POD 366, EP. 110: SOUTH AFRICA’S “STREET TRASH” – RYAN KRUGER AND SEAN C. MICHAEL

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Discussed in this episode:

Ash (2025): An astronaut wakes up on a spaceship to find her crew dead, and wonders if she can trust the man who arrives claiming to be a rescuer. Some psychedelic scenes highlight this sophomore feature from . No official site located.

Harlequin (1980): Read Giles Edwards’ review. The “mystical oddity” gets a physical media upgrade from Indicator. Blu-ray and 4K UHD editions are sold separately. Buy Harlequin.

Thirst (1979): Read Pamela De Graff’s review. As with Harlequin, you can purchase this Australian vampire flick in either Blu-ray or 4K UHD. Buy Thirst.

Tommy (1975): Read Scott Sentinella’s List Candidate review. Visit the Acid Queen again with this 50th Anniversary reissue in a 2-disc 4K UHD/Blu-ray set (curiously, no special features on offer). Buy Tommy.

WHAT’S IN THE PIPELINE: No guest officially scheduled for next week’s Pod 366, but Giles and Greg will return with a look at the week’s weird news and releases. In written reviews, Shane Wilson handles one that Came from the Reader-Suggested Queue with the Christian puppeteer documentary Hands of God (2005), Giles Edwards tracks down another reader suggestion in the impressively-titled Oh Dad, Poor Dad (Momma’s Hung You In the Closet & I’m Feeling So Sad) (1961), Enar Clarke enters The Mountains of Madness (1972), and Gregory J. Smalley plans to catch (and report on) cosmic sci-fi/horror Ash (above). Onward and weirdward!

2 thoughts on “POD 366, EP. 110: SOUTH AFRICA’S “STREET TRASH” – RYAN KRUGER AND SEAN C. MICHAEL”

  1. I always thought that Tommy should’ve made the List (instead of, say, Lair of the White Worm, which I found, by Ken Russell’s standards, a quite conventional – and not all that great – horror comedy). Perhaps it’s high time to add it to the Apocrypha at least.

    1. This morning, my copy of “Tommy” arrived.

      Minutes ago, I finished watching the film for the first ever time.

      I’ll chat with management about this omission.

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