Category Archives: Interviews

VINTAGE 366: LOST INTERVIEW ARCHIVES

Fifty-seven years ago today, popular interviewer Jack Stanton sat down with “premise consultant” William Ŝerco to discuss the inception of the cult film, Incubus. Having languished on the only known reel-to-reel recording for over half a century, Giles Edwards discovered this astounding artifact while antiquing outside Ashtabula, Ohio. Despite cutting out early (at a particularly exciting juncture), it is still an important piece of this cult phenomenon’s obtuse history.

Audio recording of the “lost” interview with Esperanto consultant, William Ŝerco. Transcript below.

Jack Stanton: And as the sun emerges ever more brightly from its wintertide rest, and the meadows emerge from the chilled waters lingering after the vernal equinox, I greet you, dear listener, and proudly present my evening’s guest: advisor to famed producer and director Leslie Stevenson, William Ŝerco. Mr. Ŝerco, good evening.

William Ŝerco: Dankon, Jack. Estas plezuro esti ĉi tie por diskuti pri mia filmo. Male al la nelavitaj amasoj, mi esperas, ke vi trovis la sperton kaj ekscita kaj edifa.

JS: Mr Ŝerco, I state with no sense of shame that indeed this film towered mightily above the dross that is better known as 1966’s standard cinematic slate.

WŜ: Fakte! La miraklo, kiu estas Incubus, mirigas eĉ min mem, min mem kiu, dum dek ok tagoj kaj poste, gvidis Leslie Stevenson al la glora vizio de mondo de Esperanta Horora Kinejo—ĝenro, kiun mi forte atendas, ke mi firmiĝos nun en la mondo. ekkonsentis kun mia genio.

JS: To begin, may I inquire how it was that you came to be a “premise consultant”? From my research, I am led to believe that this role is singular to this most singular of films.

WŜ: Estas simple: mi estas civitano de Esperanta. Naskita kaj kreskigita de du plensangaj Esperantaj gepatroj. Kaj pli-do, mi plene konas la arkanajn manovrojn kaptitajn surekrane de la ludludantoj William Shatner et al.

JS: It had been my understanding that the phenomenon of “Esperanto” was an academic contrivance, but now you say it is a genuine language of an actual people.

WŜ: Zamenhof estas kromvorto por “ĉarlatano” por mia popolo. Li venas valsante, asertante esti kampesploristo, longe pridemandis la maljunulojn, antaŭ ol malaperi kaj asertante, ke li kunmetis nian belan “o”-finan lingvon el nenio! Ĝi igas mian sangon boli memori—

JS: Ahh, yes, I can see that. But if I might beg you to remain seated, there is a great deal of delicate recording equipment right by your—

WŜ: Baldaŭ venos la tago, ke la vico de Zamenhof estos nenio alia ol malbenita, senfrukta branĉo de la morto, kaj ĉiuj parencaj estos dividitaj de la rapida kaj justa justeco de la Esperanta popolo!

JS: No, please, Mr Ŝerco—

Coincidentally, the reel snapped and burnt to cinders at this juncture despite much waving of hands in distress on the parts of Greg Smalley and Giles Edwards. It seems that the curse of Incubus continues.

INTERVIEW: ENTERING “STRAWBERRY MANSION”

Grab yourself a chicken shake and listen as 366 Weird Movies sits down with and to discuss their new movie, Strawberry Mansion (full review). Mansion is set in a comically dystopian future where an auditor (Audley) is assigned to assess the dreams of an elderly woman for tax purposes, and finds himself falling in love with her younger self (in dreams). As always, stay to the end for hometown restaurant recommendations (from Baltimore, MD and Lexington, KY).

Strawberry Mansion is now available for VOD rental.

“THE SHOW”: SIOBHÁN HEWLETT TALKS MOORE AND MORE

Anecdotes, ambitions, and asides flow forth during this in-depth interview with film star and executive producer Siobhán Hewlett. Known in her home town(s) as “the surfing guitarist,” Ms. Hewlett was good enough to make time for 366. Over the course of an hour, behind-the-scenes stories come to light as Hewlett and Giles Edwards chat about Alan Moore‘s film debut, The Show, directed by the maestro’s long-time photographer Mitch Jenkins.

INTERVIEW: LYNN LOWRY, A LIFE IN CULT FILM

sat down (via telephone) with 366’s to discuss her long and distinguished career. Ms. Lowry tells tales from the sets of I Drink Your Blood (1971), The Crazies (1973 and 2010), Shivers (1975), Cat People (1982), and more, gives her impressions of , , , Radley Metzger, , , and others, and explains why low budget independent films are more fun (if less lucrative) than big-budget Hollywood projects. From cutting off hands to playing bi-curious housewives to getting mauled by a leopard, she’s done it all. And she’s still going strong, with almost forty projects listed on IMDB in various stages of completion for 2021 and 2022!

To our knowledge, at just over an hour, this is the most extensive Lynn Lowry retrospective available anywhere.

Listen below!

JULIO MARIA MARTINO AND DAVID HAUPTSCHEIN REVISIT “COUNTRY OF HOTELS”

Giles Edwards interviews director Julio Maria Martino and writer David Hauptschein about Country of Hotels, their triptych of surrealist vignettes that “linger in the mind like stale cigarette smoke in a shabby hotel room.” The men discuss the proper role of mystery in film, the Brown Chicken murders, and the importance of leaving your living room. Plus, restaurant recommendations for London and Chicago.