READER RECOMMENDATION: PEE-WEE’S BIG ADVENTURE (1985)

Reader recommendation by “Brad”

DIRECTED BY:

FEATURING: , Mark Holton, Elizabeth Daily, Diane Salinger

PLOT: Pee-Wee Herman, the eccentric childlike persona of Paul Reubens, sest off on a strange and dreamy cross country search for his prized bicycle after local rich “kid” Francis (Holton) steals and the sells the bike.

BACKGROUND:

  • This was weird auteur Tim Burton’s first feature length film.
  • Burton was hired as director after Paul Reubens was impressed with his early short films “Frankenweenie” and “Vincent“.
  • Phil Hartman, the late great comedy performer/writer, contributed to the script, along with Reubens and screenwriter Michael Varhol.
  • Pee-wee’s Big Adventure was also Burton’s first collaboration with composer Danny Elfman, whom he’d work with frequently throughout his career.

INDELIBLE IMAGE: There is a lot of visually weird eye candy here: for example, dead truck driver “Large Marge”‘s frighteningly cartoonish face as she describes her body being dragged out from her crashed truck in an iconic stop-motion scare.

WHY IT SHOULD MAKE THE LIST: An eccentric lead, situated somewhere between child and grown man, who lives in a house of self-made gadgets and toys, cross-dressing with a convict, creepy clown nightmares, stop motion dinosaurs, and a meta-Hollywood ending: Pee-Wee’s Big Adventure doesn’t let up on strange situations.

Pee Wee's Big AdventureCOMMENTS: I am sure this is usually passed off as some juvenile movie with quirky humor, but it truly is a great collaboration between two originally weird minds. This isn’t Tim Burtons’ film. This isn’t Paul Reuben’s film either. It’s a perfect merging of both. Coming off of his live performance show, the “Pee-Wee” character gained a cult following, allowing Reubens to get this film made. Lucky us. The film is quite warm, although there are plenty of bizarre and dark images throughout. It’s not a perfect film, but it’s a labor of love. A definite “passion project.” We see some early Burton stop-motion experimentation, which he later used in many films such as The Nightmare Before Christmas, Corpse Bride, etc. Of course this film also helped start Burton’s film career as a director, which led to some of America’s weirdest film projects. Reubens took the Pee-Wee character and created the equally bizarre children’s show “Pee-Wee’s Playhouse.”

WHAT THE CRITICS SAY:

“…somewhere between a parody of kitsch and a celebration of it, and it has the bouncing-along inventiveness of a good cartoon… 26-year-old director Tim Burton shows his flair for the silly-surreal.”–Pauline Kael, The New Yorker (contemporaneous)

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