International Gorillay
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DIRECTED BY: Jan Mohammad
FEATURING: Ghulam Mohjuddin, Mustafa Qureshi, Saeed Khan Rangeela
PLOT: Salman Rushdie (portrayed here as a Bond-style supervillain) plots to destroy Islam by building casinos, nightclubs, and brothels to spread vice and corruption; three brothers band together to avenge their faith and kill Rushdie, who is hiding in the Philippines under the guard of the Israeli secret services.
COMMENTS: The publication of Salman Rushdie’s “The Satanic Verses” in 1988 sparked a wave of intense debate and controversy that led to bans, riots, assassination attempts, and other violence. The affair, which became one of the major cultural events of the latter half of the 20th century, culminated in a fatwa issued by Iran’s then Supreme Leader, Ayatollah Khomeini. International Guerillas starts from this context, but the plot summary above should tell you everything about the tone of the film. It’s safe to assume that the filmmakers were not passionate ideologues looking to contribute a propaganda piece in the fight against Rushdie, but rather businessmen who saw the recent controversy as an opportunity to cash in on the ongoing issue by slapping it on a generic spy/action flick plot. The producer would go on to admit that the film was a purely commercial, rather than artistic (or, shall we say, ideological) affair. Regardless, it should be noted that BBC originally intended to ban the film upon its release, a decision opposed by Rushdie himself, who appealed to the principle of unconditional artistic freedom (even if applied to works that portray him as a cartoonish villain) and feared that a ban would only increase the film’s popularity.
The register is not far from a typical B-movie, with some kinship to older Bollywood cinema (over the top caricatures, cheesy dramatics, sensationalist camerawork and score); nevertheless, the combination of general silliness, the inherent oddity of the backstory, and a fair share of eccentric choices along the way makes for a strange viewing experience, especially for the western viewer.
The bloated runtime of nearly three hours (!) allows for plenty of funny (or, depending on the viewer, tedious) moments, including a surprisingly detailed set-up (the main credits only appear past the 40-minute mark) where we witness the murder of the protagonist’s sister at an anti-Rushdie protest, and his gang’s subsequent vow of revenge. What follows is a more or less continuous flow of senseless action interrupted by long (5+ minutes) dance numbers and seemingly random narrative detours. At some point along their quest, our heroes show up donning Batman costumes for some reason (or, more likely, none at all). We’re treated to the activities of “Rushdie” in his Philippine resort where, of course, he lives a hedonistic lifestyle. Besides torturing and executing Muslims by hanging, beheading, crucifying, or dropping them off a helicopter (Pinochet-style), another method of torture appears to be reciting excerpts from his blasphemous book. He also turns out to have an interminable host of clones, guaranteeing a lot of additional screentime and endless fighting scenes. And, of course, there’s the famous ending where “Rushdie” is destroyed by three flying Korans that inexplicably appear in the sky, a quite literal deus ex machina.
The basic premise of Muslim fundamentalists (undisputed heroes in the comic book morals at play here) hunting down “Rushdie” (even if he bears no resemblance at all to his real-life counterpart, physically or otherwise) might make some viewers understandably uneasy. This may be even more pronounced in today’s uber-politicized world, especially since Islamist terrorism has become more common. The obvious cheekiness of the presentation, however, means most will struggle to take it seriously as a piece of propaganda. In any case, this cult curiosity is likely to please or at least entertain viewers familiar with “Turksploitation” movies, with which Guerillas shares similarities—mainly, the idea of appropriating a popular western filmmaking template while giving it a gloriously over-the-top “national” spin for a cheap and quick cash-grab that proves funny in some intended ways and in all unintended ones. Although it might prove taxing for some, anyone who had fun with the likes of 3 Dev Adam or the Turkish Star Wars should have a guaranteed good time with International Guerillas.
WHAT THE CRITICS SAY:
