So gets a Most Conventional Actor Oscar for stumbling around drunk in Las Vegas and failing to get an erection in the final scene, but when sorts a mysterious hallucinogenic powder he finds lying around in a Satanic biker’s lair and forges his own axe to mow down the hippies who burnt his true love alive, he doesn’t even get a sniff from the Academy? And now is forced to give up making movies about dystopian futures where singles are sent to a hotel where they must find a mate or be turned into an animal of their choice, and instead make costume dramas about serving wenches, fat bi queens, and Tories wearing powdered Whigs to get the Academy to give him a Most Conventional Picture nod? So what retreads did the Academy of Arts and Sciences see fit to nominate for the Most Conventional Picture Oscar of 2018? A black and white documentary about Mexicans harvesting those little plum tomatoes they put in salads? The fourth remake of a weepie about untalented drunk sellout musicians that sucked the first three times? This year’s Italian-stereotype-conquers-racism-and-finds-a-black-friend road trip comedy? A couple of movies with “Black” right there in the title, to show they are taking diversity seriously?

Yes, the Oscars are a joke, and everyone knows it. (Just try finding someone willing to host the ceremony.) But you, my friend, you aren’t content with the same-old same-old, new wine in a familiar glass. You want weird in your movies. The Weirdcademy Awards are for you, the moviegoer whose friends roll their eyes and sigh loudly when you suggest buying tickets to the latest black and white Estonian witchcraft werewolf love story.

Although the editors of 366 Weird Movies select the nominees from the pool of available movies, the Awards themselves are a naked popularity contest and do not necessarily reflect either the artistic merit or intrinsic weirdness of the films involved. The Weirdcademy Awards are tongue-in-cheek and for fun only. Ballot-stuffing is a frequent occurrence. Please, no wagering.

The Weirdcademy Awards are given to the Weirdest Movie, Actor, Actress and Scene of the previous year, as voted by the members of the Weirdcademy of Motion Picture Arts and Weirdness.

Who makes up the Weirdcademy? Membership is open to all readers of 366 Weird Movies. The rules for joining the Weirdcademy of Motion Picture Arts and Weirdness are as follows. To officially join, locate an official online ballot (such as the one below) and hover your mouse pointer over the radial button representing the choice of movie you would like to see win any award in any category. Then, simply depress the left button of your mouse to make your selection. Selections made using the right mouse button will be disregarded, and you will be forced to reapply. If your application for membership is approved, a dot will appear next to your choice. You are not done yet, so continue reading. To be certified as a voting member of the Weirdcademy, at some point subsequent to making your selection, you must navigate your mouse button to the box marked “vote.” Now, again depress your left mouse button to confirm your membership as a voting member of the Weirdcademy.

(Vote as many times as you like, but only once per day, please. We’ll keep voting open until February 24 at 12:00 Noon EST, so we can announce our results before the Academy Awards and steal their thunder).

There is no requirement that you’ve have to actually see all the movies in any category before voting.

Be sure to also vote for Weirdest Short Film of the Year. To watch all five nominees and to cast your vote, please click here.

Without further delay, we unveil the nominees for the 2018 Weirdcademy Awards below:


  1. I agree the Oscar is a joke, but to call The Favourite “conventional” is quiet wrong. It’s basically an anti-Hollywood period piece. Think about the rabbits!!

  2. Of the movies I’ve seen in this line-up, “Wild Boys” is almost certainly the weirdest — it’s also the most pretentious and least like-able*. (Spoiler: it’s French.)

    That said, “Mandy” probably deserves the awards it’s been nominated for. It’s accessible (to Weird aficionados, anyway) and impressively maintains a fine balance between dreamy and visceral.

    (*: One caveat here. Having known theatre people in my day, I found the proceedings in “Madeline’s Madeline” rather…maddening.)

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