Tenshi no Tamago
FEATURING: Voices of Mako Hyôdô, Jinpachi Nezu, Kei’ichi Noda
PLOT: In a desolate city, an angelic young girl cherishes an egg.
WHY IT MIGHT MAKE THE LIST: This haunting animation more or less entirely forgoes dialogue and narrative for a large helping of theistic symbolism and rich visuals.
COMMENTS: It’s often said that we anime fans fetishize the “otherness” of anime—or, put less pretentiously, it’s often said we like stuff simply because it’s Japanese.
To be honest, there’s some accuracy to that. But can you blame us? As one of the only non-Western entertainment mediums to gain measurable popularity here, anime represents, for many of us, the one substantial deviation from our entertainment norms. Hell, for many people, it’s more or less the only reminder that a norm even exists.
Of course, it’d be obscenely simplistic to say that’s what makes a work like Angel’s Egg so deeply engaging—but it’s definitely a factor.
Released in 1985, this 71-minute OVA (non-theatrical video feature) is the brainchild of director Mamuro Oshii (best known, at least around here, for his sci-fi philosophy-fest Ghost in the Shell) in collaboration with artist Yoshitaka Amano. One of the earlier efforts—and his second OVA—on Oshii’s extensive resume, Egg showcases that familiar blend of surrealism, introspection, and distinctly grit-flavored sci-fi that defines not only Oshii’s own work, but also a great deal of anime’s other “weird” offerings (End of Evangelion and “Serial Experiments Lain” come to mind).
Like so many of the movies featured here, Angel’s Egg largely supplants narrative with hefty symbolism and visual indulgence. Set in a grey and empty city of desolate Victorian/Gothic architecture—every single frame of it rendered with almost dizzying artistic excellence—the film follows a young girl who ekes out a lonely existence scavenging among the ruins and, for reasons known only to her, collecting hundreds of glass bottles of water. The girl tends to a large egg, carrying with her everywhere, believing that it holds a beautiful bird within it.
One day, a young man wielding a cross-shaped staff intrudes on the girl’s lifeless world, following her to her lonely abode. Other stuff happens, but really, to try and describe any aspect of this film with words is to sell it short.
Angel’s Egg is—again, like so many of the List’s films—a work of cinema defined by more than what happens on screen. It is defined by its atmosphere; a heavy, heavy atmosphere. The Gothic elements of this animation extend well beyond the architecture. Every frame of this film oozes ghostliness and desolation. The girl and the young man exist in a world of crumbling greyness and deafening silence, and every moment of the film’s striking visuals, ominous choral soundtrack, and heavy, lingering shots ensures that the viewer shares in every bit of the characters’ haunting isolation. Some may Continue reading LIST CANDIDATE: ANGEL’S EGG (1985)