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Why, yes I watched thirteen films today…
Wan Wan (dir. Mayuko Kobayashi; 8 min.)—A kaleidoscopic grapeshot blast of vibrantly vague memories. I suspect this font of imagery—trees, water, pigeons, noodle pan, fireworks—flows directly from Mayuko Kobayashi’s memories, but there is a universality. Beginning with home-video of a matriarch, we dive into a series of child-drawings in constant motion. There’s also a cute dog.
Transitional Object (dir. Shayna Strype; 7 min.)—D’aww, that was adorable. Shayna Strype uses stop-motion, traditional, and a combination of the two animations to honor a girl’s stuffed toy as it watches over her through the years, before passing her along to the afterlife. Lo-fi synth keyboarding provides a chirpy, nostalgic soundtrack.
Play Fight! (dir. Katrina Larner; 8 min.)—There are countless gaps in my personal experience, and one reason I’m drawn to animated shorts is in order to fill those gaps. Herein, Katrina Larner explores the vagaries of ‘tween girl sleepovers, and the mental impact of homosexual preferences at that age. A 5th-wheel girl is dropped off for a night of party-playing, and so we observe a cavalcade of cacophonous color and craziness. A giant mother mother shoots a knife and fork from her eyes and pursues what she views as wayward behavior. But!, things wrap up well enough for our pentad of party people, ’cause it’s only a play fight.
blinks in mimi’s singing voice (dir. Natalie Xie; 6 min.)—Is this but an elaborate series of notebook doodles brought to life? Perhaps, but maybe not. I can’t say I understood just what this was or where it was going, but Natalie Xie kept my eyes occupied throughout as the image shifted from clusters of kitty faces to jumping jacks to desks, chairs, and birds. On its one-and-a-half second course across the screen, a green dot kept my rapt attention.
A Flame the Color of Air (dir. Emily Pelstring; 7 min.)—Words, lines, color, and voice all flow and spin across a black backdrop, shifting and never taking full form for long. Pelstring’s study of womanhood focuses on the ineffable, drawing from a medieval Continue reading SLAMDANCE FILM FESTIVAL: CARTOON CORNER (2026)
Birth Controlled (dir. Isabela Fraga-Abaza; 5 min.)— Following the school of ugly imagery, this slice of feminist commentary hits the mark—no surprise seeing as the protagonist is a dead-eye shot in the great game show of sex, birthing, and oblique oppression. Violent and graphic, and