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“Chingaso the Clown” runs for 15 minutes (12 minutes without credits) and can be viewed on YouTube in its entirety by clicking this link. The film is mildly Not Safe for Work (NSFW) and would likely be rated R for language and violence.
DIRECTED BY: Elias Matar
FEATURING: Quinn Larson, David Hyatt, Roberta Orlandi
PLOT: . . . → Read More: CAPSULE: CHINGASO THE CLOWN (2006)
By G. Smalley (366weirdmovies), on February 26th, 2013% DIRECTED BY: Kim Chapiron
FEATURING: Olivier Barthelemy, Vincent Cassel, Roxane Mesquida
PLOT: Four young people agree to spend Christmas at the country home of a beautiful stranger they meet at a Paris club, but the oddball caretaker takes an intense and unhealthy interest in one of the crew.
WHY IT WON’T MAKE THE LIST: . . . → Read More: CAPSULE: SHEITAN (2006)
By Cameron Jorgensen, on September 8th, 2012% A skeleton android searches its way through a maze full of deadly traps and puzzles.
Some silhouetted villagers worship a giant machine which dispenses eyeballs, while others seek to destroy it in this strange award-winning animation that spawned two sequels.
By G. Smalley (366weirdmovies), on January 26th, 2012% “The doll character had been working its way into my drawings since 1990. A lot of these things evolved from drawings. The drawing is coming from the subconscious, really, so you don’t really know why, or say ‘why am I drawing it’?”–Christiane Cegavske on the DVD commentary to Blood Tea and Red String
. . . → Read More: 103. BLOOD TEA AND RED STRING (2006)
By Alfred Eaker, on October 27th, 2011% *This review is part of a series on the 2006 Salzburg Festival, in which the 22 filmed operas of Wolfgang Amadeus Mozart were diversely and, sometimes, radically staged by the most innovative directors working in opera today. The results provoked wildly mixed reactions and controversy, proving that Wolfgang Amadeus Mozart remains a vital voice in the world . . . → Read More: M22: THE MOZART OPERAS AT SALZBURG (2006): LA FINTA GIARDINIERA
By Alfred Eaker, on September 29th, 2011% This review is part of a series on the 2006 Salzburg Festival, in which the 22 filmed operas of Wolfgang Amadeus Mozart were diversely and, sometimes, radically staged by the most innovative directors working in opera today. The results provoked wildly mixed reactions and controversy, proving that Wolfgang Amadeus Mozart remains a vital voice in the world . . . → Read More: M22: THE MOZART OPERAS AT SALZBURG (2006): LA FINTA SEMPLICE, LO SPOSO DELUSO & LA OCA DEL CAIRO
By Alfred Eaker, on September 22nd, 2011% * This review is part of a series on the 2006 Salzburg Festival, in which the 22 filmed operas of Wolfgang Amadeus Mozart were diversely and, sometimes, radically staged by the most innovative directors working in opera today. The results provoked wildly mixed reactions and controversy, proving that Wolfgang Amadeus Mozart remains a vital voice in the . . . → Read More: M22: THE MOZART OPERAS AT SALZBURG (2006): IL SOGNO DI SCIPIONE & ASCANIO IN ALBA
By Alfred Eaker, on September 15th, 2011% This review is part of a series on the 2006 Salzburg Festival, in which the 22 filmed operas of Wolfgang Amadeus Mozart were diversely and, sometimes, radically staged by the most innovative directors working in opera today. The results provoked wildly mixed reactions and controversy, proving that Wolfgang Amadeus Mozart remains a vital voice in the world . . . → Read More: M22: THE MOZART OPERAS AT SALZBURG (2006): ZAIDE. ADAMA
By Alfred Eaker, on September 8th, 2011% * This review is part of a series on the 2006 Salzburg Festival, in which the 22 filmed operas of Wolfgang Amadeus Mozart were diversely and, sometimes, radically staged by the most innovative directors working in opera today. The results provoked wildly mixed reactions and controversy, proving that Wolfgang Amadeus Mozart remains a vital voice in the . . . → Read More: M22: THE MOZART OPERAS AT SALZBURG (2006): DON GIOVANNI
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