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DIRECTED BY: Quentin Dupieux
FEATURING:, , Anaïs Demoustier
PLOT: Having discovered a dead body under not-very suspicious circumstances, Louis is brought in by the police for questioning. His account of the event arouses the suspicions of police commissioner Buron, but Louis is even more suspicious of the police because of their circular arguments, penchant for distraction, and curious behavior. Louis becomes concerned that he will bear the responsibility for an increasing number of unlucky events, and must recount his actions in fine detail in an effort to affirm his innocence.
- This was native Frenchman Dupieux’s first feature actually produced in his home country.
- The film’s original French title translates as “To the police station!” It can also be translated to mean “at the office.” It can also be interpreted to mean someone who is at their assigned spot (“at one’s post”), in much the way a call of “Places!” summons the actors to their marks at the start of a play.
- Scenes at the police station were filmed in the headquarters of the French Communist Party, designed by acclaimed architect Oscar Niemeyer.
- Alain Chabat is credited with providing “screams of pain.” Chabat appeared in Reality as a film director attempting to win an Oscar for the best wail of pain.
- The film’s poster parodies that of the significantly more action-oriented Jean-Paul Belmondo crime thriller Peur sur la Ville (Fear over the City).
INDELIBLE IMAGE: Philippe, a hapless cop-wannabe, suffers from an unfortunate condition, and its reveal is a genuine shock. It’s not merely that he has only one eye. It’s that the whole upper quadrant of his face is smoothed over, as though the mere idea of an eye socket never existed. And once he begins espousing his hyper-preparedness for even the most surreal of accidents, it is absolutely inevitable that Chekhov’s Plastic Angle Square will fulfill its destiny.
TWO WEIRD THINGS: Near nude conductor; crunchy oyster
WHAT MAKES IT WEIRD:by way of with a healthy layer of Douglas Adams and a final punch of Sartre, Keep an Eye Out is a fantasia of absurdism. Dupieux and his actors seem to be engaged in a contest to see who can be the most deadpan, and the tone never wavers, neither in the face of escalating ridiculousness nor an unexpected and tragic conclusion.
Original trailer for Au Poste!
COMMENTS: We begin with an orchestra in a meadow, accompanying the opening credits under the baton of a mustachioed man clad Continue reading *24. KEEP AN EYE OUT (2018)