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“My response to viewers who are puzzled by the plots is, I don’t think you’re so puzzled as you may think. We all have a certain amount of intuition, and that is something that can be trusted and should be trusted… And so when you see something that’s abstract in a film, and you seem to be getting lost, the thing to do is to start talking to your friends, and they’ll say something and you’ll find yourself disagreeing with that, and realize that you really had formed opinions, and you had a scenario that made sense in your mind, and that’s valid. We know more than we think.”—direct advice from David Lynch on understanding his films
DIRECTED BY: David Lynch
FEATURING: Laura Dern
PLOT: INLAND EMPIRE shifts around on a dozen tectonic plates of varying levels of surreality, but the unstable base layer involves Laura Dern as actress Nikki Grace cast in a melodrama based on an unproduced Polish screenplay which was abandoned as cursed after its two leads were murdered. As she acts out the adulterous scenario, Grace becomes confused, coming to believe at times that she is the character in the screenplay. After consummating a relationship with her handsome co-star, that reality slips away and Dern is seen playing several different characters, wandering around in a series of loosely interconnected sketches that involve (among other stories) an abused woman confessing her hatred of men to a psychiatrist, the lives of a gaggle of lip-syncing prostitutes, infidelity dramas, and a sobbing woman watching a room full of bunnies in an absurdist television sitcom.
- The film began as a series of individual short films shot on digital video, as Lynch was exploring the new format. After Laura Dern suggested working on a project with the director, Lynch later noticed recurring themes in the shorts he was shooting, and decided to put them together into a feature film.
- In his announcement for the movie and in interviews afterward, Lynch has said that he is done shooting on film and will work exclusively with digital video from now on, citing the greater freedom afforded by the format and going so far as to say that the idea of going back to film makes him feel “sick and weak.”
- Lynch reported that he wrote the film scene by scene, working without a finished script and trusting that connections would appear.
- The footage of the rabbits is recycled from a series of short films called “Rabbits” that was exclusively screened on davidlynch.com.
- Lynch has said he decided to title the movie INLAND EMPIRE after hearing Dern say that her husband hailed from that Southern California enclave, simply because he liked the sound of the words.
- Lynch invested his own money to get the film made. He also distributed the film himself, thus facing no pressure to make cuts to the finished product.
- David Lynch himself sings on the soundtrack.
INDELIBLE IMAGE: The nattily-dressed, stiff and deliberately posed bunny-people from the series of short “Rabbit” films, who were so evocative that Lynch decided to give them a new home in INLAND EMPIRE.
WHAT MAKES IT WEIRD: INLAND EMPIRE is David Lynch at his most deliberately unhinged, experimenting with how far he can stray from linear narrative while still producing a work that feels thematically whole, searching for the minimum number of recurring images and themes needed to stitch a piece together so that it tantalizingly approaches coherence without ever actually resolving.
Trailer for INLAND EMPIRE
COMMENTS: INLAND EMPIRE is a frustrating movie, or, more charitably put, a Continue reading 48. INLAND EMPIRE (2006)