DIRECTED BY: David Lynch
PLOT: This prequel to the events of the cult TV show explores the sordid story behind homecoming queen/secret bad girl Laura Palmer’s last days before her brutal murder.
WHY IT MIGHT MAKE THE LIST: In terms of its chances of making the List, Fire Walk with Me‘s pluses and minuses are the same: the fact that it’s so intimately entwined with the TV series it sprang from. That makes it a good candidate to represent a franchise that has blessed us with some of the most memorably weird moving images of all time. The downsides are that this feature film makes no sense whatsoever to anyone who’s not thoroughly familiar with the minutiae of the “Twin Peaks” universe; further, much of what goes on in its 135 minute running time feels like housecleaning, tying up numerous loose ends from the canceled series.
COMMENTS: Early on in Fire Walk with Me a woman in a red fright wig walks in front of three FBI agents, makes funny faces and hand gestures, spins around, and leaves without saying a word. Typical Lynchian randomness, right? Not so fast; one of the agents later explains to the other that every article of clothing the woman wore, every gesture she made, held a secret meaning. After his superior decodes the entire piece of performance art for him, the junior G-man mentions that the lady was also wearing a blue rose. The more experienced agent compliments his powers of observation, but informs him “I can’t tell you about that.”
In a meta-symbolic sense, this sequence explains what the viewer can expect from Lynch’s film: many seemingly abstruse images will have a coded meaning in the story, but something will still remain hidden that the director can’t tell you about. Whether he will refuse to explain it, or whether he doesn’t know himself, is left ambiguous. Fire Walk with Me proves muddled in more than it’s symbolism; it’s also more than a bit of a mess in structure and purpose. It’s set in Twin Peaks’ familiar universe, but the tone is far darker and weirder than the TV show. The project is also constantly pulled in two different directions due to its conflicting desires to tell a compelling story about a doomed high school girl, a story that’s capable of standing on its own, and its obligation to please fans of the canceled TV show by tying up loose ends, however insignificant they might be. And although there is a touching story at the film’s core and beautiful imagery scattered throughout, I’m afraid that the production errs too much on the side of providing “Twin Peaks” fanservice, with multiple dream sequences each trying to outweird the previous, scenes that serve no other purpose but to address passing inconsistencies from the TV series, and the shoehorning in of beloved characters who logically should play no part in Laura’s story.
The overlong and unwanted 30 minute prologue, with two new FBI Continue reading LIST CANDIDATE: TWIN PEAKS: FIRE WALK WITH ME (1992)