Tag Archives: Los Angeles

CAPSULE: “WILD PALMS” (1993)

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DIRECTED BY: Peter Hewitt (Ep. 1), Keith Gordon (Ep. 2 & 4), Kathryn Bigelow (Ep. 3), Phil Joanou (Ep. 5)

FEATURING: , Dana Delany, , Kim Cattrall, , , , Ernie Hudson, Ben Savage, Nick Mancuso

PLOT: L.A. in the year 2007: Harry Wyckoff (Belushi) is a patent attorney with a wife, Grace (Delany), son Coty (Savage), and a mute daughter, Deirdre. He ends up in the employ of Senator Kreutzer (Loggia) who owns the Wild Palms media group, heads the Church of Synthiotics, and is about to unveil a new VR process for TV. A former lover, Page Katz (Cattrall) asks Harry for help in locating her lost son, which leads Harry into a convoluted world of two warring political factions, the Fathers and the Friends, wrestling for control of the country. Wyckoff discovers he is an integral part of both factions’ plans for success.

Still from "Wild Palms" 1993

COMMENTS: The debut of “Twin Peaks” on network television in 1990 was a watershed moment. It furthered the possibilities of challenging material getting into the mainstream and finding a dedicated audience, and proved that television didn’t have to stick to a lesser aesthetic just because it was on a smaller screen. TV didn’t have to be considered a step down, a place where feature directors were put out to pasture before their careers died. The “Peaks” influence can still be felt some 30 years afterwards. Of course, once something has proven successful, others jump in hoping to get a piece of the pie. So it was inevitable that ABC, the network that took a chance on “Peaks,” would attempt to replicate that success—with stipulations, of course.

Which is how, more or less, how “Wild Palms” came into being. Created by Bruce Wagner (based on the comic he wrote that ran in Details Magazine) and executive produced by , ABC saw it as a safer bet than “Peaks.” Having learned from their experience with to set certain terms at the start—like the property having a definite beginning, middle and end—“Palms” was billed as an “event series,” running about five hours spread over five nights. Like “Peaks,” it had a healthy budget, a distinctive look, and an incredible cast and crew. But “Palms” did not duplicate the cultural tsunami of “Peaks,” despite some pretty good marketing.

There are distinct similarities between the two shows. Both were inspired by and are, to an extent, parodies of the prime-time soap opera format. “Palms” embraces melodrama more in performances and in Wagner’s florid writing. The dialogue is packed with literary and cultural references and wordplay. Both shows exhibit elements of surrealism  and perversity: in the latter case, “Palms” tiptoes the line of prime time acceptability with less subtlety than “Peaks,” especially with the demise of a particular character.

“Palms” distinguishes itself from “Peaks” by being more overtly political and straightforwardly science fictional. It’s sci-fi in the vein of , involving virtual reality (VR) and a drug used to enhance the experience (Dick’s “The Three Stigmata of Palmer Eldritch” is very much a touchstone). It’s also very “L.A.,” with many, if not most, of the characters having direct ties to the Industry and to the religion “Synthiotics” (this depiction surprisingly not raising the ire of a certain other L.A.-based religion notorious for being extremely litigious).

Some 25 years later, it’s clear “Palms” is not as timeless as “Peaks.” Some choices (the fashion and phone technology) now look quaint, anchoring it firmly in the early 90’s. Other aspects feel prescient, like a direct commentary on our current landscape: especially the political war between the “Fathers” (right wing) and the “Friends” (left wing).  Looking past its contemporary setting and lack of dragons, the way the conflict plays out between two families intertwined by circumstances, with side characters becoming disposable pawns, has a quasi-medieval tone that “Game of Thrones” fans might appreciate. Although the acting all around is good—Delany, Cattral, Loggia and Dickinson are notable, and Belushi reminds you that he’s a good dramatic actor when given the opportunity—very few of the characters are likeable; they don’t captivate audiences the was Lynch’s characters did.

Kino-Lorber released the series on Blu-ray and DVD in the fall of 2020, remastered and including commentaries: Bruce Wagner with James Belushi on the pilot, Wagner paired with Dana Delany on Kathyrn Bigelow’s episode, director Keith Gordon on his two episodes, and Phil Joanou on the last episode. They’re all informative, although Joanou’s is the weakest of the bunch.

A Grantland article on the 20th anniversary of the show’s debut features an interview with creator Bruce Wagner.

WHAT THE CRITICS SAY:

“…another provocative exercise in television-for-people-who-don’t-like-television — a six-hour ‘event series’ that makes ‘Twin Peaks’ look like ‘Mayberry R.F.D.’… a jaw-dropping combination of disturbing imagery, dark humor and startling moments spread over a narrative that’s virtually impossible to follow.”–Brian Lowry, Variety (contemporaneous)

6*. SHE’S ALLERGIC TO CATS (2016)

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DIRECTED BY:

FEATURING: , Sonja Kinski, Flula Borg, Honey Davis

PLOT: Mike Pinkney is an aspiring director living in East Hollywood, where he dreams of making his passion project: a remake of Carrie featuring an all-cat cast. No one is interested in his work, so he makes ends meet by working as a dog groomer, where he meets a beautiful woman who improbably agrees to go out on a date with him. Unfortunately, his run-down rental house suffers from a rat infestation that threatens to ruin his big chance with his dream girl.

Still from She's Allergic to Cats (2016)

BACKGROUND:

  • Director Michael Reich and star Mike Pinkney had previously worked as co-directors on music videos for Ryan Adams, the Shins, My Chemical Romance, Yuck, and other bands.
  • Reich wrote the part explicitly for Pinkney. They took acting classes together to prepare, which is where they met Sonja (daughter of Nastassja, granddaughter of ) Kinski.
  • The movie was shot in Reich’s own house and neighborhood. Honey Davis, who plays the landlord in the movie, was Reich’s landlord at the time.
  • Parts of She’s Allergic to Cats were inspired by director’s Michael Reich’s work as a dog groomer in Hollywood, where he expressed the anal glands of pooches belonging to George Carlin and , among other celebrities.
  • It took the movie four years from its film festival debut to finally be released on video-on-demand.

INDELIBLE IMAGE: Take your pick from two briefly glimpsed images from the climactic montage: a naked woman holding a bowl of rotting bananas while rats crawl over her, or a naked woman whose upper half is a banana. We’ll accept either answer. (If you’re looking for a non-nude pick, Sonja Kinski posing seductively with a DVD of Congo is your go to).

TWO WEIRD THINGS: Sensual dog grooming instructional video; anal gland expression

WHAT MAKES IT WEIRD: In She’s Allergic to Cats, dog groomer Mike Pinkney bashfully confesses to “making weird video art that nobody wants to watch.” He’s wrong. Somebody wants to watch this portrait of a pathetic artist struggling to make an all-cat version of Carrie while dealing with a rat infestation and an internal video monologue that consists of glitchy nightmares run through a circa 1989 public access AV board. That somebody is you.


Original trailer for She’s Allergic to Cats

COMMENTS: The old writer’s cliche is to “write what you know.” The danger of this advice, of course, is that, if every aspiring writer  Continue reading 6*. SHE’S ALLERGIC TO CATS (2016)