Tag Archives: Psychotronic


3 Mighty Men; 3 Giant Men

DIRECTED BY: Tevfik Fikrat Ucat

FEATURING: Aytekin Akkaya, Yavuz Selekman, Dogan Tamer

PLOT: Captain America and Mexican wrestling champion Santo travel to Istanbul to help defeat evil antiques stealer Spider.

Still from 3 Dev Adam (1973)

WHY IT WON’T MAKE THE LIST: It has its illucid moments, but there’s not enough consistent high absurdity beyond its preposterous pop premise. I admit that when three laughing puppet heads inexplicably appear in the middle of a sex scene, I was strongly tempted to make this movie a candidate for the List. But, at bottom, if you take the copyright-violation costumes off the actors and you would have a mildly exciting, ridiculous, and extremely cheap action film; a fun oddity to be sure, but not in the same league as the weirdest movies of all time.

COMMENTS: I’m not saying this movie would make a great deal of sense if the villain weren’t a blatant Spiderman knockoff, but about 90% of what makes 3 Dev Adam look absurd to us comes from the “facts” we know about Marvel’s classic superhero. Here in the West we realize that Spiderman does not wear a green costume with a red cowl and an overweight arachnid on the back. We know that his eyebrows aren’t so bushy that they stick out of his mask by a good two inches. And, most importantly, we know that Spidey does not bury women up to their necks in the sand and then pumice their faces with the propeller of a motorboat. If Adam‘s director is to be believed, it was no problem to make Spiderman into a villain because Turkish moviegoers had no idea who he was, which begs the question: why bother to rip off foreign superheroes at all if your audience doesn’t know who they are?

Perhaps Turks were more familiar with Captain America and Mexican wrestling hero Santo than with Spiderman, because these two crime fighters are garbed more faithfully in suits that look like they might have been rented from costume shops in Manhattan and Guadalajara, respectively. But this brings up another issue: these two heroes don’t have any superpowers, Captain America doesn’t have a magic shield, and neither has a secret identity to protect, so there’s no obvious reason for them to get all Continue reading CAPSULE: 3 DEV ADAM (1973)


DIRECTED BY: George P. Breakston, Kenneth G. Crane

FEATURING: Peter Dyneley, Tetsu Nakamura, Jane Hylton, Terri Zimmern

PLOT:  A Japanese scientist corrupts an American foreign correspondent in Tokyo, eventually

Still from The Manster (1959)

turning him into a two-headed monster…. um, man-ster.

WHY IT WON’T MAKE THE LIST: When you’re titling your movie The Manster, you’re probably not expecting to make any exclusive lists, other than the List of the Most Shamelessly Cheesy Movie Titles Ever.  Thanks to its historical provenance and overwrought, tastefully depraved atmosphere, this psychotronic oddity is worthy of a mention; it will take its place as a footnote to the List of the 366 Best Weird Movies Ever Made, and like it.

COMMENTSThe Manster may not be a very good movie, but it does have transformations, geishas, chaste drunken orgies, theremins, hyperactive overacting, and an erupting volcano, with a plot cribbed from “Dr. Jekyll and Mr. Hyde” swaddled in Pysch 101 theories about the duality of man.  That counts for something.  Need more?  It’s also got a mad scientist with a cave laboratory complete with giant mushrooms, a cell for his mutated wife, and a furnace for disposing of unwanted monsters.  The cheesy sci-fi accoutrements are shuttled into the background for much of the running time, as the main action becomes watching Peter Dyneley act like a jerk, drinking saki with loose women and slapping his long-suffering wife after being shot up with Japanese chemicals.  (Dyneley takes to the lifestyle of a gin-soaked heel like a 1950s mad scientist takes to collecting Tesla coils).  His chemically-induced devotion to the dark side results in his killing Shinto monks during blackouts and growing an eye on his shoulder, which eventually develops into a full-grown noggin.  Through the magic of b-movie moral alchemy he’s able to kill his creator and redeem himself, literally splitting apart from his hairy id (an extraordinary moment).  The final words of a journalist documenting the mad tale give us all a paradox to mull over: “I’m a reporter, not a mystic, Linda.  But there are things beyond us, things perhaps we’re not meant to understand.  If what’s happened here had made this all clear, well then, perhaps it made sense after all.”  Gotcha: the story makes sense because it makes it clear we weren’t meant to understand it.

Probably The Manster‘s greatest claim to fame is being originally released as the bottom half of a sublime/ridiculous double bill with Eyes Without a Face (which was dubbed and retitled Horror Chamber of Dr. Faustus to make it appear like just another B-horror movie!)  As the world’s first two-headed man/monster movie, it’s also the great-grandfather of How to Get Ahead in Advertising, and Sam Raimi even paid The Manster tribute in the weirdest sequence of Army of Darkness.  That’s pretty good company for a movie that began its life as an unsophisticated, exploitative b-quickie!


“…its gorgeous shadow-strewn cinematography, bizarrely mismatched performances, and loopy juxtapositions of Asian and American nightmare iconography make it unforgettable trash that, in its more insane moments, even attains a sort of accidental bargain-bin poetry.”–Ian Grey, Baltimore City Paper (DVD)