DIRECTED BY: James MacTaggart
FEATURING: Sarah Sutton, Brenda Bruce, June Taylor, Judy Parfitt, Freddie Jones, Geoffrey Bayldon, Richard Pearson, Raymond Mason, Anthony Collin, Douglas Milvain
PLOT: On a boring, snowy afternoon, young Alice discovers that she can walk right through the large mirror over her fireplace; there, she finds herself in a parallel universe, competing in a life-size chess game ruled over by the Red and White Queens, and meeting such strange characters as Humpty Dumpty, the White Knight, and the twins Tweedledum and Tweedledee.
WHY IT WON’T MAKE THE LIST: Even though this is actually one of the better film or television adaptations of the “Alice” books, it’s extremely low budget and bare-bones, shot-on-videotape look prevents the visuals from getting as wild or fantastical as they might be.
COMMENTS: Although most filmed versions of Lewis Carroll’s novel “Alice’s Adventures in Wonderland” (1865) include elements of his sequel “Through the Looking Glass, and What Alice Found There” (1871), this production is one of just three or four adaptations of the second book standing alone. Some consider “Through the Looking Glass” to be the better of the two “Alice” tales, being simultaneously stranger and more sentimental than its predecessor. Aired by the BBC on Christmas Day 1973, this trip through the mirror really looks like a 40-year-old television show; that is to say, the budget is rock bottom. The lack of fancy special effects means that this is basically all (brilliant) dialogue all the time, which may strike some as boring. For those who have read the novel, however, this is actually one of the few adaptations that is genuinely amusing (at least in fits and starts), as opposed to just odd. During the sequence depicting the “Jabberwocky” monster, for instance, the combination of threadbare effects (the monster resembles a sock puppet) and gesticulating, posing actors, renders the silliness almost Monty Python-esque, which seems to have been intentional. The lack of big name actors also makes this version somewhat unusual, since most other “Alice” productions are chock-full of luminaries (the biggest names here did their notable work later, Red Queen Judy Parfitt in 1995’s Dolores Claiborne and Humpty Dumpty Freddie Jones in David Lynch‘s The Elephant Man and Dune). The performers (including future “Doctor Who” sidekick Sarah Sutton, who looks about eleven years old here) stand in front of primitive blue screen backgrounds that resemble John Tenniel’s original book illustrations, and generally have a fine old time, particularly Jones, who is basically just playing a giant head. This is also the only “Looking Glass” I’ve seen where the White King (Richard Pearson) is more memorable than the White Queen (Brenda Bruce). The droll performances, including Geoffrey Bayldon’s unexpectedly acerbic White Knight, almost make up for the shoestring production values in this 74-minute program (not 66 minutes, as it says on the box). There are flaws to be sure: the calamitous dinner party finale is nowhere near as crazy as its counterpart in Hollywood’s 1933 version of Alice in Wonderland, for example. But although this production is unlikely to please the kids, it’s a surprisingly pleasant experience for oldsters who’ve been raised on the original books.
WHAT THE CRITICS SAY:
“Very free and dreamlike at times… . The pacing is strange, but then, so is the story being told so somehow that seems appropriate even if in some ways it does hurt the movie. All in all, as dated as it is and as stagey as it is, this is worth tracking down simply because it’s quite an effective take on the book and one that treats the subject matter seriously and without the need for parody of or modernizing of the original text.”–Ian Jane, DVD Talk (DVD)