Tag Archives: Masaaki Yuasa

CAPSULE: NIGHT IS SHORT, WALK ON GIRL (2017)

Recommended

DIRECTED BY:

FEATURING: Voices of Kana Hanazawa,

PLOT: A shy, lovestruck senior follows a peppy junior (“the Girl with Black Hair”) from afar over an almost endless surreal night that includes philosophical drinking contests, an encounter with the God of Used Books, a peripatetic musical theater, and a cold epidemic.

Still from Night Is Short, Walk on Girl (2017)

WHY IT WON’T MAKE THE LIST: At this writing, there are only five slots remaining on the List. If not for that shortage, Walk on Girl might have a shot. Fortunately, we already have a slightly more famous, slightly better movie to represent Masaaki Yuasa on the List—but if he keeps making anime this weird, we may have to reconsider that hard 366 cap.

COMMENTS: A cross-dresser, a man who has vowed not to change his underwear, and a love-besotted student walk into a bar… Well, actually it’s a wedding reception, not a bar, and Night Is Short, Walk on Girl is not a joke, although it is a comedy. Nevertheless, that is the opening setup for a yarn that will quickly unfurl into a surrealistic nocturnal journey. The object of the student’s affections is the Girl, who starts with her own romance-free agenda: she wants to experience adulthood, and figures the best way to do this is through a night of heavy drinking. As she meets perverts, sophists and fellow drinkers, the evening develops into a quest for a mysterious liquor known as Imitation Denki Bran, climaxing in a drinking contest against an elderly pessimist. Meanwhile, her admirer has his underwear stolen and discovers his friend leads a secret team of electronically-omniscient high school hackers. And all that’s just in the first 20-30 minutes; the not-so-short night has many more wonders to unfurl, including another competition (this time involving lava-eating), musical numbers from “The Codger of Monte Cristo” (with meta-lyrics referring to both the main plot and subplots), and a flying fever dream finale.

The look of the film is bright and clean, with a mild retro feel: space age graphics and clean modernism, with bold use of color and geometric motifs—especially flower petals, which go drifting through the canvases like blossoms falling off invisible psychedelic cherry trees. There are plenty of abstract sequences, split screens, hallucinations, and other animated digressions, but the transition between styles flows smoothly, not chaotically as in Yuasa’s previous Mind Game. The story glides along from incident to incident in a similarly fluid fashion. Episodes are packed inside four major chapters: bar hopping, the used book fair, the play, and the cold that lays the entire neighborhood low. It’s a pleasant structure to organize the anything-can-happen action and keep us from getting totally lost in the film’s hubbub.

Night Is Short, Walk on Girl is weird, but light. The title character’s girlish optimism sets a sprightly, happy tone. While her pursuer’s actions sometimes verge on the stalkerish, we never doubt the purity of his affection, and we naturally root for the two to get together. Girl‘s dream logic is totally blissed-out; someone must have spiked the imitation brandy with mescaline. It’s a night well spent; you may even wish it was longer.

Night Is Short, Walk on Girl played theaters in a limited engagement over the past summer. It’s scheduled to appear on DVD, Blu-ray and VOD in January 2019.

WHAT THE CRITICS SAY:

“…a weird, very bemusing and sometimes wonderful anime…”–Peter Bradshaw, The Guardian (contemporaneous)

349. MIND GAME (2004)

“Your life is a result of your own decisions.”–text message briefly glimpsed in the opening scenes of Mind Game

“There’s a lot of randomness in the decisions people make.”–Daniel Kahneman, psychologist

Recommended

Weirdest!

DIRECTED BY:

FEATURING: Voices of Kôji Imada, Sayaka Maeda, Takashi Fujii, Seiko Takuma

PLOT: Aspiring manga artist Nishi meets his schoolboy crush Myon on the subway and realizes he still loves her. They go to eat at her family’s noodle shop, but two yakuza break in, demanding repayment of loans, and in the ensuing scuffle kill the cowardly Nishi. In the afterlife, Nishi meets God, but decides he’s not done living and returns to earth, where he becomes a hero by rescuing Myon and her sister, then is swallowed by a whale and shacks up with the old hermit who lives in its belly.

Still from Mind Game (2004)

BACKGROUND:

  • Based on a manga by Robin Nishi.
  • This was Masaaki Yuasa‘s feature film debut as a director. He had worked as an animator since 1990. He also had a big role in producing the Certified Weird short feature Cat Soup (2001), working as co-writer, co-producer and animation director.
  • Animation director Kôji Morimoto’s credits as an animator include Akira (1988) and Kiki’s Delivery Service (1989).
  • Mind Game won the equivalent of Best Animated Feature at Japan’s Media Arts Festival (placing ahead of Howl’s Moving Castle) and was named Best Film at the 2004 Fantasia Festival (narrowly beating out Survive Style 5+).
  • Despite its accolades, Mind Game never had an official U.S. premier or home video release until 2018. It nevertheless developed a cult following with the few people who managed to see it, and told their friends.
  • Mind Game was the winner of 366 Weird Movies’ final readers’ choice poll.

INDELIBLE IMAGE: God, the cigarette smoking fish. Seriously, how many movies dare to literally depict God on-screen? Now, subtract the ones that show Him as a bearded old white guy or George Burns, and ask yourself the question again.

THREE WEIRD THINGS: God’s many cartoon faces; gay ex-yakuza in a whale; external translucent womb

WHAT MAKES IT WEIRD: Mind Game is trippy and surreal—the plot and the animation style both change every few minutes—but a sense of mystical wonder and an elusive wisdom underlies the whole crazy game. Put your seat belt on, this is going to be a bumpy ride.


US release trailer for Mind Game

COMMENTS: Mind Game begins with a stakeout in the rain; a man Continue reading 349. MIND GAME (2004)

CAPSULE: DEVILMAN CRYBABY (2018)

DIRECTED BY:

FEATURING: Voices of Griffin Burns,  Kyle McCarley, Cristina Vee, Cherami Leigh (English dub)

PLOT: High schoolers are being eaten by demons bent on conquering the world; crybaby Akira is convinced to merge with a devil in order to become a superhero and oppose them.

Still from Devilman Crybaby (2018)

WHY IT WON’T MAKE THE LIST: We could rule it out simply due to format (TV miniseries rather than feature film). Even if we considered it as a longform movie, however, Devilman only distinguishes itself from other anime in its exceptional, often trippy, visuals. It’s simply not that weird, especially by the elevated standards of its baseline-strange genre.

COMMENTS: “Devilman Crybaby” begins with an androgynous blonde in a cosmic ball dropping onto earth, like an egg fertilizing a larger egg, then segues into protagonist Akira’s childhood flashback, where the young crybaby bawls over the fate of a wounded rat while his friend Ryo tries to euthanize it with a wicked box cutter. Years later, Ryo is a machine-pistol toting prodigy anthropology professor investigating a demon infestation who convinces Akira to serve as an experimental subject: he takes him to a “sabbath” party (basically, the world’s tightest rave) so the mild-mannered teen can be deliberately possessed by a demon. Director/animator Yuasa goes nuts at the orgy, giving us huge glowing wire sculptures, topless high school chicks lit in aqua gyrating like strippers on ecstasy, another topless girl passing out pills to everyone who enters the party, and in-the-open pansexual couplings everywhere. Then, things get weird: Ryo starts slashing random dancers with a broken champagne bottle because the party’s “too tame” and devils “love the smell of blood.” This somehow leads a (topless) girl to urinate (while keeping her panties on) while her boobs turn into a head-chomping tentacles, giant bugs and spikes burst out of other copulating teens, and Akira to turn into Baal as teenybopper heads and limbs fly around a party that suddenly looks like a high school massacre set in a neon cathedral. The last time you want to get possessed by a devil is when you’re peaking on acid at the club.

The orgiastic scenes and various mutant devil designs—including one who incorporates the lamenting heads of his victims into his torso—are the best part of “Devilman.” During breaks in the battles between Devilman and the monsters, Akira fantasizes (in explicit fanservice detail) over his surrogate sister (they grew up together in the same household, but are not related by blood). We also follow a subplot involving rapping teenagers. At times, “Devilman” alternates so much between awesome tentacle battles and Akira using his Devilman x-ray vision to check out pseudo-sis’ undies that it almost seems like a parody of anime conventions. You won’t be surprised at all by the identity of the main villain, but you might be a bit confused about how the Devilmen fit into the scheme.

Besides the standard angsty superhero tropes, there’s also a bit of genuinely weird stuff, some of it intentional (a bug-eating coach) and some of it unintentional (they expect us to buy that regional high school track and field meets are so popular in Japan that they pack Olympic stadiums for them?) The anime genre works according to its own internal conventions, and requires a heightened ability to suspend disbelief from its audience. In general, however, I thought the storyline (a reboot of a popular anime series by the legendary Go Nagai) was juvenile (in theme and form, not in its not-for-kids sex and violence) and beneath Yuasa’s talent. The characters are predictable types, if affectionately drawn, and the theme of human empathy is not particularly deep. It’s Yuasa’s next-level visuals, best displayed in the bacchanalia of Episode 1 and the apocalypse of Episode 10, that raise “Devilman” above its brethren. Even some of the minor sequences, like a minimalist nighttime drive in Ryo’s white sports car, with streetlights lights strobing by like regiment of precise fireflies in the side view mirror and windshield, are of superior design compared to the industry standard. Yuasa borrows a good deal of “exotic” Christian imagery, particularly the cross, horned devils, and a mangled eschatology (which has been a thing in anime ever since and pioneered it in the 1980s). The final episode features an twelve-winged “angel” riding a seven-headed dragon, weaponized rainbows, and other stuff that got left out of the Book of Revelation but would have looked really cool on an Iron Maiden album cover. Devotees of the style looking for action-oriented psychedelic thrills with a little teenage drama on the side will groove to it, but it’s not the best pool of anime goo for a newbie to dip his or her toe into.

“Devilman Crybaby” made a small splash as Netflix’s “first original anime” when it debuted in January 2018. Actually, it was only the first of twelve new original anime series (of a planned thirty) to roll out.

WHAT THE CRITICS SAY:

“…for as grotesque as it regularly gets, Devilman Crybaby is bizarrely easy to love… a peak example of director Yuasa’s brand of balancing surrealist art and a real love for young people.”–Allegra Frank, Polygon

(This series was nominated for review by Benjamin Rubin, who asked “where else are you going to get psychosexual imagery, a mid-air fight scene that is also a sex scene, the end of the world, and of course, a gay hermaphroditic Satan who causes said end of the world, yet still remains a (slightly) sympathetic antagonist”? Suggest a weird movie of your own here.)

199. CAT SOUP (2001)

Nekojiru-so

“Many animators participated in the creation of Nekojiru-so, but I wonder how many of the animators fully understood the concept and manifested that understanding in the animation. When Yuasa and I explained things during animation meetings, we really didn’t understand it ourselves either.”–Tatsuo Satō, Cat Soup director, DVD commentary

RecommendedWeirdest!

DIRECTED BY: Tatsuo Satō

FEATURING: Not applicable (the film is animated with no dialogue)

PLOT: After nearly drowning in a bathtub, a young anthropomorphic cat sees his sick older sister being led away by a purple figure, follows it, and engages in a tug of war in which he recovers part of her body. He then returns home where he finds the sister still ill and convalescing, and gives her the part he recovered from the purple figure. She recovers from her sickness, and the pair embark on a series surreal adventures throughout the cartoon cosmos, although the sister is only half-alive until they eventually locate a mystical flower that restores her.

Still from Cat Soup (2001)
BACKGROUND:

  • Cat Soup is based on a series of manga by the artist Nekojiru (a pseudonym that actually translates as “cat soup”). Although Nekojiru’s stories were also dreamlike, they were more structured than this adaptation, and little of Cat Soup is taken directly from her works. Nekojiru committed suicide in 1998.
  • Technically, the Japanese title translates as something like “Cat Soup Flower.”
  • Director Tatsuo Satō specializes in television anime and has directed episodes of “Martian Successor Nadesico,” “Ninja Scroll: The Series,” and “Bodacious Space Pirates.”
  • Co-writer also produced and was the animation director; he has since directed his own feature (2004’s Mind Game) and several shorts and TV episodes, while continuing to work as an animator on other projects.
  • Because it was an OVA (“Original Video Animation” in anime parlance, meaning direct-to-DVD with no theatrical release), Cat Soup was not eligible to compete in many film festivals, although it did take honors at a few (including recognition as Fantasia’s Best Short Film of 2001).

INDELIBLE IMAGE: Choosing a single image from Cat Soup, which is a 30-minute barrage of insane, enchanting, and frequently disturbing visions made by animators who had been freed from almost any constraints on what they were allowed to imagine, is a tall task. We selected a still from the scene which literally enacts the title. Making this “cat soup” involves dressing up in mouse dominatrix gear and chopping up the yummy kitties with a giant pair of scissors.

WHAT MAKES IT WEIRD: In some ways I envy the reviewer who was the first to get to Cat Soup and dub it “Hello Kitty on acid.” (Although I actually haven’t been able to track down the critic who first said that; perhaps the description is so obvious that everyone just assumes someone else came up with it before they did). I think a better description, perhaps, would be “Hello Kitty goes to Hell,” because the acidic hallucinations here all occur in the context of cat spirits wandering a weird world halfway between life and death, a place where God appears as a carnival magician and cuts planets in half and slurps their molten cores like soup. The brisk 30 minute runtime is the perfect length for this nearly plot-free pageant of morbid feline surrealism, which hits your surreal receptors hard, but doesn’t last so long you build up a tolerance to the insanity.


English-language DVD trailer for Cat Soup

COMMENTS: Cat Soup is a short feature that flummoxes even anime Continue reading 199. CAT SOUP (2001)