WHAT’S IN THE PIPELINE

Reviews that are definitely coming next week: La Promesa [The Promise] (2004), a Spanish Gothic thriller about a devout woman who sees religious visions and a telepathic boy; the Korean version of a spaghetti western: The Good, the Bad and the Weird (2008); Tim Burton’s superhero burlesque Batman Returns (1992); the just-barely-still-in-theaters anarchic video game comedy, Scott Pilgrim vs. the World (2010); and from the reader-suggested review queue, the deranged pre-Code exploitation flick Maniac [AKA Sex Maniac] (1934).  Several contributors are working on other projects, as well, so we’ll see what else may turn up.

A strange week in weird search terms used to locate the site.  Nothing jumped out at us as a definitive winner, but there are a couple of interesting notes.  First, we are happy to report that (as of this writing) we now hold the coveted #1 spot on Google for the search “pour lust movies.com.”  We were also sort of complimented, in a backhand way, by the fact that someone chose to come to us to research “weird movies no one likes.”  But the week’s weirdest search term, by a narrow margin, is “wierd  contac lense in the villege gothic store of new york.”

Here’s how the ever-growing reader review queue stands: Trash Humpers (still waiting for the DVD);  Being John Malkovich (in about an hour); Maniac (1934) (next week); The Science of Sleep; The Attic Expeditions; After Last Season; Getting Any?; Performance; The Apple; Arizona Dream; Songs From The Second Floor; Singapore Sling; Alice [Neco z Alenky]; Necromentia; Hour of the Wolf; MirrorMask; Possession; Suspiria; Wild Zero; 4; Nothing (2003); The Peanut Butter Solution; Ninja Scroll; Perfume: The Story of a Murderer; Faust; Sublime; Battle Royale; Pink Floyd: The Wall; Escanaba In Da Moonlight; Jesus Christ, Vampire Hunter; Zardoz; The Films of Suzan Pitt; Toto the Hero [Toto le Héros]; Paprika; The Holy Mountain; Brazil; The Casserole Masters; Dark Crystal; Throw Away Your Books, Rally in the Streets; The Nines; The Pillow Book; Final Flesh; Lunacy [Sílení]; Inmortel; Tetsuo; Dead Ringers; Kairo [AKA Pulse]; The Guatemalan Handshake; Dead Leaves; The Seventh Seal; Primer;  Hausu; A Boy and His Dog; 200 Motels; Private Parts (1972); Saddest Music in the World; Mulholland Drive; The American Astronaut; Blood Tea and Red Strings; The Films of Kenneth Anger, Vol. II (for Lucifer Rising, among others); Willie Wonka and the Chocolate Factory ; The Bride of Frank; La Grande Bouffe; Uzumaki [Spiral]; Hedwig and the Angry Inch; Even Dwarves Started Small; Bunny & the Bull; “I Killed My Lesbian Wife, Hung Her on a Meat Hook, and Now I Have a Three-Picture Deal at Disney” (assuming I can find it); Cinema 16: European Short Films; Freaked; Session 9; Schizopolis; Strings; Dellamorte Dellamore [AKA Cemetery Man]; The Hour-glass Sanatorium [Saanatorium pod klepsidra]; The Addiction; Liquid Sky; The Quiet; Shock Treatment; Tuvalu; “Zombie Jesus” (if we can locate it); 3 Dev Adam; Fantastic Planet; “Twin Peaks” (TV series); Society; May; The Adventures of Buckaroo Banzai Across the 8th Dimension; Little Otik; Final Programme; Careful; Sweet Movie; The Triplets of Belleville; “Foutaises” (short); Johnny Suede; “Jam” (TV, UK, 2000), The Tale of the Floating World, Un Chien Andalou, Bloodsucking Freaks; Fellini Satyricon; Three Crowns of the Sailor; 8 1/2; Death Race 2000; Dororo; Lost Highway; Valerie and Her Week of Wonders; Dogville; and Julien Donkey-boy; Amelie; The Ten; The 7 Faces of Dr. Lao; 1; Fast, Cheap and Out of Control; Tokyo Gore Police; At Midnight I’ll Take Your Soul; The Trial [Le procès) (1962); Marquis; Hell Comes to Frogtown; Hellzapoppin’; Seom [The Isle]; Allegro Non Troppo; Fur: An Imaginary Portrait of Diane Arbus; Lust in the Dust; Celine and Julie Go Boating; “Franz Kafka’s It’s a Wonderful Life;” The Magic Christian; Black Cat, White Cat; The 5,000 Fingers of Dr. T; Abnormal: The Sinema of Nick Zedd; Robot Monster; Nightdreams; 3 Women; Rubin & Ed; Teeth; Vera; Weirdsville; Prospero’s Books; Inferno; Garden State; Persona; and The Real McCoy; Rat Pfink a Boo Boo; Themroc; Candy (1968); Run Lola Run; Pink Flamingos; Buffalo ’66; Northfork; Weekend; The Room; Glen or Glenda?; Night of the Hunter; The Fox Family; Midnight Skater; Angelus; Cloudy with a Chance of Meatballs; Twister (1989); Yokai Monsters, Vol. 1: Spook Warfare [AKA Big Monster War]; Haxan; This Filthy Earth; Conspirators of Pleasure; Piano Tuner of Earthquakes; Clean, Shaven; Bubba Ho-Tep; Sheitan; Innocence; “Chingsao the Clown”; Léolo; 2001: A Space Odyssey; Blue Velvet; ID (2005); Master of the Flying Guillotine; Yesterday Was a Lie; The Ninth Configuration; Forbidden Zone; The Cell; The Illustrated Man; The Man Who Fell to Earth; Fando y Lis; Rampo Noir; Head; Christmas on Mars; “Broken Glass”; Videodrome; Air Doll; The Ossuary and Other Tales; Arrebato; Symbol; Wicked City (1992 live action); Barbarella; Picnic at Hanging Rock; The Cars that Ate Paris; The Boxer’s Omen [aka Mo]; Solyaris (1972); Portait of Jennie; and Salo, the 120 Days of Sodom.