Tag Archives: 2008

Shorts

SHORT: GREEN PORNO – FLY (2008)

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Recommended(episode & 1st season series)

DIRECTED BY: Isabella Rossellini & Jody Shapiro

FEATURING: Isabella Rossellini

PLOT: A fly bides its time explaining to us how it escapes being swatted by humans, lands upside down on the ceiling, and spits into its food to dissolve it, until it sees a female and rushes to mate.

Complete short film, Green Porno: Fly.  (Requires Adobe flash player).

WHAT MAKES IT WEIRD:  The reproductive processes of insects are strange and sometimes gruesome, but Rossellini describes them in deadpan fashion with a sly and detached wit that accentuates their alien-ness even further.

COMMENTS:  The first “Green Porno” series of eight short films ran as bumpers on the Sundance Channel in 2008.  Each approximately two minute film describes the morphology and exotic mating habits of a different bug—spiders, flies, earthworms, snails, bees, praying mantises, dragonflies, and fireflies.  Rossellini wrote, performed and co-directed the entire series.  Fly is one of the better episodes, although they are all similar in quality.  Although the films ostensibly have a documentary bent, the elegant, often childishly simple sets, costumes and art direction reveal that the series is inspired as much (if not more) by the theater as the classroom.  Rossellini’s performances can be subtly hilarious: note the big smile she flashes while copulating, and the abruptly disconcerting way she ends this episode with the image of her severed head accompanied by her proud fatherly proclamation, “Our babies grow up in cadavers.  They are called—maggots!”   She also seems to recognize that seeing a former sex symbol turned grandmotherly matron of the arts gleefully humping a model fly is going to look a little weird, and takes to the task with relish.  Although the films are meticulously clinical and entomological, depictions of insect beheadings, penetrations and S&M rituals among snails can be unnerving.

The entire series can be viewed on The Sundance Channel website.  A second season, covering sea creatures like the barnacle, starfish and limpet is airing currently on the channel and can also be viewed at the website.

WHAT THE CRITICS SAY:

“…defying all existing categories previously known to any species Rossellini has embarked on an affectionate, raw when not surreal, often tongue in cheek and intermittently lusty exploration of creature erotic appetites.”–Prairie Miller, Newsblaze

Guest Reviews

GUEST REVIEW: COMING SOON (2008)

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coming_soon
It takes an exceptional film to garner almost unanimous praise.  Now imagine a mockumentary that promotes bestiality receiving 100 percent critical accolades across the board!  Impossible? One would think so in lieu of the overwhelming amount of creatively conservative film criticism flooding the Internet.  Now factor in the amateur hack critics who equate the medium of film with video games and comic books, review them side by side, and judge a film’s intrinsic value solely by entertainment level alone and insist film is absolutely nothing more.  Well then such a mockumentary would have about as much chance as the well worn, so-called snowball in hell.  But, startlingly, Devilhead Film’s production of Sir Tijn Po’s Coming Soon has done just that.

What is amusing and vehemently predictable is the raging net debate over whether or not the film is documentary or mockumentary.  The answer to that is woefully obvious, especially by the film’s end.

Some have likened Sir Tijn Po to David Lynch.  That’s even more predictable and couldn’t be more off base, but then the same thing is frequently said of Guy Maddin as well and both filmmakers are far more interesting than the David Lynch of today.

A lot of phrases like “thought-provoking”, “redefining the boundaries of tolerance”, and “philosophically layered” have been bandied about in the promotion of this film.  E.F.A (Equality For All) is a supposed organization which promotes the acceptance of human/animal love (zoophilia rights) and has given it’s stamp of approval for the film.  The E.F.A website claims that throughout the ages mankind has trod upon the animal Continue reading GUEST REVIEW: COMING SOON (2008) →

Capsules, List Candidates

CAPSULE: W THE MOVIE (2008)

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twostar

DIRECTED BY: Alfred Eaker & Ross St. Just

FEATURING: Alfred Eaker, PinkFreud

PLOT: “W” appears in a meteorite in the Arizona desert, steals the election for

Still from W: The Movie (2008)

the party of No, and becomes a tyrant opposed by liberal reporter BlueMahler.

WHY IT WON’T MAKE THE LIST:  With half the characters distinguished by facepaint that makes them look like either World Wrestling Federation rejects or members of a failed 70s revival glam band, acting in front of shifting psychedelic computer-generated backdrops, this surrealist satire of George W. Bush’s presidency is definitely weird enough to make the list.  The problem is that, as a polemic against the 43rd President of the United States, it comes with an expiration date.  It’s too particular and too parochial, both in terms of subject matter and target audience, to earn a final place on a list of 366 representative weird movies.

COMMENTS:  Because it is a vehemently partisan mockery of a former President, as opposed to a generic political satire, W the Movie is difficult to review.  Your reaction may depend on your politics; the far left might applaud it as a hilarious send-up of a dangerous political hack, those on the right may be outraged (and personally insulted), or simply dismiss it as liberal piffle.  Moderates and fence-sitters are unlikely to be swayed.  All sides will recognize it as deliberately unfair; Bush’s foibles are exaggerated past the point of absurdity.  W is cruel, crude and stupid, and at his most decisive when he demands his pancakes with “lots of syrup”; his foil, BlueMahler, is brave and righteous, and his only character flaw is neglecting his wife and son as he devotes his life to exposing the truth about the alien demagogue and his infernal war.  W the Movie makes the work of Michael Moore (who himself makes as appearance as a ghostlike, babbling puppet) look fair and balanced.  There’s a place in the film world for narrowly political art and clever character assassination, and in this sense the producers are to be commended for not fearing to enter the fray, take sides, and name names.

But, polarizing political content aside, there’s quite a bit to be admired in the low-budget production.  It’s an excellent example of how a unique, almost mesmerizing visual style can be forged through CGI on the cheap, when artistic effect and atmosphere is placed above the fetish for strict realism.  About 90% of the film was shot in front of a green-screen, and memorable virtual sets include W riding on a missile against a cloudscape (a la Dr. Strangelove), W worshipping at an altar of giant gold coins, and an amusing black and white parody sequence with W in Ford’s Theater.  The effect is a bit like the old studio-bound pictures of the 30s and 40s, where the backgrounds were matte paintings, but modern technology combined with a hallucinogenic vision makes these brightly colored living mattes slip, morph and shift before the viewer’s eye.  Therefore, the film is constantly interesting to the eye, even when the plot gets difficult to follow. Furthermore, Eaker does quite well in multiple roles, including both W and his nemesis BlueMahler. Actors cast in smaller roles range from adequate to distracting.  The humor is also uneven, ranging from the highly effective (the Ford’s Theater scene) to the painfully embarrassing (the 9/11 tragedy is used as an excuse for cheap jokes about W’s pro-life stance and lack of geographical acumen).  More genuine funny and fewer pointed potshots would have made it a happier movie experience.  All in all, W‘s well worth checking out, but if you’re to the right of Obama politically, you may want to check your party of No pin at the door.

WHAT THE CRITICS SAY:

“…this is one seriously messed up flick and… I mean that in the best possible way… wild and wonderful, weird and whacked out.”–Richard Propes, The Independent Critic

4/23/09 UPDATE: W the Movie won the “Best Experimental Feature” award at the New York International Independent Film and Video Festival.

7/22/10 UPDATE: For a limited time, we are screening “W” for free on YouTube. Enjoy!