DIRECTED BY: Bruno Gantillon
FEATURING: Mireille Saunin, Dominique Delpierre, Alfred Baillou
PLOT: Two pretty young women travelling through the French countryside
stumble upon the castle of an elegant witch attended by a bevy of beauties and a dwarf, who promises to keep them eternally young and pampered if they will give up their souls to her.
WHY IT’S ON THE BORDERLINE: With it’s hunchbacked dwarf in eyeliner, tokes off a hookah, and decadent, dreamlike atmosphere, Girl Slaves of Morgana le Fay tries fairly hard to be weird. But the film isn’t really as committed to creating a weird atmosphere as it is in filling the frame with as many tastefully hot lesbian sex scenes as it’s running time will allow.
COMMENTS: Despite the acres of nude female flesh and Sapphic trysts, Girl Slaves of Morgana le Fay is a serious attempt at art, albeit erotic art. The cinematography and costumes are luscious, and the location shooting at a real French castle provides a sensuous, refined background for the ladies’ romps in the buff. The setting is decadent, and so are the pleasure-obsessed slave girls and their mistress, who sip on wine and quote Baudelaire all day in between refined orgies and interpretive erotic dances. It’s the kind of locale you might like to live in (especially if you’re a lesbian), but not one that’s especially interesting to watch. The atmosphere is trance-like, but the actresses emote as if they were in a trance. Despite the high-stakes battle for the girls’ souls, everything is so sublimated and understated that little real drama emerges. The sex scenes are of the tasteful sort where one girl carefully caresses or kissed the torso of her lover, but only briefly brushes a nipple by accident. The ending to the film is surprisingly effective, although abrupt.
The DVD presentation by Pete Tombs’ Mondo Macabro is really amazing for a film this forgotten. Tomb’s writes exhaustive essays on the film, cast, crew, and even the Chateau de Val location, as well as including Gantillon’s short film, Un couple d’artistes. It’s nice to realize that enthusiasts exist to give a film as obscure as Girl Slaves of Morgana le Fay a release that’s as every bit as loving as Criterion Collection would if it were a respectable mainstream classic.
WHAT THE CRITICS SAY: