Tag Archives: Panos Cosmatos

198. BEYOND THE BLACK RAINBOW (2010)

“I love popcorn movies just as much as I love bizarre art films. And my mother, she was an experimental abstract sculptor and there were these haunted pieces of sculpture [around the house] that I always really connected with. I always felt like my filmmaking sensibility is a weird hybrid of both of them.”–Panos Cosmatos

DIRECTED BY: Panos Cosmatos

FEATURING: Michael Rodgers, Eva Allen, Scott Hylands, Marilyn Nory

PLOT: Dr. Barry Nyle conducts experiments on Elena, a woman with telepathic powers who spends most of her time in a near-comatose daze, at the sparsely appointed “Arboria Institute” in 1983. A psychedelic flashback suggests that a bizarre ritual performed at Elena’s birth is responsible for her current condition. Elena decides to escape from the Institute, pursued by a transformed Nyle.

Still from Beyond the Black Rainbow (2010)BACKGROUND:

  • This was Panos Cosmatos’ first (and as of 2015, still only) feature film. He is the son of George P. Cosmatos, the director of Hollywood blockbusters Rambo (1985), Cobra (1986), and Tombstone (1993).
  • Cosmatos said the two main inspirations for Beyond the Black Rainbow were “hazy childhood memories of midnight movies and Saturday morning cartoons.” He also said that as a child he would look at the covers of horror movies at the video store which he was not allowed to rent, and that the movie is his grown-up realization of the kinds of stories he imagined were contained inside those boxes.
  • Beyond the Black Rainbow proudly admits to being a pastiche of the midnight movies that would be roughly contemporaneous to its 1983 setting. George Lucas’ THX 1138 (1971), ‘s Dark Star (1974), Suspiria (1977), and Michael Mann’s The Keep (1983) are some of the moviess Cosmatos and others who worked on the project cited as visual and spiritual influences. The high-contrast black and white of the flashback sequence was explicitly modeled on Begotten (1990).
  • Beyond the Black Rainbow beat out 63 competitors in a reader’s poll to be officially named to the List of the 366 Best Weird Movies.

INDELIBLE IMAGE: Although it’s far from the most stunning image in a movie filled with unforgettable visions, in some ways the bit that sticks with me most from Beyond the Black Rainbow is the slow low-angle pan down the Arboria Institute’s fluorescent corridor. The shot is replayed many times: with blood red tinting as Dr. Nyle first marches to interview Elena, a ghostly pan across the glowing white panels that slowly fade to industrial blue, a shot tracking the Sentionaut as he walks towards the sleeping Elena. Although this mysterious motif recurs often enough to be noteworthy, for an indelible image we’ll go instead with the fearsome appearance of “appliance-free”Dr. Nyle: bald, eyes permanently dilated, clad in skintight black leather fetish gear, and clutching his fang-shaped ceremonial dagger.

WHAT MAKES IT WEIRD: Shamelessly allusive, sinfully trippy, Beyond the Black Rainbow is a love letter to midnight movies of decades past, a hazy conjuration overseen by the guiding spirits of , , and a thousand doped-up sci-fi dreamers that somehow manifests its own unique vision. It’s the kind of movie most of us here would make if we were handed a big bag of residuals from Tombstone and told we could do whatever we wanted with it.


Festival trailer for Beyond the Black Rainbow

COMMENTS: The very title Beyond the Black Rainbow invokes an Continue reading 198. BEYOND THE BLACK RAINBOW (2010)

LIST CANDIDATE: BEYOND THE BLACK RAINBOW (2010)

Beyond the Black Rainbow won 2015’s reader-determined “List Candidate” tournament and was placed on the List of the 366 Best Weird Movies of All Time. The official entry is here.

DIRECTED BY: Panos Cosmatos

FEATURING: Michael Rogers, Eva Allan, Scott Hylands, Marilyn Nory

PLOT: Within the depths of a mysterious, retro-utopian health clinic, a troubled psychologist attempts to treat a silent young woman with telekinetic powers, but she keeps trying to escape.

WHY IT MIGHT MAKE THE LIST: Weird story, weird characters, weird weird visuals: Beyond the Black Rainbow definitely has weirdness in spades. At times it is overly self-satisfied in its ambiguity, but overall it’s a strong psychological thriller that revels in the bizarre.

COMMENTS: Opening with a creepily soothing informational video reminiscent of something out of the Dharma Initiative, Beyond the Black Rainbow immediately sets a dark and cryptic tone. The kindly Dr. Mercurio Arboria believes he has created a center for peace, understanding, and mind-opening advancement of the human race. Years later, his haven seems deserted, with only the mute and magical Elena seen in its cells. She is quiet but tightly coiled, ready to burst both mentally and physically. She holds Dr. Arboria’s protégée Barry Nyle in deep sway, but her importance to the institution is unclear. Through a surreal and unforthcoming flashback sequence her connection to Dr. Arboria and Nyle is expressed, though her telekinetic abilities remain something of a mystery. Her eventual escape prompts Nyle to take serious action.

Writer/director Panos Cosmatos draws from trippy horror-thrillers of the 70’s and 80’s to create his mood, with flashes of Altered States, 2001, Scanners, and the like. The pace is measured, with asides to Nyle’s dreary home life paired with closer views into the stark, enigmatic complex of Arboria. White walls intersect in a maze of cells and hallways, black panels reveal hidden objects, colored lights and energy pyramids glow in the dark—all while eerie synthesizers pulse over the soundtrack. The close shooting style lends the film a claustrophobic, tense atmosphere that is increased as the visuals become stranger and more abstract. Psychedelic colors swirl and coalesce, while a cult ritual is acted out in severe black and white and uncanny slow motion. Mutants in latex suits roam the hallways, and, oh yeah, heads explode!

As supposed psychologist Barry Nyle, star Michael Rogers wears his own face like a mask—impenetrable and unreal. His manner is cool and calculated, whether he’s murdering his own mentor or talking to his confused wife. His sadistic, violent nature is fully revealed through physical transformation, resulting in a chilling slasher chase during the film’s climax as Nyle hunts down Elena. Elena herself starts off as a typical waifish victim, silent and impassive. As her anger and determination rise, she becomes more self-assured and by the end is definitely a character to root for, a new-age Final Girl who values her freedom more than her revenge.

Beyond the Black Rainbow is in some ways high-minded and inaccessible, but its gorgeous and dreamlike visuals combined with its haunting electronic score and intriguing premise make for an engrossing and all-around weird experience. Its horror-thriller undertones and 1980s influences are well-incorporated, though some of its actual story/script elements are messy.

WHAT THE CRITICS SAY:

“…unless you’re among those who still drop acid as a midnight-movie apéritif, your enjoyment of this retro oddity remains far from guaranteed.”–Jeannette Catsoulis, The New York Times (contemporaneous)