DIRECTED BY: Nikos Nikolaidis
FEATURING: Meredyth Herold, Michele Valley, Panos Thanassoulis
PLOT: An alcoholic detective searches for a lost love, presumably dead, and ends up acaptive of two psychotic women. The women (a mother and daughter) ceaselessly torture the helpless and incapacitated victim. He remains mute as they participate in bizarre sexual practices and flaunt their derangement, sometimes literally in his face.
WHY IT SHOULD MAKE THE LIST: Singapore Sling is one of the rare films where practically every frame is teeming with weirdness. The imagery, behavior, and even the strange nuances in the women’s dialogue are often over-the-top and perverse, yet even while the viewer is made to feel uncomfortable, there is an overwhelming desire to see what comes next. Just when you think it couldn’t possibly get any weirder it somehow manages to top itself.
COMMENTS: Singapore Sling is one messed up film. It is a twisted take on the film noirs that filled cinemas in the early part of the 20th century. Specifically, it pays homage to Otto Preminger’s stylish classic Laura (1944). I use the word homage very loosely here, however. The original film’s music theme is used sporadically throughout, the detective’s lost lover is named Laura, and the nutcase daughter has a painted portrait of herself like Gene Tierney’s Laura character. The similarities pretty much end there. Deviance always played a central part in noirs, but not anywhere close to the degree that is on display here. I have to smile thinking about a dolled up 1940’s socialite having a night out at the theater, dressed to the nines in her pearl necklace and pillbox hat, witnessing this vulgarity. “What is she going to do with that kiwi fruit”? Gasp!
Film noir translates to “black film” and Singapore Sling is the purest black possible. Actually, the black and white cinematography is surprisingly lush and almost seems too perfect for a film with this subject matter. The beautiful crispness works to its advantage and the film would not have the same impact if shot in color. The contrast of the blacks and whites are stark and sets the mood perfectly. If I have any quarrel with the movie it is with the decision to Continue reading RECOMMENDED AS WEIRD: SINGAPORE SLING [Singapore sling: O anthropos pou agapise ena ptoma] (1990)