I introduced myself to Yi Ok-seop (the director) and Koo Kyo-hwan (actor/producer) and handed over 366’s business card. Unfortunately, my handwriting in Korean is just as bad as my handwriting in English.
366: My name is Giles Edwards and I’m here for 366 Weird Movies. I may have written that incorrectly below…
366: Oh dear. My hand-writing is pretty bad, I was just looking that up before I got here… Not “dogs”—um, “movies”. But!… I want to ask about the choice of songs for the movie, as they were very clear and dominant from the beginning.
Y/K: When editing, we usual edit as we play music, and look through what kind of music goes well with this scene, this situation, and this line. And when we feel stuck when trying to explain the story in a better way, we look toward the music instead of hanging on to the problem we have in the story. So we look through music and try to find the solution by looking. We felt really empowered by putting the music and the scene together, because when they go really well together, it feels much more synergistic than when we tried to solve this problem as written, or when we couldn’t solve the problem at all, so it was a hint as well as a solution for us.
366: Last night, you both spoke about the nature of the catfish and the prediction of earthquakes. I was wondering if you might be able to repeat that again for this interview.
Y/K: The nature of “Maggie”, the catfish, is that they can sense, predict when there will be an earthquake in the next three or four days—it could be longer, it could be shorter—it’s not precise, but it can sense it and predict it. We thought the character of the catfish was like, when you were at school, in a classroom, and there are so many different people, but there is one group of people who are not really talking much, not really involved in any groups, or socializing with others, so you might think they don’t know anything, but at the same time they’re witnessing everything going on in the class-room, they know everything, every little story that’s going back and forth with other people. So we thought the character of Maggie, the character of those people on the streets in daily life that we think know nothing are kind of similar.
Also, the look of Maggie, there was this little… beard that would kind of make him look wiser in appearance. So the reason we decided to have a catfish was that we probably need little elements like Maggie, like a catfish in our everyday lives, where it just comforts us by just looking at it. And even if it’s not going to protect us in a precise way, it will let us know when things go wrong. It’s also a question about whether to “believe” or not—something might happen tomorrow, it might happen three days later, or a week later, but it is still there. Continue reading YI OK-SEOP, KOO KYO-HWAN, & THEIR PET FISH, “MAGGIE”