WHAT’S IN THE PIPELINE

We know why you’re tuning in right about now.  With Hollywood set to give out its awards tonight for “Most Conventional Movie,” “Most Conventional Actor,” and so on, you’re interesting in finding out the results of the first annual Weirdcademy Awards.  So, without further ado, here are the results:

WEIRDEST MOVIE: Enter the Void, which was the best Buddhist ghost drug trip movie of the year

WEIRDEST ACTOR: Zachary Oberzan, Flooding With Love for the Kid, for playing dozens of characters, including a pack of bloodhounds

WEIRDEST ACTRESS: Natalie Portman, Black Swan, for freaking out, growing feathers, and letting Mila Kunis get busy down there

WEIRDEST SCENE: The “Love Hotel” sequence from Enter the Void, which deserves a special achievement award for excellence in backlighting genitalia

Speaking of Enter the Void, next week we’ll be giving it another review (now why would that be?)  From the reader-suggested review queue, we’ll also review Vincenzo Natali‘s existential comedy Nothing (2003); Alfred will finish up his series on spooky Terence Fisher with Frankenstein and the Monster from Hell; we’ll take a peek at the obscure indie serial killer flick, M.O.N. (2006); and finally, also we’ll look into restoring the very last of the posts that were lost during the Great Server Crash of 2010.

Search terms used to locate the site seem to be getting more and more normal all the time; it’s getting harder to nominate a truly weird search term of the week.  We are seeing perfectly reasonable, even academic requests for information on “phallic symbols in gamera movies.”  There are a few strange search terms, however; we were as surprised as anyone to discover that we are Google’s #1 result for a search for “orgasimtobea.” (Eat that, Huffington Post!)  We also liked “jenny agutters mim mim”—pending our figuring out what a “mim mim” is.   And, while it’s not weird, “thirsty for women booze and art japanese cinema” pretty much describes how I start feeling about 6:00 PM every Friday.  But for our weirdest term of the week—well, at least the one that made us chuckle the hardest—we’ll have to go with “i am curious yellow pubic hair.”  It’s all in the word order.

Here’s the ludicrously long reader-suggested review queue (more after the break):  Nothing (2003) (next week!); Possession; The Peanut Butter Solution; Perfume: The Story of a Murderer; Sublime Pink Floyd: The Wall; Toto the Hero [Toto le Héros]; Paprika; The Holy Mountain; Brazil; The Casserole Masters; Dark Crystal; Throw Away Your Books, Rally in the Streets; The Nines; The Pillow Book; Final Flesh; Lunacy [Sílení]; Inmortel (2004); Tetsuo; Dead Ringers; Kairo [AKA Pulse]; The Guatemalan Handshake; Dead Leaves; The Seventh Seal; PrimerA Boy and His Dog; 200 Motels; Private Parts (1972); Saddest Music in the World; Mulholland Drive; The American Astronaut; Blood Tea and Red Strings; The Films of Kenneth Anger, Vol. II (for Lucifer Rising, among others); Willie Wonka and the Chocolate Factory; The Bride of Frank; La Grande Bouffe; Hedwig and the Angry Inch; Even Dwarves Started Small; Bunny & the Bull; “I Killed My Lesbian Wife, Hung Her on a Meat Hook, and Now I Have a Three-Picture Deal at Disney” (assuming I can find it); Cinema 16: European Short Films; Freaked; Session 9; Schizopolis; Strings; Dellamorte Dellamore [AKA Cemetery Man]; The Hour-glass Sanatorium [Saanatorium pod klepsidra]; Liquid Sky; The Quiet; Shock Treatment; Tuvalu; “Zombie Jesus” (if we can locate it); The Bed-Sitting Room; 3 Dev Adam; Fantastic Planet; “Twin Peaks” (TV series); Society; May; The Adventures of Buckaroo Banzai Across the 8th Dimension; Little Otik; Final Programme; Careful; Sweet Movie; The Triplets of Belleville; “Foutaises” (short); Johnny Suede; “Jam” (TV, UK, 2000), The Tale of the Floating World, Un Chien Andalou, Bloodsucking Freaks; Fellini Satyricon; Three Crowns of the Sailor; 8 1/2; Dororo; Lost Highway; Valerie and Her Week of Wonders; Dogville; Julien Donkey-boy; Amelie; The Ten; The 7 Faces of Dr. Lao; 1; Fast, Cheap and Out of Control; Tokyo Gore Police; At Midnight I’ll Take Your Soul; The Trial [Le procès) (1962); Marquis; Hell Comes to FrogtownSeom [The Isle]; Allegro Non Troppo; Fur: An Imaginary Portrait of Diane Arbus; Lust in the Dust; Celine and Julie Go Boating; “Franz Kafka’s It’s a Wonderful Life;” The Magic Christian; Black Cat, White Cat; The 5,000 Fingers of Dr. T; Abnormal: The Sinema of Nick Zedd; Robot Monster; Nightdreams; 3 Women; “To Oblivion”; Rubin & Ed; Teeth; Vera; Weirdsville; Prospero’s Books; Inferno; Garden State; Persona; The Real McCoy; Rat Pfink a Boo Boo; Themroc; Candy (1968); Run Lola Run; Pink Flamingos; Buffalo ’66; Northfork; Weekend; The Room; Glen or Glenda?; Night of the Hunter; The Fox Family; Midnight Skater; Angelus; Cloudy with a Chance of Meatballs; Twister (1989); Yokai Monsters, Vol. 1: Spook Warfare [AKA Big Monster War]; Britannia Hospital; This Filthy Earth; Conspirators of Pleasure; Piano Tuner of Earthquakes; Clean, Shaven; Bubba Ho-Tep; Sheitan; Innocence; “Chingsao the Clown”; Léolo; 2001: A Space Odyssey; Blue Velvet; ID (2005); Master of the Flying Guillotine; Yesterday Was a Lie; The Ninth Configuration; Love Me If You Dare; Forbidden Zone; The Cell; My Dinner with Andre; The Illustrated ManFando y Lis; Rampo Noir; Head; Christmas on Mars; “Broken Glass”; Videodrome; Air Doll; The Ossuary and Other Tales; Arrebato; Symbol; Wicked City (1992 live action); Barbarella; Picnic at Hanging Rock; The Cars that Ate Paris; The Boxer’s Omen [aka Mo]; Solyaris (1972); Portrait of Jennie; Salo, the 120 Days of Sodom; The Last Sunset (1961); Orpheus (1950); A Scanner Darkly; Safe; The Atrocity Exhibition; Gainsbourg (Vie héroïque); Slacker; Goke, Body Snatcher From Hell; Color of Pomegranates; Horror Express; Noroi; A Serbian Film (if ever released on DVD, which seems questionable at this point); Cutie Honey; The Shape of Things; On the Silver Globe; Monty Python and the Holy Grail; Sgt. Pepper’s Lonely Hearts Club Band; 2012 Aficionado DVD Zine Issue #0; What Dreams May Come; The Last Days of Planet Earth; “Charleston Parade”; Tales from the Quadead Zone; A Snake of June; The Cook, the Thief, His Wife and Her Lover; The Neverending Story; Cat Soup; Jack and the Beanstalk (1974, Japan); Drowning by Numbers; Fudge 44; From Beyond; The Saragossa Manuscript; The Drifting Classroom; Brain Dead; Uncle MeatMeet the Hollowheads; Nuit Noire; Screamplay; Grendel Grendel GrendelEyes Wide Shut; Twilight of the Cockroaches; The Ruling Class; Indecent Desires; Daughter of Horror [AKA Dementia];  The Discreet Charm of the Bourgeoisie; Daisies; Beauty and the Beast [Panna a Netvor] (1978); Parents; Dark City; Aqua Teen Hunger Force Colon Movie Film for Theaters; 1 Day; The Doom Generation; Black Devil DollMultiple Maniacs; Phantasm IV; and Vermilion Souls (2007) (depending on availability); Lovers on the Bridge; No Smoking (2007); Reflections of Evil; The War Zone; Gahjini; Natural Born Killers; The Secret Adventures of Tom Thumb; One Eyed Monster; Reflections of Evil; Natural Born Killers; The Fountain; Save the Green Planet; Crimewave (d. Sam Raimi); Wool 100%; Murder Party; The Annunciation (1984); Funeral Parade of Roses; Stroszek; Primer; Bad Taste; Aguirre, the Wrath of God; Audition; The Fall; Me and You and Everyone We Know; Visitor of a Museum [Posetitel muzeya]; “Serial Experiments: Lain” (TV show); Darc Arc; Russian Ark; Genius Party; Watership Down; Tampopo; Goodbye Uncle Tom; The Idiots; Repo Man; Der Todersking [The Death King]; and Titicut Follies.

 

4 thoughts on “WHAT’S IN THE PIPELINE”

  1. re: >> “WEIRDEST SCENE: The “Love Hotel” sequence from Enter the Void, which deserves a special achievement award for excellence in backlighting genitalia”

    Male or female genitalia?

  2. What do you make of the fact that this year’s Weirdest Actress and Most Conventional Actress are the same woman? I guess I read it as meaning that Portman’s weirdness in Black Swan is of a type that the Academy is comfortable with – all the feather-growing is OK because she’s a diva who trained hard and clearly went through a lot, like Rourke in The Wrestler.

    1. First, to me it’s axiomatic that if Black Swan had been the very same movie, but independent and with an unknown actress giving the same quality performance that Portman did here, there’s no way the Academy would even consider this role for an award. Since a Hollywood studio backed the project and it made money (proving audiences weren’t alienated by the weirdness), it came “pre-approved” as something mainstream enough to be considered for an award. From there, I think it’s just a question of Natalie Portman. Most of the time these awards are given out as lifetime achievement awards instead of for the performance really viewed as the best (see Jeff Bridges last year). Portman had paid her dues for 17 years as an actress but never really had a role weighty enough for a nomination. Here was Hollywood’s chance to recognize her. I actually think Jennifer Lawrence’s performance was more impressive, but she will have to wait her turn; there’s no way they were going to let an upstart steal the only chance Portman may get.

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