DIRECTED BY: Rian Johnson
FEATURING: Adrien Brody, , ,
PLOT: Bloom is the passive brother floating in the wake of his older sibling Stephen, a Dostoevsky among con-men, who devises one last elaborate grift to rip-off a pretty, rich and very eccentric widow.
WHY IT WON’T MAKE THE LIST: Quirky, not weird. For the weird fiend, watching a film like this is the equivalent of taking cinematic methadone while waiting to score some big-screen bizarre.
COMMENTS: Though supposedly set in Montenegro, Prague, Mexico, St. Petersburg, and on a luxury steamer crossing the Atlantic, the real action in The Brothers Bloom is set firmly in Hollywoodland, a mythical, ultra-sophisticated realm where con men dress in pinstripe suits and bowlers to keep a low profile. Our guides through this wish-fulfillment landscape of daring capers and champagne breakfasts are as quaint a collection of quirks as one might expect to bump into outside of a wine and cheese party held inside Wes Anderson’s noggin: Stephen, a master grifter who writes real-life dramas for his marks designed not only to make him money, but to keep them happy by fulfilling their need for romance and adventure; Bloom, a mopey soul who has lost his own identity through playing out Stephen’s scripts since childhood; Penelope, the socially backward heiress with a prodigal talent for absorbing other people’s skills, whether juggling chainsaws or making cameras out of watermelons; and Bang Bang, the nearly mute Japanese munitions expert, the screenplay’s most original invention and the one character who leaves us wanting more. The cast does well, especially Brody as Bloom and a bubbly Weisz as Penelope (though however eccentric and awkward she might be, one has to seriously suspend disbelief to imagine that this pretty and very wealthy young thing isn’t swamped with suitors and hangers-on).
The con game is one of the toughest scripts to write, depending on its ability to surprise viewers who’ve seen many a twist ending in their day, and Johnson makes the task even tougher on himself by raising expectations and promoting his guys as the best in the business.In the end the final execution of the game doesn’t surprise, but the alert viewer has lots of fun along the way playing the multiple angles in his head, imagining possible double crosses as new players come into the field.The film runs out of gas before the end and sputters through a disappointing and overly sentimental epilogue/fourth act, but it doesn’t erase the enchantment built up until that point.A whiskey drinking camel and some interesting live action puns round out the fun.
WHAT THE CRITICS SAY: