DIRECTED BY: Nick Whitfield
FEATURING: Ed Gaughan, Andrew Buckley, Tuppence Middleton, Paprika Steen, Jason Isaacs
PLOT: Two psychic investigators—memory extractors who literally find “skeletons in the closet”—investigate a missing person case at the request of an eccentric family.
WHY IT WON’T MAKE THE LIST: Skeletons is sort of a whimsical corporate memory scenario, with a dash of humor, on an obvious low budget. Its ambition makes you want to root for it, but the end result is so minor that it ultimately doesn’t leave a lasting impression.
COMMENTS: Naturally gifted but troubled Davis and big-boned Bennett, the more stable of the team, are a pair of—psychic exorcists? Through a combination of technology and mental gymnastics, they are able to enter into people’s memories (entering via their home closets) and discover their secrets. The rules to this procedure are never clearly laid out. We stumble upon certain concepts in the course of the investigation, which is generally a good way to introduce information while keeping up the suspense, but here the technique is sometimes clumsy. (Why the necessity to build a “bypass” around the family’s homestead after the “triangulation fails,” except to buy the script more time to explore a parallel plot development?) At other times, the procedure’s dodgy mechanics lead to amusingly absurd results: “glow chase” too often, and you might end up “going Bulgarian.” One of the strangest things about the premise, which was never explained to my satisfaction, is who exactly the market is for these services. It appears to be couples who are afraid to tell each other their deepest secrets and require professional interventions, New Age dilettantes, and skeptics who end up embarrassed by the revelations; not much of a customer base, in my opinion. Although it’s presented as an unusual assignment, the idea of the two being sent on a missing persons case makes more sense—perhaps their objective perspective will allow them to find a clue in someone’s memory that person would miss. In fact, the movie might work best as the pilot episode for a weekly psychic mystery series that never happened.
Gaughan and Butler, veterans of British television, show good comic timing and chemistry. Each shows a mixture of loyalty to, and exasperation with, the other that makes their long-term partnership believable. They spend their long walks (for budgetary reasons, I guess, no one in their organization owns a car) discussing whether Rasputin was morally admirable. Bennet is concerned about Gaughan’s lifestyle and covers for him, but that doesn’t stop the pair from bickering on the job. The supporting characters do their jobs well: Paprika Steen as the quirky possible widow/potential love interest, Jason Isaacs as the bullying boss. The oddly-named Tuppence Middleton is the weakest link, if only because her suspiciously mute character often plays like more of a plot device than an organic presence. The comedy works, at least in spurts, at its funniest when Gaughan reads off his bureaucratic checklist (“have you ever seen a bear?”) and makes sure clients dot their i’s when signing forms (“yeah, but can you verbally confirm it?”) All in all, Skeletons is an amiable, reasonably witty indie that can’t quite figure out how to efficiently get its multitude of ideas across to the audience, resulting in a near-miss at cult status.
WHAT THE CRITICS SAY:
“…an intriguing, well-acted, quietly funny film that, though it is outright weird most of the time and certainly won’t be to everyone’s taste, has a quirky charm and emotional heart all its own.”–Owen Van Spall, Eye for Film (contemporaneous)
(This movie was nominated for review by “D-2.” Suggest a weird movie of your own here.)