DIRECTED BY: Lew Lehman
FEATURING: Sammy Snyders, Jeannie Elias
PLOT: A psychotic, outcast 12-year old boy talks to his teddy bear and feeds his enemies to creatures who live in a pit in the woods.
WHY IT WON’T MAKE THE LIST: The Pit is a mish-mash of eerie/weird ideas and frustratingly bad directorial decisions; unfortunately, the latter dominate the former.
COMMENTS: It’s called The Pit, but most viewers would call it “the pits.” If you’re a regular at this website, however, you’re probably not one of them. After all, any movie that has both a creepy kid who talks to his teddy bear (that talks back) and a pit full of flesh-eating monsters (which the psycho-moppet calls “trollogs,” a bastardization of “troglodytes”) has something going for it. That said, The Pit is a big mess, sporadically interesting, but mostly a big tease of the weird movie it could have been in more competent hands. It’s torn between its high-concept psychodrama and its longing to be a drive-in creature feature. It rushes around trying to be all things to all people: it starts out confusingly with an out-of-context killing, inserts gratuitous nude scenes that are often ridiculous (besides peeping on his babysitter, Jamie uses a bizarre and improbable scheme to get a local mom to strip), shoehorns in barnyard comedy, sends out a bunch of guys in furry monster suits to run around in the woods chased by a posse of shotgun-wielding yokels, and epilogues with a nonsensical “twist.” It’s reasonably inept B-movie fun, but it’s not as deranged as it needs to be to earn classic bad movie status. Instead, it’s almost endearingly clumsy, like a lesser effort.
We get that Jamie is ostracized for being a weird kid, but the script goes way too far out of its way to hammer that point home. It’s one thing when his fellow snot-nosed tykes make fun of him, but having little old ladies in wheelchairs loudly insult him when he’s standing in earshot (“just not right, that boy!”) is laying it on too thick. Still, with his bowl haircut cut and a nose that’s growing just slightly faster than the rest of his face, Sammy Snyders is effectively creepy, without being an exceptionally good actor (taking into account his age and the extraordinary demands of the role). He’s in that awkward stage of early adolescence: you can still see fading traces of the cute kid he once was, but he hasn’t yet developed into a young man. He has good facial expressions; his eyes simmer and his lips tremble when he gets frustrated, which happens often. His line readings are a different matter, although it is a challenge for a 12-year old kid to convincingly deliver monologues like “she’s not like the others, Teddy, she’s pretty” to his teddy bear. The awkwardness arguably works in his favor; this is a bad B-movie version of a schizo kid, so a performance that’s a little unconvincing adds an unnerving edge: more evidence that this boy’s “just not right.” And if you’ve got a phobia about creepy, psychotic kids, this one could haunt your nightmares.
This is director Lew Lehman’s only feature. Screenwriter Ian A. Stuart complained that he made a hash out of the story, which was written as a serious thriller about a disturbed kid (everything was supposed to be all in Jamie’s head).
WHAT THE CRITICS SAY:
“… there’s no argument that I can perceive that makes The Pit a legitimately effective motion picture. Its deranged tone, bizarre characters, and a loopy structure that makes the 97-minute running time seem every bit of 20 minutes longer than the filmmakers were ready for all contribute to make certain of that.”–Tim Brayton, Alternate Ending (DVD)
(This movie was nominated for review by “Patrick,” who called it “[a]n utterly bizarre 80s horror film .” Suggest a weird movie of your own here.)