APOCRYPHA CANDIDATE: BORDER (2018)

Gräns

Recommended

DIRECTED BY: Ali Abbasi

FEATURING: Eva Melander, Eero Milonoff, Jörgen Thorsson, Ann Petrén, Sten Ljunggren

PLOT: Tina is a Swedish customs officer with a super-human ability to detect when travelers are hiding something; her monotonous existence is upended when she meets Vore, who is hiding something far stranger than mere contraband.

Still from Border (2018)

WHY IT SHOULD MAKE THE LIST: Ali Abbasi’s film unflinchingly depicts “the other” in a low-key manner that forces the viewer to constantly question how well they can handle those who are very different from them. The mounting discomfort breaks mid-way through a reveal that is as surprising as it is relieving.

COMMENTS: Working for a site such as this, one often (and, indeed, hopefully) stumbles across strange and unsettling things that one cannot un-see. The carnage of Greenaway’s chamber drama; the nightmare of Lynch’s take on parenthood; or the sheer unpleasantness of von Trier’s rumination on couples going through a rough patch: all grab the viewer with an aural and visual assault through a strange, strange lens. With Border, director Ali Abbasi joins this crew of unrelenting visionaries. For its first half, his film defies categorization; for its second half, it pulls the viewer into a fairy-tale macabre whose supernatural elements are belied by their matter-of-fact depiction.

Tina (Eva Melander) is ugly, anti-social, awkward, but undeniably skilled at her job. With an almost feral sniff at passersby, she is able to determine if they are carrying something dangerous or illegal across the border into Sweden. Being able to sense shame, guilt, and a gamut of other emotions, she spots underage boozers, would-be traffickers, and even a well-heeled traveler with something dreadful on a hidden memory card. When a comparably ugly, antisocial, and awkward man (Eero Milonoff) passes her post, she knows something is “wrong” about him, but a thorough search of his luggage (and his person) reveals nothing. She’s never failed before, and feels compelled to learn more about this mysterious man. While aiding the authorities in breaking up a child pornography ring, she bonds with this stranger and ultimately learns two unsettling truths.

Without giving much more away, I felt a very strange sense of relief after the big reveal. The first hour of Border goes by without any explanation for the uncomfortable goings-on: uncomfortable for someone like me, at least. The continuous kind of “normalcy” on display became very trying, and my sense of comparative ease when Abbasi finally showed his hand made me wonder: would this movie have been better without that release valve? As it stands, it is a very good, and very strange, viewing experience. Had he gone completely without explanation, it would have been a much more difficult movie to watch, but perhaps a much more salient one. Having been pushed to the edge of an uncomfortable frisson, the pull-back allowed me to think of it more cinematically; and I was able to then better view it for its narrative and thematic merits. In the end, Border‘s greatest achievement is providing the viewer with a believable, optimistic finish to its strange tale of deformity, love, and human cruelty.

WHAT THE CRITICS SAY:

“The strangeness in this film writhes like bacteria.”–Peter Bradshaw, The Guardian (contemporaneous)

4 thoughts on “APOCRYPHA CANDIDATE: BORDER (2018)”

  1. Despite the fact that we’re just getting around to reviewing this now, it placed #5 on our “Weirdest of 2018” list.

    Border got a surprise (but well-deserved) Oscar nomination for Best Makeup (losing to Vice).

    Co-writer John Ajvide Lindqvist also scripted Let the Right One In.

    Director Abbasi is an Iranian expatriate, which gives him a unique perspective on the story of outsiders torn between assimilating or rebelling against the dominant society.

    1. I can only hope that “Vice” had some amazing work, then. I looked up the lead actors on IMdB while writing the review and what should I see but a handsome European woman and a handsome European man are the stars, hidden beneath some very impressive face & body work.

  2. My fave from last year’s fantasy film fest. But I only saw Mandy, Climax and Gräns there anyway.

Leave a Reply to Penguin Pete Cancel reply

Your email address will not be published.