DIRECTED BY: Maria Pulera
FEATURING: Nicolas Cage, Franka Potente, Penelope Mitchell, Garrett Clayton, Gwendolyn Mulamba
PLOT: Joe, a down-on-his-luck trucker, drives Julie to the hospital to visit her comatose daughter, Billie; when he helps Julie travel to the “other side” so she can guide her daughter’s soul back to this world, the spirit of Joe’s dead wife takes the opportunity to hijack Billie’s body.
WHY IT SHOULD MAKE THE LIST: Twin Peaks, Washington meets Small Town, Alabama in a heart-warming-turns-disturbing tale featuring a possessed teenage girl and a frazzled Nicolas Cage-as-truck-driver who has a history of reading the erotic remembrances of… Nicolas Cage.
COMMENTS: When Maria Pulera watched “Twin Peaks” while growing up, I’m sure she said to herself, “I can do that.” And so she does, with the great Nicolas Cage front and center (and the great Angelo Badalamenti noodling musically in the background). Cage’s performance as a burnt-out trucker plays like a B-side to his Mandy animalism; and while I wouldn’t say he goes off the deep end, he’s about as close as any realistic scenario might allow. At least as realistic as the “dead-wife’s-soul-steals-comatose-girl’s-body” plotline can be expected to be. Everything comes crashing together in an Alabama melodrama ripped from a ’90s-drenched Tales from the Crypt episode, culminating in something altogether bizarre.
Pity poor Joe (Nicolas Cage). We meet him, boot-first, as he’s trying to convince his boss that he’ll get his truck payment settled next month. No dice, the truck is to be repossessed, and Joe, with his mountain of worry, takes comfort in a gas station foot-long. Hearing strange thumps from the restroom, he charges in and beats down a man strangling a woman. The woman, another trucker named Julie (Franka Potente—yes, that one) is nonplussed at this ostensible rescue, as she was trying to meet up with her daughter’s soul. Joe can’t help but try to do the right thing, so he drives her to the hospital where her daughter, Billie (Penelope Mitchell), rests coma-style. His spiritual baggage comes with him, unfortunately, so when Julie tries again to reach her daughter, Joe’s dead wife uses the opportunity to sneak back into this world.
Between Worlds‘ first act plays as a bizarre resurrection of Nicolas Cage’s more lamentable ’90s comedy stylings as funneled through a David Lynch fan-girl’s love letter to them both. I suspect (hope) virtually none of you have heard of (and, even less, sat through) the 1994 rom-com It Could Happen to You, but I was having flashbacks to Cage’s cop character, but now having been dragged through the ringer after losing his wife and daughter in a fire and forced to wash “NoDoz” down by the mouthful with swigs of whiskey. The sweet, lovey-dovey first act where Joe bonds with Julie goes by quickly, in its oddball way, before the reality of the situation sinks in that this isn’t a romantic comedy.
Frankly, I had a great time watching this[efn_note]Others didn’t. Amazon’s display of Between Worlds shows a 2.5-star rating for the Prime Video, a 4-star rating for the Blu-ray, and a 1-star rating for the DVD.[/efn_note], and the expression I had on my face by the end confirmed my suspicion that what I was watching, though perhaps derivative, was quite strange. A smooth jazz score keeps prodding you (like in “Twin Peaks”), creepy evil is made manifest through possession (like in “Twin Peaks”), and there’s even a bad boy Bobby Briggs character (like in…). If you don’t like Cage, you will not like this movie; but if you do like Cage, then I recommend you hop in your truck and take a spin through Maria Pulera’s Alabama.
WHAT THE CRITICS SAY:
“If you saw ‘Mandy,’ and wished more Nicolas Cage movies were dark, weird, and personal: watch ‘Between Worlds’ and be careful what you wish for.” –Simon Abrams, RogerEbert.com (contemporaneous)