Tag Archives: Wai Ka Fai

2022 FANTASIA FILM FESTIVAL: “BACK AGAIN”, PART TWO

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Montréal 2022

I’m a get deep like Gilles Cousteau—

“Gilles Cousteau could never get this low.”

7/21: Hypochondriac

My experience with queer cinema grows as Addison Heimann tells his story of seemingly got-it-all-together young Will whose bipolar mother dips back into his life after a ten year absence. Heimann’s story adopts an unsettling aesthetic, with its mirroring shots and recurrence of sinister man-wolves. But there is humour, too, much of it during the many encounters Will endures with increasingly specialized hospital staff, beginning with the spot-on bro nurse, “NP Chazz”, who is the first to reassure him, “It’s amazing what the human mind can do to the body.” Also keep an eye out for the knee-slapping reference to Patrick Swayze’s Ghost (our protagonist here is a potter, you see, and his demons wish to encourage his craft while they break his mind). As a character (and mental breakdown) study, Hypochondriac fits the bill nicely, but at times feels like so much sound and fury, signifying less than I might have preferred. Still, the closing scene, wherein the hospitalized Will takes comfort from his boyfriend and gives comfort to one of his inner demons, makes for both a serious and sweet finale.

Hypochondriac is in limited release in Alamo Drafthouses starting tomorrow (July 29).

Detective vs. Sleuths

Madness continues in this rather-nearly-weird movie. Call it, a police procedural comedy thriller with “Chinese characteristics”. Detective (well, more precisely, ex-cop posing as detective) Jun Lee went a bit off kilter some years ago after witnessing a demon appear at a crime scene. Having lost his badge, he has set up shop beneath an overpass, conversing with murdered murderers (yes) he imagines while overseeing his self-made, and entirely unofficial, bureau of botched cases. The guy’s a genius, you see, and even beyond his run-in with a demon there’s a Butcher / Demon Cop case that has been bugging him for two decades. Jun Lee has inspired a group of ruthless vigilantes, and their extra-judicial revenge on perps who got away lands Jun Lee in a new and manic mess.

As I mention, this film is darn close to qualifying. The premise isn’t new, per se, but watching Jun Lee dive into heavy gun fire armed only with his right hand formed into finger guns was bizarrely hilarious. Also, the director’s tendency to flash back to already-trodden Continue reading 2022 FANTASIA FILM FESTIVAL: “BACK AGAIN”, PART TWO

CAPSULE: MAD DETECTIVE (2007)

Recommended

DIRECTED BY:  Johnnie To, Wai Ka Fai

FEATURING: Lau Ching Wan, Andy On, Lam Ka Tung, Kelly Lin

PLOT: An insane detective with psychic abilities comes out of retirement to help with the case of a missing policeman whose gun has been used in several murders.

WHY IT WON’T MAKE THE LIST: You’ll find the word “weird” thrown around a lot in regards to this movie; if you’re a longtime devotee of the genre, however, you’ll find Mad Detective resides at the low end of that scale. Once you get your feet under you and understand the rules of Detective Bun’s madness, you’ll find it to be little more than an entertaining police procedural/character study with a semi-supernatural gimmick.

COMMENTS: You would think that Detective Bun’s perfect record solving crimes using his psychic powers would make him an invaluable asset to the Hong Kong police department. Ultimately, however, his madman stunts, like attacking his fellow cops and cutting off his own ear as an impromptu present for a retiring superior officer, become too disruptive for the constabulary to tolerate, and he’s forcibly retired. But when a sticky case comes along, Bun’s preternatural sleuthing skills prove too great a temptation to resist, and a former partner tracks him down to pick his broken brain.

The underlying mystery in Mad Detective isn’t particularly convoluted; only the obscuring mist of Bun’s madness hides the solution. From the audience’s perspective, the confusing thing is that many of the characters that appear onscreen may only appear in Bun’s hallucinations, which can throw you off (at least momentarily, since the reality of the situation is almost immediately quickly resolved). You see, when Bun looks at someone, he sees not only their physical body, but also a manifestation of their personality made flesh. To add another twist, he also sometimes sees people who aren’t there at all. And his method of crime-solving requires him to spark his psychic abilities by recreating the crime in dangerous ways: if a victim was thrown down the stairs while packed in a suitcase, he zips himself up in a soft-sided luggage and has a partner throw him down a flight of stairs, emerging at the end with a “eureka!” Mad Detective works as a schizophrenic character study rather than a typical mystery or procedural—and it works exceptionally well. It even ends with a climax that manages to put a surreal new spin on the Lady from Shanghai-inspired hall-of-mirrors shootout. Good stuff.

Johnnie To (Drug War) is a prolific action director who’s one of the few remaining in Hong Kong to carry on the legacy of John Woo. Wai Ka Fai (who co-wrote the script) is better known as a screenwriter, but directs and produces films occasionally. I have no idea how the divided up the directorial duties here, but it seems likely that To handled the action-oriented set pieces. It’s a shame this movie didn’t start a franchise; To and Fai could have brought Bun back to solve an entire slate of bizarre cases (a la Detective Dee).

WHAT THE CRITICS SAY:

“If the insanely inventive and entertaining ‘Mad Detective’ weren’t so weird — and in Cantonese — hordes of action geeks would be lining the block to see it.”–Manohla Dargis, The New York Times (contemporaneous)

(This movie was nominated for review by short film director Suggest a weird movie of your own here.)