Tag Archives: Lucid dreaming

CAPSULE: INCEPTION (2010)

Must See

DIRECTED BY: Christopher Nolan

FEATURING: Leonardo DiCaprio, Joseph Gordon-Levitt, Ellen Page, Tom Hardy, Ken Watanabe, Cillian Murphy, Marion Cotillard, Dileep Rao

PLOT: Cobb (DiCaprio), a mercenary with a unique skill set—he breaks into targets’ subconsciouses as they dream in order to steal business secrets—assembles a team to enter the mind of an heir to a billionaire’s fortune; but will his preoccupation with his lost wife, which is poisoning his own subconscious, destroy the mission?

Still from Inception (2010)

WILL IT MAKE THE LIST?: There’s a rule around here: no movie officially makes the List of the 366 Best Weird Movies of all time until it’s released on DVD, so that we can pore over individual scenes at our leisure. That said, Inception is probably on the borderline. That’s not to suggest it’s a bad movie; in fact, Inception may well be the best movie released so far in 2010, and has surely already nailed down an Oscar nomination and a spot on most critics 2010 top 10 lists. The question is, is it weird? By Hollywood standards, a psychologically thriller about professional dream infiltrators is damn weird; so out there, in fact, that only someone with the clout of a Christopher Nolan could get it made and released as a summer blockbuster. (Though to be honest, the subject matter is not as weird, to a studio executive, as is the concept of purposefully releasing an movie with a script that’s so complicated and tricky it throws viewers into a state of total bafflement within the first ten minutes). Nolan’s latest is pop-weird; it creates just a little bit of pleasant confusion that viewers trust will be substantially resolved by the end. It’s not a movie that will risk leaving us stranded in a psychological limbo. Nolan’s dreamscapes are surprisingly based in realism, carefully constructed from cinematically familiar parts—mainly old heist movies, film noirs and spy flicks—rather than from abstruse symbols, Jungian archetypes, and monsters from the id. With its focus on action and self-contained narrative rather than mysticism and mystery, Inception has more in common with crowd-pleasers like The Matrix or Total Recall than it does with 2001: A Space Odyssey or Stalker. (Although, if we were forced to select the weirdest movie of 2010 in July, we’d be forced to go with this one; thankfully we have five more months of movies to select from).

COMMENTS:  I wondered going into Inception: if I was making a thriller about dreams, one Continue reading CAPSULE: INCEPTION (2010)

45. WAKING LIFE (2001)

“Sanity is a madness put to good uses; waking life is a dream controlled.”–George Santayana, Interpretations of Poetry and Religion

DIRECTED BY: Richard Linklater

FEATURING: Wiley Wiggins, Ethan Hawke, Julie Delphy

PLOT:  An unnamed young man appears to be drifting from dream to dream, each animated in a different style. His dreams involve him talking to various college professors who explain their theories on existentialism, artificial intelligence and free will, as well as more typical dreamlike experiences such as floating away and taking a ride in a boat-car. About halfway through the film it slowly dawns on the dreamer that he is dreaming, and he begins to ask the characters he meets for help waking up.

Still from Waking Life (2001)
BACKGROUND:

  • The film was shot on mini-DV video over a period of six weeks. Each frame was then painstakingly hand-drawn by a team of animators using computer software specifically adapted for this film (a 21st century update of the process known as Rotoscoping).
  • Each minute of film took an average of 250 hours to create.
  • Featured actor Wiley Wiggins also worked as one of the animators.
  • The monologues on existentialism and free will were delivered by Robert C. Solomon and David Sosa, respectively, two philosophy professors from the University of Texas.
  • Ethan Hawke and Julie Delphy play the same characters in their short scene as they did in Linklater’s earlier film, Before Sunrise.

INDELIBLE IMAGE: In a film where thirty different animators each put their own distinctive stamp on the characters, it wouldn’t be at all surprising if thirty different people came up with thirty different answers to the question, “what was your favorite image in Waking Life?” We’ll suggest that final shot of the dreamer floating into the heavens is the obvious take-home image to bring to mind when you remember the movie, however.

WHAT MAKES IT WEIRD: Though Waking Life is a string of vignettes of varying levels of oddness, it’s the animation—which shifts from style to style, with the only constant being the fact that the backgrounds continually shift and waver in a state of eternal flux—that keeps it weird. The concept—that the entire film is a dream from which the unnamed protagonist can’t seem to awake—promises an exemplary level of surreality. In fact, many of the segments are, on their face, completely ordinary: cogent explanations of sometimes difficult, sometimes speculative philosophical concepts. The fact that these heady but decidedly rational ideas are explored in the context of the supposedly irrational world of dreams, might, in itself, be considered just a little bit weird.

Original trailer for Waking Life

COMMENTS: There are at least two ways to conclude Waking Life is an unconditional Continue reading 45. WAKING LIFE (2001)