FANTASIA 2026: APOCRYPHA CANDIDATE: SOUR MINNOWS (2026)

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DIRECTED BY: Harrison Atkins

FEATURING: David Brown, Suzanna Son,

PLOT: Ricky workings on writing projects until memory lapses begin plaguing him after a grocery run.

Still from Sour Minnows (2026)

WHY IT MIGHT JOIN THE APOCRYPHA: When men lick the road with abandon, and small fish appear in your pocket, and boom mics come alive, things ain’t quite right.

COMMENTS: “Really? You don’t find that disturbing?” Tepper has just been scrolling through his phone, landing on a picture of an ornamental plant growing from a raised stone urn. Roommate Ricky  doesn’t share Tepper’s discomfort about this image and the benign object within. But by this point in Sour Minnows, it is already difficult to tell what may and may not be ominous, as the narrative has already proven as slippery as a fish.

The point of view slides around between the three main characters, screenwriter Ricky, his somewhat-girlfriend Aura, and the distracted Tepper. Each character becomes progressively compromised as they find themselves in situations they can’t control and awaken with only a hazy recollection of the events. Aura slathers a department-store evening gown with a rotted bird corpse, in order to astrally-project her hand into Ricky’s car to smear his headrest with the goo; Tepper’s mind wanders into a nearby window, either removing his television from the room or removing his own self; and Ricky attends a fancy media event where he receives a cryptic note before traveling through a tunnel connecting the men’s room to his home, frightening his sleeping doppelganger as he looms at his bedroom door.

If you’re comfortable with a lack of clarity and semi-detached performances (“Are you doing a ‘bit’?”), Sour Minnows is quite a treat. I saw it once, at its second screening, when the festival programmer introduced the movie with his remark that this would be the fourth time he’s watched it. Subsequent viewings probably unlock coherency, but even my one-time visit to the odd world Harrison Atkins has crafted and confettied proved satisfying. Not unlike the Tepper’s reaction to the urn, Sour Minnows is a bit disturbing, and more than a little absurd.

WHAT THE CRITICS SAY:

“…you’ll probably know within minutes whether this movie is your kind of weird… a very weird film, but the surreal story is always rooted in friendship… If that’s your kind of cinema, you’ll feel like you’ve found your people.”–Louisa Moore, Screen Zealots (festival screening)

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