanzee, amidst intrigue in the Chinese imperial court.

kung_fu_arts

WHY IT’S ON THE BORDERLINE:  Any film featuring “Sida the French Monkey Star” is at least a little weird.  The main obstacle to Kung Fu Arts cementing a place in the list of 366 is that it’s coming out of the weirdest movie genre of all—those short lived 1970s “chopsocky” movies made quickly, dubbed badly, and exported to the West to cash in on the popularity of Bruce Lee.  When the average entry in this genre features fists that cut the air with a loud swoosh, heavily stylized but amazingly choreographed fight scenes between men wearing brilliantly colored robes, and silly dialogue that surrealistically refuses to keep up with the actor’s lips, the threshold to be considered “weird” rises significantly.  Kung Fu Arts adds monkeys to the formula: monkeys who are addressed by the ensemble as if they were mute actors with a perfect understanding of Cantonese, but monkeys nonetheless.  This is creates a fairly high weirdness quotient, but in the end I decided not to make Kung Fu Arts a finalist, because I have faith there were even more deserving entries out there.  But don’t be surprised to see this movie reconsidered and placed on the list some day in the future.

COMMENTS:  If you’re tuned in to the chopsocky wavelength (and you should be), Kung Fu Arts is an entertaining little picture.  Although it’s somewhat light on fighting, it has wonderful costuming, an intriguing fairy-tale plot, and a reasonable amount of chuckles stemming from the straight-faced acting directed at the primate stars.  From the moment the imperial guards fall to their knees and plead with Sida to come down from the rooftop with the king’s pilfered royal proclamation, to the final battle where a small army of primates help the hero to defeat the evil usurper to the throne, Kung Fu Arts supplies plenty of silly smiles, some intended by the filmmakers, and many unintentional.

Kung Fu Arts is available as part of the Mill Creek 50 Martial Arts Movie Pack.  Because the movie is in the public domain, it’s available for download from Public Domain Torrents.

WHAT THE CRITICS SAY: ” The plot is completely nonsensical (though possibly based on some sort of Chinese myth), and it seems like the film was designed mostly for children with some potty humour thrown in for good measure.”–Doug Tilley, Movie Feast (DVD)