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DIRECTED BY: Genie Joseph, Thomas Doran, Brendan Faulkner
FEATURING: Felix Ward, Maria Pechukas, Alec Nemser, Dan Scott
PLOT: A mad warlock with his would-be bride in a coffin needs human blood to bring her back to life, so he sets up a mansion full of monsters to slaughter hapless travelers; the plan almost works.
COMMENTS: Bear with me this time, because Spookies takes some explaining. It’s well-established as a bad movie, and yet has a cult following. That cult, contrary to the norm, loves Spookies not in a so-bad-it’s-good ironic way, but for being a certain kind of niche “good.” The limited appeal of Spookies depends upon one’s appetite for carnival dark rides, AKA ghost trains, the horror-themed indoor track ride you find at every state fair and boardwalk. These rides are chock full of random scary props, rubber suit monsters, blaring air horns, blasts of compressed air, strobe lights, hairpin turns leading from mad scientist’s laboratories into mummy’s crypts and whatnot, and—attend carefully here—no logic. Here’s dark ride YouTuber Carpetbagger with a tour of one. The point of a dark ride is not to experience an enriching story. The point is to make your girlfriend scream and cling to you when the rubber bats swoosh overhead.
I have just perfectly described the experience of watching Spookies, right down to the “no logic” part. It is unrelentingly stupid. But if you’re the kind of person who never passes up a tour through those haunted house attractions that pop up around Halloween, this is your Citizen Kane. Come and get your monsters, we got all your monsters here! We got your vampire monsters, your zombie monsters, your eight-limbed spider-woman monsters, your possessed demon monsters, your green goblin monsters, a werecat monster, a skeleton monster, any monster you want! Grim Reaper fans, yes, you too, we got a Grim Reaper attack just a little after the 1:00 hour mark. It’s never a dull moment here at Mad Marvin’s Mansion o’ Monsters, come on over for Witching Hour when all our curses are half-price!
Just leave your brain at home. This movie was also allegedly produced in sections: either two half-finished movies nailed together or an unfinished movie that later got footage added, depending on who you ask. I’m going to try telling it in alleged filming order, not movie order, because this will help it make what little sense it can.
We have two carloads of teenagers, plus older people hanging out with them for some reason, who are driving around lost at night looking for someplace to party. They find the big spooky mansion located in a cemetery surrounded by foam headstones. “What a silly place for a house!” they titter as they stagger inside. Doors slam, lights go out, monsters attack for about an hour and fifteen minutes. This is all triggered when one member of the party finds a Ouija board in the house—she obviously missed her OSHA class on “Never Use A Ouija Board In An Abandoned Mansion In A Cemetery” day. This part of the movie was supposed to be a horror-comedy called Twisted Souls, but it was never finished.
In the tacked-on part, we have a “warlock” Kreon (Felix Ward) brooding in a secluded sanctum, far from the action, as he laments his late, pretty bride in a coffin, Isabelle (Maria Pechukas). To bring Isabelle back to life, he needs human sacrifices, so, it turns out, he is the one controlling the monsters. Earlier a young boy, Billy (Alec Nemser), ran afoul of one of Kreon’s monsters while running away from home because his parents forgot his 13th birthday. He got buried alive and resurrected as a vampire boy in a Little Red Riding Hood outfit, who plays candle-lit chess while Kreon discusses his plans in his Transylvanian Baron Von Hissing-Lisp accent. With all those people he slaughters to bring Isabelle back to life, is she going to be grateful? What do you want to bet? Ah, posthumous love, thy name be treachery!
So like I say, this is a stupid mess. Nobody can act, the scripts for both film fragments suck hot vacuum hose, and everyone on Team Carload of Teenagers is an idiot who obligingly stumbles right into the claws/fangs/tentacles of Team Monster. Team Monster, however, brings its A-game of practical effects at the cutting edge of 1986 technology (but sadly not a minute later). Although at one point even Team Monster has a setback, with a gang of sludge monsters (made of mud?) who fart when they walk. In a group, every step, “Prrt! Prt! Prrrrt! Prrt!” But for the most part, we keep to that dark ride pace, a fresh monster attack in a fresh room every ten minutes, whether you were ready for the next one or not. Which, once again I have to point out, makes it braindead, but never boring for a second.
As confounding as Spookies is, I still can’t recommend it specifically for our list. We have haunted house movies, and when it comes to monster-per-minute low-budget horror, Turn in your Grave‘s weirdness-factor flush beats Spookies‘ bigger-budget straight. By sheer nose (snout) count, The Cabin in the Woods has more monsters. In fact, B-movie monster-mashes aren’t that uncommon; it’s just that Spookies did it in peak ’80s style, when rubber masks with pulsating goop were in their prime.
WHAT THE CRITICS SAY:
“[The later additions] made an already kooky movie even weirder, creating a disjointed plot no matter how hard they tried to shoehorn in the sorcerer. Yet, it also made it even more memorable at the same time, because it’s so nonsensical.”–Meagan Navarro, Bloody Disgusting
OTHER LINKS OF INTEREST:
The story behind making-of Spookies
Thorough YouTube review of Vinegar Syndrome’s 2020 Blu-ray
5 thoughts on “CAPSULE: SPOOKIES (1986)”
I enjoy revisiting this film once every few years, but it’s definitely more on the inept side of weird than it is a genuinely, organically weird experience. It’s a more appropriate title for my more specifically bad movies site, I believe than it is for 366. That said although I keep meaning to write it up I never quite seem to get around to it. It exists in the halting, disjointed, almost accidental subgenre of “cut-and-paste films,” such as “Madmen of Mandoras” (1963) when another director added new footage and transformed it into “They Saved Hitler’s Brain” (1968), the unfinished “Death Drug” (1978) as completed by Phillip Michael Thomas as an ego-feeding vanity project in 1986, or the entire directorial output of Godfrey Ho.
Ha ha, thanks, every now and then I forget that They Saved Hitler’s Brain exists out there. I’ve still managed to avoid it all this time but sense it lurking around the corner whenever I visit this end of town.
Couldn’t find “The Simpsons” clip pertinent to the brain movie mentioned, so here’s another one.
Very enjoyable write-up, though, it must be said the vampire boy (Korda) in a Little Red Riding Hood outfit is a completely different character (and actor) from the buried-alive Billy.