Tag Archives: Herk Harvey

Canonically Weird (The List)

16. CARNIVAL OF SOULS (1962)

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“We hoped for the look of a Bergman film and the feel of Cocteau.”–variously attributed to screenwriter John Clifford or director Herk Harvey

Must See

DIRECTED BY: Herk Harvey

FEATURING: Candace Hilligoss, Sidney Berger

PLOT:  Mary Henry, a church organist, is the lone survivor of an accident when the car she’s riding in plunges over the side of an old wooden bridge.  Looking to start over, she takes a job as an organist at a new church in a town where she knows no one.  She finds herself haunted by the sight of a pale grinning man who appears to her when she is alone, and fascinated by an old abandoned carnival pavilion visible from the window of her boarding house that she senses hold a mysterious significance.

carnival_of_souls
BACKGROUND:

  • Carnival of Souls was made in three weeks for less than $100,000 (figures on the budget vary, but some place it as low as $33,000).  The film was a flop on its initial release, but gained a cult following through late night television showings.  The film was restored and re-released in 1989 to overwhelmingly positive reviews.
  • Director Herk Harvey, screenwriter John Clifford and composer Gene Moore worked together at Centron Corporation, an industrial film company, creating short safety documentaries such as Shake Hands with Danger and high-school propaganda/hygiene films such as What About Juvenile Delinquency? None were ever involved with a feature film again.
  • Mesmerizing star Candace Hilligoss acted in only one other feature film, 1964’s The Curse of the Living Corpse, before retiring to raise a family.
  • The movie has been very influential on other films, particularly low-budget horror films.  Director George Romero has said that the ghostly figures in Carnival of Souls inspired the look and feel of the zombies in The Night of the Living Dead (1968).  Other writers see a Carnival of Souls influence on films such as Eraserhead (in regards to its ability to evoke the nightmarish quality of everyday objects), Repulsion (disintegration of the mind of a sexually repressed woman), and even Apocalypse Now (the shot of Martin Sheen rising from the water mimics a similar scene involving The Man–thanks to Matthew Dessem of “The Criterion Collection” for the catch).
  • Carnival of Souls was “remade” in 1998, although the plot (about a clown killer and rapist) shared nothing with the original except the name and the final twist.  Wes Craven produced.  The remake went direct to DVD and was savaged by critics and audiences alike.

INDELIBLE IMAGE: What else, but the titular carnival? Ghostly figures waltz to an eerie, deranged organ score on what appears to be an old merry-go-round at the abandoned amusement park. The tableau recurs twice in the film: once clearly in a dream, and once near the end as a scene that may also be a dream, but may be another state of being entirely.

WHAT MAKES IT WEIRD: Carnival of Souls is set in the ordinary, everyday world, but as seen through the eyes of an alienated, frightened woman. The world the film depicts is familiar, but made maddeningly strange, and its the subtle, grubby touches rather than ghostly apparitions that allow this creepy low-budget wonder to seep deep under your skin.


Trailer for Carnival of Souls

COMMENTS: Carnival of Souls is a minor film miracle. There was little reason to suspect Continue reading 16. CARNIVAL OF SOULS (1962) →