Tag Archives: Ugo Tognazzi

122. BARBARELLA (1968)

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AKA Barbarella, Queen of the Galaxy

“Barbarella, pyschedella,
There’s a kind of cockleshell about you…”
–Lyrics from Barbarella‘s theme song

DIRECTED BY: Roger Vadim

FEATURING: Jane Fonda, , Anita Pallenberg, Milo O’Shea, Marcel Marceau, ,

PLOT: A wide-eyed aviatrix known as Barbarella must travel to the outer reaches of the peaceful galaxy to stop rebellious scientist Durand-Durand from unleashing his weapon, the Positronic Ray. She is rescued from a gang of dolls with razor-sharp metal teeth by a man who teaches her the ways of physical love, then befriends a blind angel. Her search leads her into conflict with the Grand Tyrant in a sinful city of the future.

Still from Barbarella (1968)

BACKGROUND:

  • Based on the French comic series of the same name, Barbarella‘s screenplay features her creator Jean-Claude Forest among its many credits, as well as novelist  (who also worked on the scripts for Dr. Strangelove and Easy Rider, among others).
  • The entire film was shot on a soundstage in Italy, meaning that the wondrous, complex sets were built from scratch for every scene. An oil wheel projector was used to create the trippy, amorphous backgrounds that visually expanded the limited space into larger territory. Several of the Italian actors are dubbed in English.
  • Among the many cut sequences from the final product is a titillating love scene between Jane Fonda and Anita Pallenberg. Publicity stills of the scene exist but it was never actually filmed.
  • At the time Barbarella was shot, star Jane Fonda was married to director Roger Vadim, known as the man who discovered (and married/divorced) the young Brigitte Bardot.
  • The bands Duran Duran and Matmos took their names from this film.
  • Barbarella was a flop on release. It was re-released in 1977 to cash in on the space opera craze started by Star Wars, with most of the nudity removed to create a PG rated version entitled Barbarella, Queen of the Galaxy.

INDELIBLE IMAGE: For many, Fonda’s titillating anti-gravity striptease over the opening credits is the highlight, or her sweaty orgasmic torture under the deadly Excessive Machine. For me the most remarkable visual moment is the Great Tyrant’s Chamber of Dreams, wherein Barbarella runs around in confusion, backed by fantastic lava-lamp patterns and floating bubbles as a rambling xylophone score tinkles over the action.

WHAT MAKES IT WEIRD: Merging elements of sex-romp comedy, ludicrous science fiction, and death-defying action-adventure with memorably psychedelic imagery, Barbarella is a series of disjointed sequences that get stranger and stranger as the story progresses. The wild costumes, over-saturated color schemes, goofy dialogue, and sly winks to the audience are punctuated with weird little details, from deadly animatronic dolls to a hair-raising futuristic sex scene with minimal physical contact.


Original trailer from Barbarella (1968)

COMMENTS: Set in a wildly distant future where war and violence no longer exist, everyone has Continue reading 122. BARBARELLA (1968)

106. LA GRANDE BOUFFE (1973)

AKA The Big Feast; Blow-Out

“If you don’t eat, you won’t die.”–Ugo, La Grande Bouffe

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DIRECTED BY:

FEATURING: , , , , Andréa Ferréol

PLOT: Four middle-aged, upper middle-class men (a judge, a TV personality, a pilot and a chef) hole up at a country villa to feast; it is gradually and casually revealed that they plan on eating themselves to death. They gorge themselves constantly, but the pilot can’t stand to go even for a day without sex, so prostitutes are invited to join them—along with a schoolteacher who attaches herself to the group willingly. As the gluttonous orgy continues the whores flee in disgust, but the teacher joins in the bacchanalia with gusto.

Still from La Grande Bouffe (1973)

BACKGROUND:

  • All of the main actors use their real names. All four of the male stars were well-established (Mastroianni, of course, was an international star and sex symbol). Except for Noiret, each had worked with director Ferreri before. Each had also had prominent roles in weird films from other European directors (Mastrioanni, most famously, in Federico Fellini films, but Noiret appeared in Zazie dans le Metro for Louis Malle, Piccoli was a mainstay in Buñuel movies, and Tognazzi had small roles in Roger Vadim’s Barbarella and  Fellini’s Satyricon). The quartet would reunite with the director the next year for a surrealist rendering of Custer’s last stand called Don’t Touch the White Woman (starring alongside another weird favorite, ).
  • The scatological content of the film scandalized some viewers at Cannes, but the film nonetheless won a FIPRESCI prize for Ferreri.
  • At its British showings La Grande Bouffe was protested by infamous decency crusader Mary Whitehouse; her attempts to have the movie banned ironically led to modification of the Obscene Publications Act to exempt films with artistic merit.

INDELIBLE IMAGE: The visions that will probably stick with you when you think back on La Grande Bouffe are scenes of four great European actors stuffing their faces with turkey legs, a castle made out of pâtés, and a pair of matching cakes shaped like breasts. Michel Piccoli dancing with a pig’s head is another strong candidate, as are the numerous gross scatological moments. But, the strangest and most lingering image may be the final one: sides of meat scattered around the villa lawn—a slab of beef wedged in the crook of a tree—and a pack of dogs sitting and looking attentively at the carcasses, making no move to eat.

WHAT MAKES IT WEIRD: La Grande Bouffe takes an absurd premise—four men decide to eat


Brief scene from La Grande Bouffe

themselves to death—and plays it out with illogical realism, proffering no explanations or motives for what happens.  It’s an unnatural but straight-faced parable that suggests nothing about how we’re supposed to take it. It’s a grotesque spectacle, but a strangely engrossing one, with a fascination that comes largely thanks to a dream cast of 1970s Euroweirdos.

COMMENTS: In the course of their Grande Bouffe, the four suicidal gourmands scarf Continue reading 106. LA GRANDE BOUFFE (1973)