DIRECTED BY: Stephen Chiodo

FEATURING: Grant Cramer, Suzanne Snyder, John Allen Nelson,

PLOT: Aliens from outer space, who look exactly like circus clowns, land their carnival-tent spacecraft near a rural town and begin abducting humans for unknown purposes.

Still from Killer Klowns from Outer Space (1988)

WHY IT WON’T MAKE THE LIST: Killer Klowns is actually a very conventional spoof with an unusual gimmick that’s well-executed; it’s a bit offbeat, but as far as weird goes, it’s strictly entry level stuff.

COMMENTS: Although Killer Klown‘s kultists will doubtlessly be offended, this movie is gimmicky, rather than original. It’s a shameless retread of the old aliens-invade-the-earth-and-interrupt-teen-makeout-sessions plot with killer clowns substituting for a killer blob. Every standard plot cliche is squarely parodied, right down to the drunken coot who thinks the landing spacecraft is a shooting star and the fact that the cops assume the teen witnesses are pulling a prank. Switching out one-eyed scaly monsters for clowns is nothing but a gimmick, but it’s a good one, and it makes this formulaic exercise watchable. The movie is so stuffed with circus gags that just when you’re certain the script has run out, a new one emerges, like yet another harlequin squeezing out of an impossibly tiny car. Popcorn, cotton candy, balloon animals, shadow puppets, and banana creme pies all become implements of doom that threaten humanity’s very existence. These jokes should be enough to keep you reasonably entertained, but the costume and set design will vie for your attention.  The garish, oversized grinning clown heads evoke a campy coulrophobia. The interior of the big-top mothership is a candy-colored wonderland, with skewed funhouse sets that are even vaguely reminiscent of The Cabinet of Dr. Caligari (and the eye-searingly bright colors and low-tech ingenuity anticipate the following year’s Dr. Caligari ). It’s also fun to see veteran character actor John Vernon ham it up as the crotchety kid-hating cop. All in all, it’s nothing earthshattering, but it’s a good time if your in the mood for a light, lightly bizarre comedy.

This film has a very powerful cult following, with Killer Klowns t-shirts and paraphernalia selling briskly to this day. I admit, I can’t quite understand why its fans show such a depth of devotion to this likable but lightweight flick. It might have to do with the fact that many people first see this movie when they are young and impressionable, when the concept of a comedy involving evil space clowns seems shockingly original and even subversive.


“This krazy, kooky movie strings together the creature feature with the alien movie, and pumps it full of dark humour, using that icon of innocent fun, the clown… Patchy but mostly fun, the basic clowns/circus/theme park-like fun idea is expanded as far as possible and worked to death…”–Andrew L. Urban, (DVD)


  1. I think what makes this movie so lasting in its effects is its dedication to its concept. Yes, this movie is a pure homage to the sci-fi/horror movies of the ’50s, but it doesn’t ever waver from that goal.

    Well, yes, it is completely silly, but if you took away the silliness of the clown concept, nothing would be out of place here. It’s a straight ’50s-style horror movie, the only reason you would look askance at it is that it involves a clown theme.

    The other reason that it has a lasting impact is the work of the Chiodo brothers. The clowns in this movie are truly works of art. They’re clowns, but they are the worst sort of clowns. There’s just something so perfectly “off” about the Chiodo’s clowns. They straddle a line of comical and horrible that lesser artists can only dream about. More so if you’re phobic about clowns.

    It may not be the greatest movie, but the Chiodos really shine in this movie.

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