A note about the following essay, from the author.
Wisconsin Death Trip is a 1999 film directed by James Marsh, an oddball, morbid documentary inspired by a 1973 nonfiction book of the same title. The film is structured as a chain of anecdotes and vignettes about life in small-town Wisconsin in the late 1800’s. This was a period of depression and hardship, and the psychological toll it took on the populace is apparent: most of the anecdotes are about murder, suicide, and madness, provided with a total lack of context that makes them seem uncanny and inexplicable. The visuals are a combination of period black-and-white photographs and stylized reenactments, and all the accompanying narration is drawn from actual newspaper reports of the time.
The film is a dreamy, dissociative experience, the ramblings of a ghost walking through a funhouse of bad mojo. If you haven’t seen it, I recommend going in fresh, and then reading this essay afterward. As an analysis of the structure and subtexts of the film, this essay is intended to augment and heighten that pure experience, rather than preview it or assess it. It’s a beautiful, stark, unapologetically eccentric documentary, definitely worth a couple hours of your time. If it intrigues you as much as it did me, come on back, and hopefully you’ll get something out of the critical observations to follow.
The Poisonous Image in Wisconsin Death Trip (1999)
From the photographs and newspaper reports, the last decade of the 19th century was a tough time in rural Wisconsin. In the sick sunlight of a national and regional depression and a hard winter, a garden of small disasters sprung up, blossoming with incidents of suicide, murder, and delusion; this was where you could see the fragility of civil society and stoic reason, the hard ground of rationality cracking over the pressure of the uncanny. Wisconsin Death Trip–a 1999 Continue reading THE POISONOUS IMAGE IN WISCONSIN DEATH TRIP (1999)