WEIRD HORIZON FOR THE WEEK OF 1/16/09

A new feature looking at potentially weird films that are currently in theaters, coming to DVD soon or in production. Visit the official sites to see trailers.

IN THEATERS (LIMITED RELEASE):

$9.99: A Claymation feature about a young unemployed man’s search for the Meaning of Life through the wisdom to be found in a booklet on the subject, priced at an affordable $9.99.  From an Etgar Keret short story, with voices provided by Geoffrey Rush and Anthony LaPaglia.  $9.99 Official Site.

IN PRODUCTION

s. Darko (2009):  Post-production.  Yes, it’s Donnie Darko 2.  Yes, it’s a bad idea.  The plot picks up with Donnie’s now-teengaed younger sister Samantha (Daveigh Chase, reprising her role from the first movie).  Fans of the original are up in arms.  Writer/director Richard Kelly is not involved; undistinguished Chris Fisher (Dirty [2005]) will helm.  Expectations are so low the film probably can’t help but exceed them.  IMBD pageMovie Poster and Plot Summary at moviesonline.ca.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

WEIRD HORIZON FOR THE WEEK OF 1/9/09

A new feature looking at potentially weird films that are currently in theaters, coming to DVD soon or in production. Visit the official sites to see trailers.

IN THEATERS (WIDE RELEASE):

The Curious Case of Benjamin Button: An adaptation of the F. Scott Fitzgerald story about a man who is born elderly, but grows younger as he ages. Starring Brad Pitt and Cate Blanchett, directed by certified weird director David Fincher (Fight Club). The Curious Case of Benjamin Button Official Site

Australia: Down-under epic is unlikely to be extremely weird, but magical powers of the Australian aborigines taken at face value have raised some critical eyebrows. Director Baz Luhrman (William Shakespeare’s Romeo & Juliet, Moulin Rouge) also has some weird leanings. Starring Nicole Kidman, Hugh Jackman and a cute kid.  Australia Official Site

The Spirit: Appears to be a rehash of the comic book style of graphic novelist turned director Frank Miller’s cult hit, Sin City.  Reviews have not been kind, although they do occasionally call it “incomprehensible,” which sounds promising.  With Eva Mendes, Scarlett Johnasson, and Samuel L. Jackson.  The Spirit Official Site

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

CAPSULE: CHRISTMAS EVIL (1980)

AKA You Better Watch Out

DIRECTED BY: Lewis Jackson

FEATURING: Brandon Maggart

PLOT: After young Harry sees his father making love to his mother while dressed as Santa Claus, he grows up obsessed with jolly old St. Nick; one Christmas Eve, he snaps.

christmas_evil
WHY IT WON’T MAKE THE LIST: Christmas Evil has a few nice, weird little touches scattered throughout. Several times the film seems to switch perspective from an objective view to Harry’s skewed subjective view without giving the audience notice. The darkly witty Santa lineup scene, the out-of-left-field Frankenstein homage, and of course the memorable final shot, where Harry completely breaks with reality and takes the viewer with him, are memorable enough. There is also an eerie atmosphere throughout, helped greatly by an unsettling electronic score. Unfortunately, there aren’t enough such high points to justify placing Christmas Evil on the overall list of 366.

COMMENTSChristmas Evil is a serious character study—or, at least, an honest attempt at a serious character study—of a middle-aged loser who lives in a dangerous fantasy world of his own making. There are many little subtle details (catch, for example, the vintage Santa poster depicting St. Nick as a forbidding judge with a gavel) that provide a black comedy feel. On the other hand, it’s very slow to get started and the cheapness of the production often shows to its disadvantage–there’s one terrible editing glitch at the company Christmas party that’s so obvious and jarring, it suggests a loss of financing during post-production. Overall, it’s not nearly as bad as detractors would have it, or as as good as its few defenders (like John Waters) would like to believe. If Christmas Evil were a gift in your stocking, it wouldn’t be a lump of coal, or the keys to a new Mitzubishi Lancer; it would be a pair of cheap but comfy socks in a crazy color scheme that’s not to everyone’s taste.

When it debuted, Christmas Evil (then known as You Better Watch Out) was an oddity: the first film to depict the previously jolly ol’ St. Nick as a homicidal killer. Since then, the holiday vidscreens have been decked with Santa-slasher dreck such as Santa Claws (1996), Santa’s Slay (2005), and the Silent Night, Deadly Night series (1984-1991, with a remake on the way), greatly diminishing the novelty of a psycho Santa. Christmas Evil has little in common with it’s bloody progeny, and is probably the best entry in the sleazy sub-genre it inspired.

WHAT THE CRITICS SAY: “…the best seasonal film of all time. I wish I had kids. I’d make them watch it every year and, if they didn’t like it, they’d be punished!” -John Waters, Crackpot

CAPSULE: KUNG FU ARTS [HOU FU MA] (1980)

AKA Kung Fu: Monkey, Horse, Tiger

DIRECTED BY: Lee Shi Chieh, Lee Geo Shu

FEATURING: Carter Wong [as Huang Chia-Da], Cheng Shing, Sida the French Monkey Star

PLOT:  A princess marries a chimpanzee, amidst intrigue in the Chinese imperial court.

kung_fu_arts

WHY IT’S ON THE BORDERLINE:  Any film featuring “Sida the French Monkey Star” is at least a little weird.  The main obstacle to Kung Fu Arts cementing a place in the list of 366 is that it’s coming out of the weirdest movie genre of all—those short lived 1970s “chopsocky” movies made quickly, dubbed badly, and exported to the West to cash in on the popularity of Bruce Lee.  When the average entry in this genre features fists that cut the air with a loud swoosh, heavily stylized but amazingly choreographed fight scenes between men wearing brilliantly colored robes, and silly dialogue that surrealistically refuses to keep up with the actor’s lips, the threshold to be considered “weird” rises significantly.  Kung Fu Arts adds monkeys to the formula: monkeys who are addressed by the ensemble as if they were mute actors with a perfect understanding of Cantonese, but monkeys nonetheless.  This is creates a fairly high weirdness quotient, but in the end I decided not to make Kung Fu Arts a finalist, because I have faith there were even more deserving entries out there.  But don’t be surprised to see this movie reconsidered and placed on the list some day in the future.

COMMENTS:  If you’re tuned in to the chopsocky wavelength (and you should be), Kung Fu Arts is an entertaining little picture.  Although it’s somewhat light on fighting, it has wonderful costuming, an intriguing fairy-tale plot, and a reasonable amount of chuckles stemming from the straight-faced acting directed at the primate stars.  From the moment the imperial guards fall to their knees and plead with Sida to come down from the rooftop with the king’s pilfered royal proclamation, to the final battle where a small army of primates help the hero to defeat the evil usurper to the throne, Kung Fu Arts supplies plenty of silly smiles, some intended by the filmmakers, and many unintentional.

Kung Fu Arts is available as part of the Mill Creek 50 Martial Arts Movie Pack.  Because the movie is in the public domain, it’s available for download from Public Domain Torrents.

WHAT THE CRITICS SAY: ” The plot is completely nonsensical (though possibly based on some sort of Chinese myth), and it seems like the film was designed mostly for children with some potty humour thrown in for good measure.”–Doug Tilley, Movie Feast (DVD)

CAPSULE: THE SERPENT AND THE RAINBOW (1988)

DIRECTED BY: Wes Craven

FEATURING: Bill Pullman, Zakes Mokae

PLOT: An anthropologist travels to Haiti in search of the legendary “zombie drug” and gets mixed up in voodoo and third world politics.

serpent_and_the_rainbow

WHY IT WON’T MAKE THE LIST:  There are three or four vivid hallucination/dream sequences in The Serpent and the Rainbow that are unique visual treats.  (The most unusual and striking vision is a disembodied zombie hand crawling into a bowl of soup).  Craven, however, uses only the canonical scare iconography—corpses and skulls, blood, snakes and spiders—which makes the scenes add up to standard, if well executed, nightmare sequences.  Coupled with an ordinary horror movie plot (although it’s disguised well for the first two-thirds of the film), Serpent is a film with some fantastic scenes, but not weird one.

COMMENTSSerpent is an above-average horror outing, although its ultimately a mild disappointment because the black magic premise has so much unrealized potential.  The voodoo milieu the civilized doctor encounters in Haiti is memorable and spooky; the setting is also unique in that it mixes witchcraft with politics by having the main villain be both a powerful warlock and an officer of Haitian dictator “Baby Doc” Duvalier’s secret police.  In the end, unfortunately, Craven can’t figure out how to keep the momentum rolling into a proper climax to its interesting premise.  We end up with a formula horror finale where Zakes Mokae’s brilliantly sadistic Dargent Peytraud transforms into a poor man’s Freddy Kruger.  The eye-rolling climax comes complete with false deaths, catch phrases, an ironic comeuppance, and other silliness. 

The movie was adapted from a memoir of the same name by real-life Harvard ethnobotanist Wade Davis, who actually went to Haiti to investigate the real zombie drug.  To make this serious scientific book into a horror movie seems a bit like adapting “A Brief History of Time” as a space opera.  Davis called the film “one of the worst Hollywood movies in history”; it’s not nearly that bad (in fact, it’s pretty good), but his frustration is understandable.

WHAT THE CRITICS SAY:

“Things speed towards an ‘Omen’ finale, via some stunning dream sequences. People get thrown against walls, objects move around. Then, the Hollywood Emergency Ending Team rushes in. And you breath a sigh of relief because you realize there was no evil to worry about, it was just Special Effects all the time.” – Desson Howe, Washington Post

Celebrating the cinematically surreal, bizarre, cult, oddball, fantastique, strange, psychedelic, and the just plain WEIRD!