“There are a lot of strange men practicing medicine these days.”–The Abominable Dr. Phibes
FEATURING: , Peter Jeffrey, Virginia North, , Terry-Thomas, photographs of Caroline Munro
PLOT: Dr. Phibes is an underground aristocrat who has sworn a campaign of revenge against the doctors he holds responsible for his wife’s death on the operating table. In his downtime, he listens to his automaton orchestra in his bizarre Art Deco lair and stages dance numbers with his beautiful mute assistant. A series of gruesome and bizarre murders, themed after Egyptian biblical plagues, attracts the attention of Scotland Yard, who strive to put together the puzzle and stop Phibes.
- The ten Biblical plagues of Egypt listed in Exodus 7-12 were (in order) blood, frogs, gnats (or lice), flies, cattle, boils, hail, locusts, darkness, and the firstborn. Phibes replaces gnats and flies with bats and rats.
- Phibes screenwriter William Goldstein (not to be confused with the more famous William Goldman) has just three screenwriting credits on his IMDB page: this movie, this movie’s misbegotten sequel Dr. Phibes Rises Again, and The Amazing Dobermans (1976), about a team of dogs trained to thwart an armored car heist. His short, yet quirky, career also includes a series of self-published sequels to Phibes.
- The initial movie poster was a collage of bad judgments. It spoils Dr. Phibes’ disfigured face, which was supposed to be a surprise near the ending; it implies a romance between Phibes and his assistant Vulnavia that never happens; and the tagline “Love means never having to say you’re ugly,” a parody of 1970‘s Love Story, set up audiences to expect a romantic comedy—to their doubtless bewilderment.
- Phibes fits the description of the rarely appreciated genre known as Diesel Punk. It’s set in the early decades of the 20th century and features a highly speculative series of plot devices involving technology that would at least have been cutting edge for the time. It’s also a museum of Art Deco styles.
- In this pre-CGI year of 1971, some of the scenes involving animals don’t come off too well. The bats scene was done with harmless fruit bats, who adorably cuddle up on the victim’s bed while they’re supposed to be menacing. The later rats in the cockpit were equally unconvincing as a threat.
INDELIBLE IMAGE: We give the obligatory disclaimer that we have a multitude of scenes to choose from. Of all the elaborate deaths, the amphibian death mask stands tall as the signature moment. One of Dr. Phibes’ victims attends a costume party with a frog’s head mask supplied by Phibes himself. The mask is designed to slowly crush the victim’s head. As Dr. Hargraves falls downstairs and the mask squeezes the last drops of blood from his head, the party music plays on and a crowd of animal-headed guests look down. The scene strikes the perfect note between the grotesque and the campy, and upon that note the theme of this movie plays.
THREE WEIRD THINGS: Animatronic swing band; unicorn impalement; Brussels sprout locust bait.
WHAT MAKES IT WEIRD: Dr. Phibes is the character Vincent Price was born to play. What more need we say? Ten times larger than life, Dr. Phibes is a dish of ham and cheese, a pulp villain sprung whole from the pages of vintage horror comics. The elaborate murder plots of his bent imagination fit perfectly into this film’s campy Art Deco/diesel-punk universe like a rare sapphire on a Faberge egg.
Original trailer for The Abominable Dr. Phibes
COMMENTS: The Abominable Dr. Phibes opens with our title character (Vincent Price) rising from the floor on a mobile pipe organ, Continue reading 307. THE ABOMINABLE DR. PHIBES (1971)