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FEATURING: Michael Abbott, Jr., Andre Hyland, Sarah Baker, Virginia Newcomb
PLOT: Two dimwitted band members try to cover up the suspicious death of the third member of their trio in a small town.
COMMENTS: “Hey… ya’ll mfers wanna get weird?,” asks the eponymous (and still living) Dick Long in the opening scene. The Death of Dick Long does get—sort of—weird, though not in the way you might be expecting from half of the directing duo behind Swiss Army Man. Like the crude joke in the movie’s title, which makes you think you’re headed for a raunchy redneck comedy, the word “weird” is a little bit of misdirection. Though the movie is set in Alabama, the “weird” here is of the species you’d expect to see in a headline beginning with the words “Florida Man…”
Initially submitted as a regional black comedy with subtle situational humor, Death quickly moves to dealing with the consequences of the trio’s “weird” night, which we gather must have involved something more intense than the beer bongs, joints and fireworks we see in the opening montage. At first, Dick’s body (which his bandmates surreptitiously dumped at the emergency room door in the wee hours) is unidentified, and the precise cause of death unknown. Zeke and Earl aren’t too good at coverups, but fortunately for them the hometown cops—led by a sheriff with a cane and her friendly lesbian deputy—aren’t too good at solving unexpected crimes, even when the suspects literally hand them clues. The first half settles into a Fargo-esque groove that we’ve seen before, as sleep-deprived Zeke forgets to cover up bloodstains and neither conspirator shows much skill at improvising cover stories under pressure. Then, around the midway point, Dick Long takes its outrageous premise and, unexpectedly, wrings serious drama out of it. This tonal shift was a huge gamble, but it pays off.
The acting, from a string of unfamiliar and semi-familiar faces, is universally strong—actually, close to great. Michael Abbott, Jr. handles the lead with tragicomic aplomb. He doesn’t want the secret to get out, sure, but he’s even more afraid of losing his wife and child, which makes it easy to root for him despite his duplicity. His buddy Earl (Andre Hyland) is a comic foil and actually kind of a dick, a vapin’ fool whose philosophy of life distills down to a beer and a shrug. Sarah Baker makes you think that someday soon she might grow up to be Alabama’s answer to Marge Gunderson. Virginia Newcomb has a supporting role as Zeke’s wife, but gets a major moment when hubby awkwardly and reluctantly confesses after inconsistencies in his story give him no other choice. The smaller roles are handled with equal ability. Scheinert deserves credit for assembling and guiding this fine ensemble.
The Death of Dick Long put in a token appearance in theaters before showing up on a extras-free DVD and Blu-ray in December. This solo outing for Scheinert does not mean that he’s broken up with directing partner
WHAT THE CRITICS SAY:
“Never remotely as goofy as [Swiss Army Man] but still bizarre in its own way, it’s sort of difficult to believe the film exists. But in a post-Mother and Sorry to Bother You world, perhaps anything can… takes a turn for the weird around the halfway point, and what happens shouldn’t be spoiled…”–Justin Jones, CBR