166. TALES FROM THE QUADEAD ZONE (1987)

“That was a strange tale, wasn’t it, Bobby?”–Shirley L. Jones in Tales from the Quadead Zone

Beware

DIRECTED BY:

FEATURING: , Keefe L. Turner

PLOT: A woman reads her invisible child two stories from a book entitled “Tales of the Quadead Zone.” In one, a redneck family never has enough food for everyone at the table to eat, until one of the clan figures out a solution. In another, a man retrieves his dead brothers’ corpse in order to ritually abuse it.

Still from Tales from the Quadead Zone (1987)
BACKGROUND:

  • Chester Turner’s 1984 movie Black Devil Doll from Hell was originally written as one of the segments in this anthology film, but was expanded to a full-length feature instead. A remnant of that intention may linger in the theme song, which claims that “dolls will kill…”
  • Although they did almost all of the technical work themselves, Turner and Shirley Jones made up fictitious names for the camera and sound credits so the crew would seem larger than it was. Turner is still credited with direction, writing, music, special effects, and editing.
  • Most of the cast and crew have surnames of either “Jones” or “Turner.”
  • Disappointed after receiving less than $1,000 from the distributor of Black Devil Doll from Hell, Turner and Jones decided to sell copies of Tales from the Quadead Zone themselves. They traveled to every video store they could find within a 25 mile radius of Chicago selling their tapes.
  • After completing Quadead Zone, Turner quit filmmaking (because he hadn’t made any money at it) and started a construction business. For two decades he was unaware that his videotapes were being bootlegged and circulated among a small cult of trash-film devotees. (One original VHS copy of Quadead sold for $1,300). Internet rumors circulated claiming that Turner was dead, but Massacre Video’s Louis Justin eventually tracked him down by calling every Chester Turner for whom he could find a telephone number.
  • Turner has publicly stated he’s interested in making Tales from the Quadead Zone 2 and Black Devil Doll from Hell 2 (for which he’s already written a script—it’s subtitled “The Goddoll” and will be a spoof of The Godfather).

INDELIBLE IMAGE: The corpse dressed up as a clown. Who dresses up a corpse as a clown? What makes the scene especially unforgettable is the basic chroma-key technology used to depict an orangish-red blob of pure spirit entering the dead body.

WHAT MAKES IT WEIRD: What the heck is a “quadead” zone? A zone with four dead people in it? You’ll have no more clue after watching the movie than you did before, but you will at least understand that any film made by the unique Chester Novell Turner deserves a name that doesn’t make sense. Turner’s two-movie horror universe is a world of puppet rapists, killer rednecks, undead clowns and invisible child ghosts, shot through a camcorder lens, acted out by friends and family, and accompanied by a homemade Casio keyboard score that frequently drowns out the dialogue. Of his two brain-damaged films, Tales from the Quadead Zone earns a slight edge over Black Devil Doll from Hell, mainly because it’s a half-hour shorter, and features a broader range of non-actors engaging in awkward pauses in more varied environments.

Scarecrow Video’s trailer for a screening of Tales from the Quadead Zone

COMMENTS: The credits and theme song really tell you what you’re getting into with Tales from the Quadead Zone. With the unmetrical opening Continue reading 166. TALES FROM THE QUADEAD ZONE (1987)

CAPSULE: BLACK DEVIL DOLL FROM HELL (1984)

Beware

DIRECTED BY:

FEATURING:

PLOT: A sexually-repressed church lady buys a magical puppet who comes to life and rapes her, waking her slumbering libido.Still from Black Devil Doll from Hell (1984)
WHY IT WON’T MAKE THE LIST: Chester Novell Turner deserves some sort of weird movie recognition for his two movie opus of Black Devil Doll from Hell (1984) and Tales from the Quadead Zone (1987), films which reveal the relative polish and elegance of the maligned Sadly, a spot on the list of the weirdest movies of all time for Black Devil Doll from Hell is not that recognition. Although the doll sex scenes are a hoot, the movie as a whole is dull, and made up mostly of filler.

COMMENTS: The original tagline to Black Devil Doll from Hell was “Was it a nightmare? Or was it for real?” It should have been “I was raped by a puppet—and I liked it!” Shot on video with a budget of about $8,000—although when you watch you’ll find yourself wondering what Turner could possibly have spent all that money on—Black Devil Doll is basically an elaborate home movie starring Turner’s then-girlfriend and a cast and crew made up of relatives and buddies.

Massacre Video’s DVD presentation is taken from the best source material possible—which is a transfer of an vintage VHS tape. Anyone who dug the glitchy visual aesthetic of Trash Humpers should respond to this style: with warping around the edges and lots of horizontal roll to accentuate the washed-out lighting, Black Devil Doll is authentic analog ugliness. You shouldn’t want to see it any other way—these visual smudges are all part of recreating the authentic “just took a chance on this turkey because of the crazy title and cover” 1980s video store experience. Watching a pristine, restored version of Black Devil Doll from Hell would be as pointless as a Spike Lee remake with Halle Berry in the lead and Samuel L. Jackson voicing the puppet.

While the visuals are drab, the audio is frustrating. There is a constant background hiss, the dialogue can be hard to make out, and Turner’s childishly repetitive Casio keyboard score is irritating beyond belief. At one point, he holds a single ear-piercing high note for 45 seconds (I timed it). And let’s not forget that the acting is terrible, and the direction, too—there are long pauses in the dialogue while Turner patiently waits for the actors to remember their next line, and scenes where Jones just putters morosely around her house, doing nothing to advance the story.

All of this incompetence would be intolerable, if the core idea of a supernatural rapist who looks like Rick James turned into a ventriloquist’s dummy wasn’t so inherently bizarre and ludicrous. As it is, you’re left watching wide-eyed in sick fascination to see what strange, sleazy turn the tortoise-paced story will come up with next. The Devil Doll occasionally exhales smoke through his mouth, solely because it’s a cheap effect that looks marginally cool. After blasting his victim with a vent of steam he utters the classic seduction line “now that you have smelt the foulness of my breath, you may feel the sweetness of my tongue!” (I’m totally trying that line out on my next date). The sex scenes look absolutely ridiculous and anti-erotic, but the puppet’s technique must be is superlative, because soon after he rocks her world the church lady proclaims “I didn’t know it could be this beautiful!” She soon throws her Bible in the trash and starts searching the house to find the Devil Doll (whom she dubs “Mr. Wonderful”) for another round of fine lovin’ (splinters be damned!), but he’s gone missing. With the doll departed, she picks up strange men instead, but no one can satisfy her.

It’s all quite amazing; you keep on watching not because it’s entertaining, but out of awe that something like this even exists.

Massacre Video’s releases comes in a box set together with Turner’s other movie, Tales from the Quadead Zone (which we chose to represent the Chester N. Turner phenomenon on the List). The Black Devil Doll disc includes an alternate cut of the film that’s missing 13 minutes (they kept all 12 minutes of credits, though). There’s also a thirty minute interview with writer/director Turner and star Jones, and, even better, a commentary track. Jones, now likely a grandmother, makes some priceless comments: she calls the puppet “my baby!” when he first appears, critiques her own nipples, and breaks into an uncontrollable fit of laughter during the sex scene.

WHAT THE CRITICS SAY:

“The shot-on-video wave that turned horror VHS collecting into such a bizarre free for all in the 1980s resulted in many outrageous oddities, but none can really compete with the brain-shredding experience of Black Devil Doll from Hell.”–Nathaniel Thompson, Mondo Digital (DVD)

LIST CANDIDATE: A FIELD IN ENGLAND (2013)

A Field in England has been promoted onto the List of the 366 Weirdest Movies of All Time. Please visit the official Certified Weird entry.

DIRECTED BY:

FEATURING: Peter Ferdinando, Richard Glover, Ryan Pope, Reece Shearsmith, Michael Smiley

PLOT: During the English Civil War, a small band of deserters wanders into a large, empty field while searching for an ale-house. In that field, they unearth (oddly literally) a fifth companion, who turns out to be a domineering alchemist. He manipulates the four deserters into hunting for a buried treasure, leading them on a journey of dubious magic, self-discovery, and psychedelia.

Still from A Field in England (2013)
WHY IT SHOULD MAKE THE LIST: The last Ben Wheatley film I saw–Kill List–ended on a weird, brutally discordant note and it had its dark inexplicable moments, but I didn’t recommend it for the List because it felt too calculated and purposeful. A Field in England, on the other hand, is fully spontaneous, right up to the vaguely cyclical ending, and weirdness is its baseline. Those palatable touches of order and familiarity, like the vaguely heroic character arc and melodramatic villain, seem to spring wholesale out of the film’s twisted substrate; they serve, if anything, to orient and emphasize the weirdness, rather than undermining it. Because it is both random, and confident in its randomness, I submit A Field in England for consideration.

COMMENTS: A Field in England is a grimy, trippy gonzo costume adventure, one of the least heroic and most eccentric swashbuckler narratives I’ve been privy to. The story is so constrained, it’s almost cute: during the English Civil War, a small band of deserters wanders into a large, empty field where they are manipulated into hunting for a buried treasure. Matters of friendship, power, fear, life, and death ensue, and a loose, quirky hero’s story takes shape, though it’s driven more by suggestive leaps of happenstance than by fate or necessity.

Like Wheatley’s previous Kill List, A Field in England benefits from being a pastiche. It wears the heritage of historical adventure films on its sleeve, but it also has buddy-comedy and art-film elements, and it brings it disparate tones together admirably. One of its special accomplishments is to operate as an art-film while exhibiting a British comedy’s sense of humor. The dialogue and situational gags are dry and crass, and they serve to establish the five characters in a way that makes them genuinely endearing, even as we puzzle over what the hell is actually happening to them.

The five main characters have names, Wikipedia informs me, but I didn’t really pick up on them during the film. To me, they represented archetypes: the coward (Whitehead), the soldier (Jacob), the fool (Friend), the lackey (Cutler), and the evil mastermind (O’Neill). Of these five, Whitehead got all the most pivotal roles, and Field ends up being his story. His character arc provided a framework for all the other relationships and interactions, and though he didn’t have the funniest or most endearing moments, he drove all the key developments in the non sequiturish plot. Without Whitehead and his four boorish cohorts, the movie might have been almost unwatchable, but it actually went down pretty smooth.

As I said before, the reason this is an accomplishment is that the narrative logic of the film is genuinely random, driven by a sort of weird intuition with no respect for cause and effect. This can be attributed, at least in part, to the film’s hallucinogenic drug subtext, which led to some trippy, seizure-inducing sequences accompanying the major plot points. It only worked because the whole film had a foggy, disorienting quality, disconnected from its own reality, with an unstable relationship between dreamy detachment and visceral sensory amplification. The swing from one extreme to the other is epitomized in Whitehead’s psychedelic character climax, where he shifts from a sort of bleary, stupefied slow-motion degenerate into a potent force of nature, a raging hurricane-god rising up from the swaying of the wheat fields.

WHAT THE CRITICS SAY:

“…unapologetically psychedelic in both tone and tempo… a film both Ingmar Bergman and Ken Russell could drool over.”–Marc Savlov, The Austin Chronicle (contemporaneous)

WEIRD HORIZON FOR THE WEEK OF 3/21/2014

Our weekly look at what’s weird in theaters, on hot-off-the-presses DVDs, and on more distant horizons…

Trailers of new release movies are generally available on the official site links.

IN THEATERS (LIMITED RELEASE):

Falcon Song (2014): Judging from the trailer, it’s about a guitar-playing drifter who meets a telekinetic hottie who’s involved in a land dispute with the Masons. No one has seen it yet, but co-star Rainey Qualley, who’s Andie McDowell’s daughter, has movie star looks. I wouldn’t be surprised to see her show up in something more prominent soon. Falcon Song official site.

Jodorowsky’s Dune (2013): This documentary covers ‘s failed attempt to adapt Frank Hebert’s cult sci-fi novel to the big screen (a task later completed less than admirably by ). This documentary is getting more buzz than Jodorowsky’s actual new release, The Dance of Reality, which suggests that the general public likes the idea of Alejandro Jodorowsky better than they like the reality. Opening in New York City this week, future dates unknown. Jodorowsky’s Dune official site.

Maladies (2012): A retired, mentally ill soap opera star (James Franco) loses his grip on reality and hears voices as he lives with his equally deranged sister. Directed by “internationally acclaimed multimedia artist Carter,” it has currently earned a o% rating at Rotten Tomatoes. Maladies official site.

FILM FESTIVALS – Ann Arbor Film Festival (Ann Arbor, MI, Mar. 25-30):

Ann Arbor is the destination of choice for experimental filmmakers whose work is too academic, obscure and/or weird to screen at mainstream film festivals. As usual, we recognize almost none of the featured titles. The program that catches our eye is next Friday’s (3/28) “Animated Films in Competition” slate, which features a new stop-motion short from the and “Sangre de Unicornio,” a Spanish-language cartoon about teddy bears hunting unicorns. We’re sure there’s other good stuff there, too. Why not go there and find it for us, Michiganders? Ann Arbor Film Festival home page.

IN DEVELOPMENT:

Forbidden Zone 2 (201?): After years of talk about a sequel to 1980’s trip to the groovy, cartoonishly Satanic 6th Dimension, the time for talk is over. is putting his money where his mouth is… or rather, he’s putting your money where his mouth is, with a crowd-sourcing campaign on Indiegogo. Per the synopsis, an angry clown, interracial love affair, a princess in pasties, and an army of pinheads figure heavily in the new plot, along with an all-new score from brother Danny Elfman. The FZ fanbase is big enough that this one is certain to be funded; at this writing they’ve earned about a third of their $100,000 goal, with more than a month left to go. Forbidden Zone 2 at Indiegogo.

Once Upon a Time in Jerusalem (201?): A blasphemous gore comedy from Spain that will feature Jesus chopping up zombies and mutants with the skeleton of a giant fish. The trailer reveals an absurd level of carnage that approaches Tokyo Gore Police: Spanish . It’s an expanded version of the successful festival short “Fist of Jesus,” that featured the Messiah botching the resurrection of Lazarus and inadvertently creating a plague of zombies. Raising money via Kickstarter, they filmmakers are asking for an ambitious $150,000, and have raised $11,000 in pledges with a month and a half to go. Once Upon a Time in Jerusalem at Kickstarter.

NEW ON DVD:

“Is This a Zombie?” (Season 1) (2011): See description in DVD below.

NEW ON BLU-RAY:

“Is This a Zombie?” (Season 1) (2011): A teen is killed by a serial killer, resurrected by a zombie, then killed again by a chainsaw-wielding magical girl and resurrected as a female magical zombie… The plot description of this 13 episode gender-bending harem/zombie anime caught our eye in a week with few home video releases to consider. Buy “Is this a Zombie?” (Season 1) [Blu-ray/DVD Combo].

Mysterious Skin (2004): A teen who believes he was abducted by aliens tracks down a childhood pal, now a hustler in New York City, while investigating the source of his amnesia. This searing drama is generally considered ‘s best work. Buy Mysterious Skin [Blu-ray].

FREE (LEGITIMATE RELEASE) MOVIES ON YOUTUBE:

Broad Daylight (2004): More madness from Memphis’ John Michael McCarthy (Teenage Tupelo). This one is simple nostalgia: a recreation of Bettie Page-style burlesque loops (featuring garters and stockings, pasties and feather boas) shot in washed out 8mm Kodachrome color, set to psychobilly music. It’s still kinda weird. Watch Broad Daylight free on Youtube.

What are you looking forward to? If you have any weird movie leads that I have overlooked, feel free to leave them in the COMMENTS section.

Celebrating the cinematically surreal, bizarre, cult, oddball, fantastique, strange, psychedelic, and the just plain WEIRD!