“I have just seen something absolutely disgusting! Pasolini’s latest film, Teorema. The man is mad!”–Maria Callas, soon before accepting the lead role in Pasolini’s Medea
DIRECTED BY: Pier Paolo Pasolini
FEATURING: , Laura Betti, Massimo Girotti, Silvana Mangano, Andrés José Cruz Soublette,
PLOT: After an introduction in which a worker is interviewed about the factory his boss just gave him as a gift, we see a bourgeois family receive an invitation saying that a visitor will be coming soon. It turns out to be a handsome but unnamed young American man; every member of the family, and even the maid, fall in love with him, and he sleeps with each of them in turn. Another telegram arrives saying that the stranger has been called away, and after he departs the family falls apart.
- Pier Paolo Pasolini originally planned Teorema as a play, but changed it to a screenplay because he believed there was not enough dialogue for it to work on the stage.
- Despite Pasolini’s Marxism, the relatively liberal International Catholic Organization for Cinema awarded a jury prize to Teorema (as it had to his more conventional 1964 film The Gospel According to Matthew). Pope Paul VI personally criticized the award, and it was withdrawn by the organization.
- As happened with many of Pasolini’s films, Italian authorities challenged Teorema as obscene. As always, the Italian courts eventually cleared it for public screenings after a trial.
- Pasolini later adopted Teorema into a novel (which has not, to our knowledge, been translated into English).
- Composer Giorgio Battistelli adapted the movie into an opera in 1992.
INDELIBLE IMAGE: The proletarian saint hovering over her village church. The father, naked on the slopes of Mt. Etna, screaming at the heavens, is a close runner-up. We reject the idea that a closeup of Terence Stamp’s crotch in tight white pants is the most important visual symbol in the film, although we can see how someone might come to that conclusion.
THREE WEIRD THINGS: Manspreading Stamp; levitating saint; naked, screaming pop
WHAT MAKES IT WEIRD: Simply stated but open to endless interpretation, Pasolini’s Teorema operates on a strange logic of its own, a kind of triangulated synthesis of Marx, Freud, and Jesus Christ. Any movie in which God appears as a bisexual pretty boy has something weird going for it.
British Blu-ray trailer for Teorema
COMMENTS: It’s a happy coincidence that Teorema—the most Continue reading 353. TEOREMA (1968)