Tag Archives: Ryuhei Kitamura

2018 FANTASIA FESTIVAL: A SLICE OF STRANGE

Arrival

Anyone traveling internationally should heed this advice: nothing hurries customs agents along faster than the phrase, “I’ll be covering a film festival.” Two years in a row now I’ve seen the Dear God, All Right, Moving on… expression at the border when explaining the reason for my trip.

So without further ado, the reason for my trip: Fantasia Festival movies!

7/12: Nightmare Cinema (Anthology)

Still from Nightmare Cinema (2018)“Horror” isn’t really my preferred genre—I either find it too pointless, or too scary (!).  “Anthology” also isn’t my preferred film format — I typically want one movie to carry itself. Combining the two, however, works out well: it allows for a taste of a director’s work without committing the viewer to overkill. Mick Garris, supervising a clutch of Horror luminaries, has put together a string of varyingly good vignettes. “The Thing in the Woods” (dir. by Alejandro Brugues) tells the tale of a handful of  twenty-somethings  making incredibly bad, incrediblier rapid-fire decisions as if they can’t get to their gruesome fates fast enough. “Mirari” (dir. by [the Legendary] Joe Dante!) deftly taps into the fears of plastic surgery gone awry. “Mashit” (dir. by Ryuhei Kitamura) is pretty ho-hum, until the very Catholic (that is to say, “Unorthodox”) slaughterhouse finale. And “Dead”(?) concerns a boy who, having been … dead … for seventeen minutes can now see the … dead.

What stood out with its bleak tone, creepy understatement, and grisly ambiance, however, was “This Way to Egress” directed by David Slade of Thirty Days of Night fame. A mother of two boys is growing increasingly unhinged after her husband leaves her, resulting in her seeing her surroundings and people she meets looking ghastlier and uglier as the hours go on. Her psychologist  just about recommends suicide before heading off to a meeting. This short stood out even moreso because, unlike Thirty Days of Night, it is well-written, very unnerving, and left me creeped the Hell out. (Somewhat appropriately.)

7/13: La Nuit a dévoré le monde (The Night Eats the World)

Still fromThe Night Eats the World (2018)If any of our readers are fans of the zombie/undead/shuffling corpse-people genre, they should check out Dominique Rocher’s directorial debut. Our hero, Sam (Anders Danielsen Lie), passes out in the back room of his ex-girlfriend’s apartment after an awkward encounter at a party. Upon Continue reading 2018 FANTASIA FESTIVAL: A SLICE OF STRANGE