DIRECTED BY: Ari Aster
FEATURING: , Milly Shapiro,
PLOT: Disturbing events unfold after the death of a family matriarch, culminating in a bizarrely violent pagan ritual infused with supernatural occurrences.
WHY IT MIGHT MAKE THE LIST: Hereditary equals or surpasses already Certified Weird films The Wicker Man, Repulsion, and Don’t Look Now with creepy cult imagery, tightly wound drama, and an effective and disturbing finale. The heavily-researched occult details makes the material surrounding guilt and loss linger. The exceptional effectiveness of Hereditary‘s unique brand of personal tragedy transformed into cult devilry means it should be considered for the list.
COMMENTS: Like a coffin descending into a fresh grave, Hereditary sinks into a subconscious nightmare that feels extremely real. The supernatural mystery at the core of the story (derived from a host of influences) is amplified by raw emotions surrounding bereavement and guilt. Hereditary doesn’t hold back when the catharsis comes. While Colin Stetson’s score highlights the creepy occult details to an oppressive effect, the characters mechanize into functional roles of which they are unaware. Represented in miniature models built by lead character Annie (Toni Collette), they ultimately fall prey to a bizarre set of spiritual encounters which, given the slow drip of small clues along the way, makes for an affecting, unforgettable experience.
The anxious and paranoid plot structure is highlighted by a web of sensory mechanics, like clicks and shimmers. It’s not surprising that theatergoers already engage in “clucking” during viewings, embracing the sensory details of the plot in real time. Much like‘s Repulsion, which is also laden with sensory triggers and sharp invasions, Hereditary is often dour and unpleasant; but this allows more fun to be had with its exciting plot development focusing on the invocation of an ancient pagan lord. Hereditary doesn’t merely bludgeon the audience with pop-psychology myths; it amplifies its plot revelations with painstakingly researched detail and pitch-perfect acting. The haunting images, abrupt sounds, and Toni Collette’s riveting acting combine with the sensory flourishes to create a seamless whole with an unusually oppressive mood.
The audience shares Annie’s emotions. Her retreat and avoidance of pain explodes into violent death and disorientation, kick-started in an early scenes when Annie asks her husband, “Should I be sadder?” after her mother’s funeral. Her focus on crafting miniature replicas grounds and distracts her, but perhaps only furthers her destructive tendencies.
The mechanics of the wider plot make the atmosphere even more compelling. Words in a bizarre language—“Satony,” “Zazam,” “Liftoach Pandemonium”—scribbled onto a bedroom wall neatly divide the narrative. Meant as invocations, the words (Aster did some Continue reading LIST CANDIDATE: HEREDITARY (2018)