Readers, don’t forget, there’s still a little time left to enter the June review-writing contest for a chance to win DVDs of Frankensteins Bloody Nightmare and Burning Inside. We have 4 entries total so far, 2 of which have already been published, so those odds aren’t too bad. Details here.

Reviews scheduled to appear on the site next week: Pamela de Graff is back after a short hiatus to give us the lowdown on the 1976 giallo The House with Laughing Windows.  We’ll get back to tackling the reader-suggested review queue with a discussion of Christopher Nolan’s groundbreaking thriller Memento. And we’ll be giving our old, outdated review of the undeservedly obscure Elevator Movie a complete makeover (and a promotion).

It was a good week for weird search terms used to locate the site. The usual perverts passed through looking for “sexo in Arkansas” and “whors of Mexico.” And we have to appreciate the person who was searching for “366 Weird Movies Academy,” though the request was a litte premature: the Academy isn’t scheduled to open until 2012. Our favorite search term of the week, however, describes an unknown movie we’d love to see: “video of a bunny running and getting talking weird but at the he hits himself.’

But we have to comment on a disturbing trend: more and more people seem to be searching for “strange movies” (we even noticed someone looking for “366 Strange Movies”). Guys, it’s weird movies, not strange movies. There’s no such genre as “strange movies.” Don’t be afraid to go all the way to weird!

Here’s the ever-growing reader-suggested review queue: Trash Humpers (we’re waiting for the DVD release); Memento (coming next week); Kwaidan; Six-String Samurai; Andy Warhol’s Trash; Altered States; Nightmare Before Christmas/Vincent/Frankenweenie; The Science of Sleep; The Attic Expeditions; After Last Season; Getting Any?; Performance; Being John Malkovich; The Apple; Southland Tales; Arizona Dream; Spider (2002); Songs From The Second Floor; Singapore Sling; Alice [Neco z Alenky]; Necromentia; Hour of the Wolf; MirrorMask; Possession; Suspiria; Mary and Max; Wild Zero; 4; Nothing (2003); The Peanut Butter Solution; Ninja Scroll; Perfume: The Story of a Murderer; Danger: Diabolik; Faust; Sublime; Battle Royale; Pink Floyd: The Wall; Escanaba In Da Moonlight; Jesus Christ, Vampire Hunter; Zardoz; The Films of Suzan Pitt; Toto the Hero [Toto le Héros]; Paprika; The Holy Mountain; Brazil; The Casserole Masters; Dark Crystal; Throw Away Your Books, Rally in the Streets; The Nines; 964 Pinocchio; The Pillow Book; Final Flesh; Lunacy [Sílení]; Inmortel; Tetsuo; Dead Ringers; Kairo [AKA Pulse]; The Guatemalan Handshake; Dead Leaves; The Seventh Seal; Primer; Maniac (1934); Hausu; A Boy and His Dog; 200 Motels; Walkabout; Private Parts (1972); Saddest Music in the World; Mulholland Drive; The American Astronaut; Blood Tea and Red Strings; The Films of Kenneth Anger, Vol. II (for Lucifer Rising, among others); Willie Wonka and the Chocolate Factory ; The Bride of Frank; La Grande Bouffe; Uzumaki [Spiral]; Hedwig and the Angry Inch; Even Dwarves Started Small; Bunny & the Bull; “I Killed My Lesbian Wife, Hung Her on a Meat Hook, and Now I Have a Three-Picture Deal at Disney” (assuming I can find it); Cinema 16: European Short Films; Freaked; Session 9; Schizopolis; Strings; Dellamorte Dellamore [AKA Cemetery Man]; The Hour-glass Sanatorium [Saanatorium pod klepsidra]; The Addiction; Liquid Sky; The Quiet; Shock Treatment; Tuvalu; “Zombie Jesus” (if we can locate it); 3 Dev Adam; Fantastic Planet; “Twin Peaks” (TV series); Society; May; The Adventures of Buckaroo Banzai Across the 8th Dimension; Little Otik; Final Programme; Careful; Sweet Movie; The Triplets of Belleville; “Foutaises” (short); Johnny Suede; “Jam” (TV, UK, 2000), The Tale of the Floating World, Un Chien Andalou, Bloodsucking Freaks; Fellini Satyricon; Three Crowns of the Sailor; 8 1/2; Death Race 2000; Dororo; Lost Highway; Valerie and Her Week of Wonders; Dogville; and Julien Donkey-boy; Amelie; The Ten; The 7 Faces of Dr. Lao; 1; Fast, Cheap and Out of Control; Tokyo Gore Police; At Midnight I’ll Take Your Soul; The Trial [Le procès) (1962); Marquis; Hell Comes to Frogtown; Hellzapoppin’; Seom [The Isle]; Allegro Non Troppo; Fur: An Imaginary Portrait of Diane Arbus; Lust in the Dust; Celine and Julie Go Boating; “Franz Kafka’s It’s a Wonderful Life;” The Magic Christian; Black Cat, White Cat; The 5,000 Fingers of Dr. T; Abnormal: The Sinema of Nick Zedd; Robot Monster; Nightdreams; 3 Women; Rubin & Ed; Teeth; Vera; Funny Games; Weirdsville; Prospero’s Books; Inferno; Garden State; Persona; and The Real McCoy.