Tag Archives: Kengo Kaji

CAPSULE: SAMURAI PRINCESS [SAMURAI PURINSESU: GEDÔ-HIME] (2009)

DIRECTED BY: Kengo Kaji

FEATURING: Aino Kishi, Dai Mizuno

PLOT:  In a timeless mystical forest, a rape survivor takes on the souls of her eleven

Still from Samurai Princess (2009)

dead sisters and becomes a cyborg to avenge them.

WHY IT WON’T MAKE THE LIST: Samurai Princess is a relatively unambitious attempt to cash in on the biohorror/splatterpunk formula established in Meatball Machine (2005); fans of this stuff will be probably be reasonably entertained, but newcomers would be better off checking out the aforementioned Meatball Machine or Tokyo Gore Police instead.

COMMENTS: In a few short years, the works of an incestuous group of Japanese writers/directors/FX gurus have created a new Japanese splatterpunk formula focusing on slim but fantastic storylines; extreme, absurd gore effects; and the modification of body parts into bioweapons.  This phenomenon is only five years old, but it’s already reminiscent of what happened with Troma: the studio had a hit, and spent the rest of its existence remaking The Toxic Avenger over and over under different names.  Samurai Princess is a lesser entry in this new genre, and at times it feels like the square peg of the splaterpunk formula is being forced into the round hole of a gentler, more reflective fantasy.  The idea of a justice-seeking living vessel infused with the souls of eleven raped virgins feels like an old Japanese legend, but making that instrument of vengeance a cyborg with detachable boob-bombs is a faddish approach that doesn’t click.  The movie’s setting—a primeval forest haunted by brigands, loners and mad scientists, a place that’s even “out of Buddha’s jurisdiction”—is promising.  It’s a place out of time; the kimonos and katanas suggest feudal Japan, but there are plenty of anachronisms like chainsaws, cameras, and novelty sunglasses with blinking Christmas lights on the frame.  The cast that romps through the forest is nicely bizarre: besides the main character (who’s neither a samurai nor a princess), there’s one mad doctor who collects body parts to build “mechas,” a rival cyborg-building maniac with a pair of female sidekicks who speak in unison, a Buddhist nun with Continue reading CAPSULE: SAMURAI PRINCESS [SAMURAI PURINSESU: GEDÔ-HIME] (2009)