DIRECTED BY: Karen Skloss
FEATURING: Olivia Grace Applegate, Louis Hunter, Katie Folger, Liam Aiken, Mackenzie Astin
PLOT: After a disappointing senior prom, Lucy and Annie ditch their dates and join up with a clutch of hearse-driving students who are heading to the haunted prison, the Honor Farm, to take psychedelic mushrooms; Lucy slips in and out of reality as events take alternatingly sinister and joyful turns.
WHY IT MIGHT MAKE THE LIST: The Honor Farm is an unlikely fusion of “teen-coming-of-age” drama and “teens-in-danger” horror. Combined with the rampant symbolism (a prom, a stag, and a donut), things might just be weird enough for us.
COMMENTS: Shroom-chomping teenagers, a dreamy hearse ride, an abandoned prison, and a looming stag adorn the universe of The Honor Farm. This fun mix of ingredients from filmmaker Karen Skloss jumbles together with gusto, emerging as a horror-tinged and symbolism-soaked high school drama. The New Age blood-dream opening sets the ambiguous tone of calm and dissonance that continues throughout the feature.
Waking from a dream at the dentist’s office—a girl does have to have her teeth as white as possible for prom, you know—Lucy (Olivia Applegate) seems all set for the first big night of her adult life. After her beau nearly vomits on her in the back of their rented limo, Lucy and her friend Annie (Katie Folger) run off to a nearby gas station and encounter a group of senior girls in an old red hearse. One City of Women-style ride later, the gaggle of teen ladies arrive at the outskirts of the “Honor Farm”, an old prison with a bad history of brutality. Lucy meets dreamy (and interesting) high school boy J.D. (Louis Hunter), who doles out the mushrooms. After a bout of faux-intellectual philosophizing, teen-style, ambiguous events begin in earnest. Cue the horror music.
Narrative tricks and references abound. When one young woman attempts to channel to a dead boy, J.D. leads Lucy through a tunnel opening in parallel. As we see the tunnel exit collapsed, the ritual, too, is interrupted. We award Lynch points both for the arrival of a dentist with laughing gas as well as a vision of a sacrifice victim posing the riddle, “What has no end, beginning, or middle?” Answer? A donut, obviously. And oh yes, Skloss also tucks in faerie ring imagery (mushrooms, again), the goddess Diana-as-Stag spirit guide, and a flaming playing card with a purpose. (This last example could almost be a meta-reference to “The Simpsons” “Twin Peaks” parody: “this suit burns better.”)
Though I may be rambling here, Skloss never does. Those who’ve read my reviews know that I’m a big fan of efficient films. At 77 minutes, The Honor Farm certainly isn’t over-long, but neither does it skimp on narrative and character development. Lucy is at a new place in her life, wanting to “feel something real.” Ironically, it takes unreal experiences to satisfy this craving. The Honor Farm has just the right levels of teen-comedy, scares, myth, and ambiguity to sit well with itself. Kudos.
WHAT THE CRITICS SAY:
“While there are definitely some interesting aspects to The Honor Farm, it often succumbs to a lack of focus, ultimately feeling like a mishmash of five different movies with none of the elements coming together in a truly complimentary way by the end of the film. Skloss offers up a hypnotic coming-of-age tale with shades of horror—there’s some supernatural stuff thrown in, as well as a weird cultish subplot… I just wanted more for Lucy on her journey of self-discovery than what we ultimately get here. The film does offer up some stunning cinematography, particularly during The Honor Farm’s more surreal moments during Lucy’s fantasy…”–Heather Wixson, Daily Dead (SWSX screening)