Alex Kittle, 366 Weird Movies: I was struck by the retro aesthetic, the mix of patterns and saturated lighting, and attention to detail in the set and costumes in Der Bunker. What made you decide to do a single location film? What were your inspirations for the look of the bunker? Did you face challenges with the limited space?
Nikias Chryssos: My grandparents had a holiday house in Switzerland. It had this big bunker room in the basement with a thick iron door as a shelter for wartime. I imagined it would be funny if someone wants to rent a room and he basically gets locked away. I wanted to build a story about a place like this. Initially, the film was set in a kind of fairytale house in the woods but when we found the entrance to this bunker during our location search, we decided to put the whole story underground. The limited setting gave us a lot of control but also provided us with specific challenges. My production designer Melanie Raab, the cinematographer Matthias Reisser, and I then did a lot of research and the main challenge was to make the setting interesting even though everything takes place in one house. We wanted to give the different rooms different colors and moods but still keep it coherent. We also worked with different lighting set-ups, like more contrast during the night scenes and softer light in the day, even though the light might not change that much underground. As the student, our main protagonist, is working on some big scientific work, it was also interesting to work with patterns and build little connections there, whether it is the wallpaper, the walls, his blanket, the door frames or Klaus’ pajamas. Sometimes, these patterns also give the feeling of a prison cell. Thanks to great production design team, I never had the feeling something I wanted wasn’t possible. Another challenge was to not go mad in such a claustrophobic set during the shoot.
366: Much of the film’s tension centers around Mother’s intense hold on her son, and fear of allowing him to grow up and leave her. What led you to approach the mother character with that angle? What about this theme resonates with you?
NC: I feel there is a big fear in today’s parents that their children might not make it, a fear they become a failure, and they don’t let them go. It may lead to a weird mixture of being overly demanding and over-protective at the same time, and I think that’s a hard situation for a child. Maybe it comes down to the old question of freedom versus security which we face again and again on different Continue reading DER INTERVIEW: NIKIAS CHRYSSOS ON “DER BUNKER”