Tag Archives: Steven Knight

CAPSULE: SERENITY (2019)

DIRECTED BY: Steven Knight

FEATURING: , , Jason Clarke

PLOT: A crusty commercial fisherman entertains an offer from his ex-wife to kill her current husband, an abusive alcoholic multi-millionaire.

Still from Serenty (2019)


WHY IT WON’T MAKE THE LIST: It’s a noir/mindscrew oddity that inspires a reaction of “huh” more than anything else.

COMMENTS: “Serenity” is the name of Baker Dill’s fishing boat and, one presumes, the state of mind to which he aspires. “Justice” is the name of the tuna (!) he obsessively pursues. A game Matthew McConaughey plays the role of Baker broadly and brashly—although not quite reaching levels of transcendent camp. He exhibits remnants of post-Iraq PTSD, has a psychic connection to the son he left behind, pulls a knife on his own fishing tour customers, acts as a part-time gigolo and cat-catcher when not trawling for tuna or slamming shots of rum, and shows off his taut butt every chance he gets: swimming nude, showering, or rising from bed for a smoke after pleasuring Diane Lane. Femme fatale Anne Hathaway (temporarily blonde for this role) saunters in at the end of the first act to swerve the narrative into noir territory. There’s also a bespectacled man with a briefcase bumbling around on Baker’s trail, always missing him by a few seconds. The action occurs on Plymouth Island, a small scenic isle in—the Caribbean? The Florida Keys? (It was actually filmed in the Indian Ocean nation of Mauritius, a paradise of translucent blue seas.) The locals are rugged individualists given to saying things like “You fish for the tuna. That’s a tuna that’s only in your head.”

And then comes that twist. It’s weird, yes, but somewhat telegraphed, and revealed in its entirety by the halfway point. You can see why audiences felt cheated by this sudden switch to the metaphysical. It’s not just that it’s unexpected; it’s unsatisfying. (“Preposterous” is a less flattering term that comes to mind.)

You won’t be confused about what happens in Serenity, but you might be puzzled as to why this strange script was greenlit. That’s not to say it’s terrible, exactly, it’s just… un-Hollywood. Director Steven Knight, the writer of the hits Dirty Pretty Things and Eastern Promises and co-creator of “Who Wants to Be a Millionaire?,” had enough credibility to get a studio to back this commercial folly; when McConaughey and Hathaway signed on, it was a go. Unfortunately, their gamble on Serenity won’t do anybody’s career any favors; the film is already showing up on “worst of 2019” lists.

It’s not that bad; at least Serenity takes chances and is never boring, although neither does it ever exactly work as intended. The sunny postcard setting makes for balmy viewing, and McConnaughey’s gruff, committed performance is fun, if a bit fishy. That said—oh, that twist! It troubles our Serenity.

WHAT THE CRITICS SAY:

“… if you like seeing authentically unusual movies, then ignore the haters: In its fusion of disparate genres, its sentimentality, and its weirdness, Serenity is actually worth watching.”–Josephine Livingstone, The New Republic (contemporaneous)

(This movie was nominated for review by Mike B, who speculated “…it smells like a potential candidate. So far, the reviewers have no idea what the hell to make of it, which is usually a good sign.” Suggest a weird movie of your own here.)