A creature assembled from scraps of metal and bone searches for its purpose in a hostile world.
Erodium Thunk (2018) was made for an event honoring Micheal Snow’s short film A to Z (1956). In it, segments of old commercials are cut into pieces and cleverly pasted together. The result is a comedic social commentary that’s too weird and disconnected to be self-righteous.
“Late one night, down in my parents’ split level suburban basement, channel-surfing the old-fashioned way, I hit my first taste of Quay— like an electric shock—like nothing I’d ever seen. The mystery of the Quay Brothers got its hooks into me. I spent two years wondering what the hell I’d seen.”–Christopher Nolan on his first viewing of “Street of Crocodiles”
FEATURING: Feliks Stawinski
PLOT: Eerie reminiscences unfold when a gaunt man is brought to life after a globule of spittle activates a machine. He explores dusty, encrusted back streets and shop fronts teeming with rusted machines while being followed by a young boy. At length, a quartet of funereal tailors offers him a refashioning of uncertain merit.
- “Street of Crocodiles” is inspired by a short story (and story collection of the same name) by Bruno Schulz. It was financed by the British Film Institute, which produced and distributed the Quay’s early works. The BFI insisted that the film be based on a literary source as a condition for funding.
- The final (and only) narration in “Street of Crocodiles” is voiced by Leszek Jankowski, the film’s composer and a collaborator of the Quays.
- Film-maker Terry Gilliam regards “Crocodiles” as one of the ten best animated films of all time; film critic Jonathan Romney one ups him, saying it’s one of the ten best films of all time. 1)By complete coincidence, last week’s Certified Weird choice, Hellzapoppin’ (1941), also made Romney’s top ten all-time list.
- The Quay Brothers style in general, and “Street of Crocodiles” in particular, influenced many music videos; for example, Nine Inch Nails’ Closer (directed by ).
INDELIBLE IMAGE: During the twenty-one minutes of the film, the only “disposable” image is perhaps that of the live actor entering the opening frame and counting some unseen items on the ceiling. Virtually everything else sticks out like a rusty thumb. Forced as I am to choose, I’ll plump for the “memory inducement” sequence during which everything goes backwards as the protagonist (played by a marionette) peers through a square peephole. Ice cubes rise from a trapdoor, having un-melted; whispering seeds of a ripe dandelion reassemble into their fragile orb; and even the pointless workings of the rubber-band “Bachelor Machine” 2)The Quay Brothers employed many futilely active machines in their short films; the term stems from Duchamp’s sculpture, The Bride Stripped Bare by her Bachelors, Even. flip into reverse.
THREE WEIRD THINGS: Life-giving luminescence; skittering screws; meat map, mapped meat
WHAT MAKES IT WEIRD: Street of Crocodiles checks off a lot of boxes for a general “weird” survey: creepy visuals, stop-motion, dissonant score, defiantly vague plot-line, and pirouetting tailors. It’s hard to put it in words, as you might have guessed, but this is a Weird one. If you’ve seen anything like it since you first watched it, it’s probably because you just re-watched it.
Brief clip from Street of Crocodiles
COMMENTS: The difficult task of capturing a memory becomes Continue reading 337. STREET OF CROCODILES (1986)
References [ + ]
|1.||↑||By complete coincidence, last week’s Certified Weird choice, Hellzapoppin’ (1941), also made Romney’s top ten all-time list.|
|2.||↑||The Quay Brothers employed many futilely active machines in their short films; the term stems from Duchamp’s sculpture, The Bride Stripped Bare by her Bachelors, Even.|
A man tries to break away from his snake-like girlfriend who insists on being the focus of his attention.
A man tries to keep his youthful appearance by any means necessary.
A boy is brought to a deer farm to practice a custom that will help him become a strong grown-up.
“We have tried to create a kind of ‘nether world’ that would seem timeless. A strange place that would be uncomfortably familiar.”–Dave Borthwick
DIRECTED BY: Dave Borthwick
FEATURING: Nick Upton, Deborah Collard
PLOT: When wasp-guts accidentally fall into a jar of artificial sperm, the resultant baby is a fetus-like boy about the size of a thumb. While Tom is still a pre-verbal toddler, men in black suits kidnap him from his poor but loving home and take him to their “Laboratorium” for study. Escaping with the help of a tiny dragon-like creature, Tom stumbles upon to other miniature people who live in a state of eternal war against the “giants,” before reuniting with his father.
- The movie’s plot is suggested by the fairy tale “Tom Thumb,” the oldest surviving English folktale, but beyond the presence of a tiny child there are few similarities to the ancient legend.
- The movie was originally commissioned by the BBC as a ten-minute short to be shown at Christmastime, but they rejected the end product for being too dark. The station changed its mind after the short became an award-winning hit on the festival circuit, and co-funded this one-hour feature version of the story.
- Tom Thumb was also partly funded by Led Zeppelin bassist John Paul Jones, who also wrote the theme song.
- Besides stop-motion animation, Tom Thumb uses a technique called “pixilation,” which is basically the same idea but with live actors instead of models. Director Borthwick found that professional actors lacked the patience to sit still for the hours sometimes required for shots where humans interacted with puppets, so he used animators and technical personnel in the main roles instead (star Nick Upton is a primarily an animator specializing in pixilation).
- After debuting on television, Tom Thumb toured the film festival circuit and even booked theatrical dates in the U.S., paired with the excellent and bizarre short “Franz Kafka’s It’s a Wonderful Life.”
INDELIBLE IMAGE: There’s so much to choose from—particularly the surrealistic menagerie of disembodied body parts and mix-and-match homunculi from the Laboratorium—that the wilder images cancel each other out. In fact, it’s the faces of our two leads—the innocent, half-formed clay features of Tom and the greasy, beaming mug of his proud working-class dad—that stick in the mind. Indeed, for the poster and DVD cover images, the producers used such of scene of the two principal characters posing together (it’s a promotional still of a domestic scene that does not actually occur in the movie).
THREE WEIRD THINGS: Flying syringe insect; crucified Santa; halo of vermin
WHAT MAKES IT WEIRD: The tone of this fairy tale is hard to explain: equal parts silent slapstick, dystopian futurism, and ian surrealism, delivered through twitchy visuals that makes it play like a particularly restless dream. There is an unexpected sweetness to the concoction that helps it go down more smoothly than you might expect, but it still leaves a residue of nightmare behind.
Original trailer for The Secret Adventures of Tom Thumb
COMMENTS:The had been producing surreal, Continue reading 279. THE SECRET ADVENTURES OF TOM THUMB (1993)